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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1273068 By Public Domain. By Public Domain. Arranged by Noemi Bretas. Country,Folk,Historic,Pop,Traditional. Octavo. 15 pages. Marcelo Borba #865257. Published by Marcelo Borba (A0.1273068). Arrangement for 4 voices choir. Shosholoza is a popular South African folk song that has a rich history and cultural significance. The origins of the song can be traced back to the late 1800s and early 1900s, during the time of the South African gold and diamond mining boom.The word Shosholoza is believed to have been derived from the Ndebele and Zulu languages and translates roughly to go forward or make way for the next person. It was initially a call used by train drivers and mine workers to synchronize their movements while pushing and pulling railway cars or working in the mines.The song's lyrics and melody evolved over time through oral tradition, passed down among the workers as a form of communication, motivation, and solidarity. The rhythm and repetitive chanting helped the workers maintain a sense of unity and cooperation during physically demanding and often harsh conditions.During the era of racial segregation and oppression in South Africa, Shosholoza became an anthem of resilience and hope for the black South African population. It symbolized their spirit of endurance and unity in the face of adversity, and it came to be associated with the struggle against apartheid.With time, Shosholoza gained popularity beyond the confines of the mines and railway yards. It became a well-known folk song, performed by choirs, musicians, and cultural groups across South Africa and around the world. It embodies the spirit of ubuntu (the belief in the interconnectedness of all humanity) and has been used as a symbol of South African identity and pride.In modern times, Shosholoza continues to be celebrated as a cherished piece of South African musical heritage. It is often performed during sporting events, cultural festivals, and gatherings as a way to celebrate unity, strength, and resilience.Overall, Shosholoza remains a powerful reminder of South Africa's history, the struggles its people endured, and the enduring spirit of hope and solidarity that transcends adversity.
Shosholoza (South African)
Chorale SATB
Public Domain
$1.99 1.91 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download SKU: A0.777045 Composed by Traditional. Arranged by Jon Arterton. African. Octavo. 11 pages. Jon Arterton #6695865. Published by Jon Arterton (A0.777045). This is a rousing set of three wonderful songs from Africa. Wana Baraka is a traditional song from Kenya: Those who pray have blessings. Alleluia. They have peace, joy and well-being. Tshotsholoza is a freedom song from South Africa: Go forward to the mountains. The train is coming from South Africa. You are running away on those mountains. Amavolovolo is a traditional Zulu dowry song. In past times it told the story of people afraid to go to Kwamashu because there were so many guns there, but today it’s sung joyously at weddings and other ceremonies.
Three African Folksongs: Wana Baraka-Tshotsholoza-Amavolovolo
Chorale SATB

$2.25 2.16 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1313835 Composed by Traditional West African folk song. Arranged by Kathleen McGuire. A Cappella,Folk,Multicultural,Traditional,World. 2 pages. Kathleen McGuire #902556. Published by Kathleen McGuire (A0.1313835). This traditional West African folk song (lullaby or processional) is highly versatile. Most likely from Liberia in the Yoruba language, it could be used simply as a melody, as a 2-4 part round, as a simple 2-4 part warm-up exercise, or in multiple parts as a concert piece utilising SATB choir and soloists, or splitting choral voices into multiple parts. The arrangement includes performance suggestions, plus instructions for body percussion or added ad lib African percussion. Arranger KATHLEEN MCGUIRE has incorporated ideas from various traditional sources into one page for ease of learning.It is suitable for any ages or abilities. The words translate loosely in English to: We are sorry, I am sorry. What's up? What are you dreaming? Come to us.Listen to a 1955 recording by The Song Swappers and Pete Seeger: https://folkways.si.edu/the-song-swappers-and-pete-seeger/banuwa-yo/american-folk-world/music/track/smithsonian
BANU WAYO
Chorale SATB

$1.99 1.91 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.928962 Composed by American Traditional Lullaby. Arranged by Donald A. Mills. A Cappella,Children,Folk,Traditional. Octavo. 2 pages. Donald A Mills #3372897. Published by Donald A Mills (A0.928962). This song is a lullaby, a traditional American folk song. From Wikipedia, the free encyclopedia: All the Pretty Little Horses (also known as Hush-a-bye) is a traditional lullaby from the Early United States. The origin of this song is not fully known, but the song is commonly thought to be of African American origin, yet the tune is more easily identified as English or Scottish in origin. This SATB a cappella arrangement by Donald A. Mills ranges in the middle-to-upper levels of expertise. The singers must have a command of breath control, of keeping the tonal center under control, and in an ability to sing in a dissonant chord. The song's duration is comfortable for concert or competition. This beautiful tune is not commonly recognized but is a long-standing lullaby in the American tradition of music.Also available here as a ttbb arrangement.Your chorus and your audiences will love the sweet words, harmonies and melody. Such a rich American tradition. Sing the song as a soft lullaby, in a dream-state. Softly...softly...gently. See and hear more arrangements and compositions by Donald A. Mills at www.SheetMusicPlus.com by entering his name in the search rectangle of that web site.
All The Pretty Little Horses, an Early American Lullaby satb
Chorale SATB

$2.29 2.2 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1404441 Composed by Traditional African-American Spiritual folk song. Arranged by Scott S. Stewart. Christian,Easter,Praise & Worship,Religious,Spiritual. 22 pages. Scott S. Stewart #987520. Published by Scott S. Stewart (A0.1404441). He Never Said a Mumblin' Word (also known as They Hung Him on a Cross, Mumblin' Word, Crucifixion, and Easter) is an African-American Spiritual folk song of unknown origin. It became popular in 1871 with the Fisk Jubilee Singers, and gained a wider audience through noted music educator Nathaniel Clark Smith.  The text narrates the events of the crucifixion.  This arrangement is scored for a 4-part SATB ensemble with an acoustic double bass providing accompaniment.  The double bass part could be played on an electric keyboard capable of achieving that pizz. bass sound. Performance time: 4:42+-.
He Never Said a Mumblin' Word
Chorale SATB

$2.99 2.88 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.928983 Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Blues,Concert,Folk. Octavo. 5 pages. Donald A Mills #4853851. Published by Donald A Mills (A0.928983). With an original introduction by this arranger, this melodic balled is sung here a cappella, unencumbered by instruments. Some of the chord structure is complex, but intuitive. Your audiences will surely love this beautiful song in this new arrangement for SATB.From Wikepedia:Historians have not been able to definitively identify The House Of The Rising Sun, but here are the two most popular theories:1) The song is about a gambling hall in New Orleans. The House Of The Rising Sun was named after Madame Marianne LeSoleil Levant (which means Rising Sun in French) and was open for business from 1862 (occupation by Union troops) until 1874, when it was closed due to complaints by neighbors. It was located at 826-830 St. Louis St.2) It's about a women's prison in New Orleans called the Orleans Parish women's prison, which had an entrance gate adorned with a rising sun artwork. The melody is a traditional English ballad, but the song became popular as an African-American folk song. It was recorded by Texas Alexander in the 1920s, then by a number of other artists including Leadbelly, Woody Guthrie, Josh White and later Nina Simone. It was her version The Animals first heard. No one can claim rights to the song, meaning it can be recorded and sold royalty-free. Many bands covered the song after it became a hit for The Animals.
The House of the Rising Sun...SATB
Chorale SATB

$2.99 2.88 € Chorale SATB PDF SheetMusicPlus






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