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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576375 Composed by David Warin Solomons. 20th Century,Contemporary. Octavo. 67 pages. David Warin Solomons #18737. Published by David Warin Solomons (A0.576375). Les Eléphants (The Elephants) by Leconte de Lisle, set to music by David W Solomons. For spoken voice, clarinet, flute and string quartet. The clarinet accompanies the spoken voice (but, optionally, a choir or single voice can sing the words to the notes of the clarinet). The tonality shimmers like the desert sun as it vacillates between octatonic and major/minor; it stays in major, sometimes with added sixths and fourths, as the elephants recall the good times, when they could enjoy shade and pools of water, but resumes the octatonic shimmering as they continue to trudge, albeit hopefully and with happy memories, through the hot desert sun. The sound file is an electronic preview with poem spoken by the composer. The pdf file contains scores (with and without transposition of the clarinet/choir part) and parts. A video of my performance can be found on youtube at https://www.youtube.com/watch?v=Lfu2cKAtEfILe sable rouge est comme une mer sans limite,
Les Eléphants (The Elephants) for voice, clarinet, flute and string quartet
Chorale SATB

$15.00 14.41 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027822 Composed by Chris LaBenne. A Cappella,Contemporary. Octavo. 4 pages. C. LaBenne Music #3010555. Published by C. LaBenne Music (A0.1027822). An acappella choral piece dedicated to the victims of the September 11, 2001 terrorist attacks in New York City. Scored for SSATB choir. A dramatic Latin text setting in F minor, composed in the tintinnabuli style made famous by Arvo Pärt. Pärt calls his vocal composition technique tintinnabuli, a Latin word meaning ‘the ringing of bells’. Pärt claims that the three notes of a triad ‘ring like bells’. In tintinnabuli, the tonic triad is always present somewhere within the piece; either the root, third, or fifth of the tonic triad will always be heard. This provides the unique ability to create striking dissonances that remain unified by the underlying tonality, and resolve satisfyingly back into the tonic. This is evident when listening to Epitaphium Innocentum; the way that one or more lines drift away stepwise from the tonal center while others remain on it is jarring in motion, but very pleasing upon resolution.  We are the heroes -- we are the axis of the stars.
Epitaphium Innocentum
Chorale SATB

$9.99 9.6 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1021516 Composed by Victor Rebullida. A Cappella,Instructional,Multicultural,Traditional,World. 15 pages. Victor Rebullida #6051639. Published by Victor Rebullida (A0.1021516). Haiku is an entertaining work composed as a vocal studio for choir. The intention was to get the choirs to work on the pentatonic scales. In addition, the work is a vocal articulation exercise for singers. It consists of three brief parts, the first two with texts of two haiku and the third based on a Sansa-daiko dance, a dance for taiko drums that is learned by memorizing certain syllables that represent the text of the latter piece. The rhythm is literally that of the dance itself but that melodically is embedded in pentatonic scales just like the two previous pieces.For the management of copyright the work is registered with the SGAE (Copyright Management Society of Spain) The score contains the data of the work and the composer for the management of Rights.The author will appreciate being informed of any interpretation of the work.------------Haiku es una obra divertida que compuse como un estudio vocal para coro. La intención era hacer que los coros trabajasen las escalas pentatónicas. Además la obra es un ejercicio de articulación vocal para los cantantes. Está formada por tres breves partes, las dos primeras con textos de dos haiku y la tercera basada en una danza Sansa-daiko, una danza para tambores taiko que se aprende mediante la memorización de determinadas sílabas que suponen el texto de esta última pieza. El ritmo es literalmente el de la propia danza pero que melódicamente está encajada en unas escalas pentatónicas igual que las dos piezas precedentes.El autor agradecería se le comunicase cualquier interpretación de la obra.
Haiku
Chorale SATB

$4.75 4.56 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
Shelter in Place for SSAATB chorus and nature soundtrack
Chorale SATB

$3.99 3.83 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.
The Gift to Sing - SATB choir
Chorale SATB

$1.99 1.91 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1008947 Composed by Maria Lord-Kniveton. Contemporary,Sacred. Octavo. 17 pages. MaLoMaLo Press #5713935. Published by MaLoMaLo Press (A0.1008947). Commissioned and Empowered explores harmonic progressions that pleasantly subvert expectations. The piece would provide an opportunity for a university level choir to gain confidence performing octatonic scales, angular melodies and countermelodies, harmonically complex counterpoint, and advanced rhythms. The text combines passages from the Bible in which God defines his covenant relationships with people and gives them purpose; it would be appropriate for a vocation-focused church event. To learn more about the composer and her other works, visit marialordknivetonmusic.com.
Commissioned and Empowered
Chorale SATB

$3.50 3.36 € Chorale SATB PDF SheetMusicPlus


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