Choral Choir (SATB) - Level 1 - Digital Download

SKU: A0.866169

Composed by Negro Spiritual. Arranged by Mario M. Pearson. Gospel,Sacred,Spiritual. Octavo. 6 pages. Empee music #3628331. Published by empee music (A0.866169).

An accessible arrangement for SATB choir and up to two soloists.  The demo recording features two soloists singing in a Gospel style while the choir provides background harmonies and also has a chance to ring out the text sometimes I feel like a motherless child!.

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.1194428

Composed by LaDena Laine. Arranged by Hanna Leppäla and Kjell Frisk. Christian,Praise & Worship,Religious,Spiritual,Traditional. Octavo. 3 pages. LaDena Laine #793802. Published by LaDena Laine (A0.1194428).

This is a two-song collection.  Keep your Lamps is inspired by the traditional negro spiritual of the same name while Open up Their eyes is an original composition. Both are written for SATB Gospel choirs.  

“Keep your lamps� has a jazzy arrangement and was arranged by both Kjell Frisk and Hanna Leppälä. “Open up Their eyes� is has a contemporary arrangement and was arranged by Kjell Frisk.

SATB choir a cappella - Medium - Digital Download

SKU: MQ.50-5024-E

Composed by Roland Carter. African American Heritage. 8 pages. MorningStar Music Publishers - Digital Sheet Music #50-5024-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-5024-E).

English.

A traditional Negro Spiritual sensitively arranged by one of today's prominent African American composers. The setting contains a hint of Lift Every Voice and Sing..

SATB choir, with soprano (or tenor) solo unaccompanied - Medium - Digital Download

SKU: MQ.1.1370-E

Composed by James M. Miller. African American Heritage. 10 pages. Galaxy Music Corporation - Digital #1.1370-E. Published by Galaxy Music Corporation - Digital (MQ.1.1370-E).

This arrangement of the traditional Negro Spiritual, freely arranged by James Miller, has been a staple of the choral music repertoire since its release in 1943. This dramatic, soulful setting features a rich, soaring solo for soprano or tenor, surrounded by characteristic harmonies for the choir.

Composed by Tradicional Spiritual. Arranged by Flávio Régis Cunha. Christian, Contemporary Christian, Gospel, Spiritual, Easter. Score. 20 pages. Published by Flavio Regis Cunha

Choral Choir (Mixed) - Digital Download

SKU: A0.987648

Composed by Traditional Spiritual. Arranged by Yonatan Sanchez Santianes. Christian,Sacred,Spiritual. Octavo. 4 pages. Yonatan Sanchez-Santianes #28069. Published by Yonatan Sanchez-Santianes (A0.987648).

Negro spiritual under traditional song I want Jesus to walk with me Countertenor, Tenor 1, Tenor 2, Baritone and Bass.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download

SKU: A0.1454120

Composed by Negro Spiritual. Arranged by Daniel L. Ridout, Jr. Christian,Folk,Religious,Sacred,Spiritual. 5 pages. Daniel L. Ridout, Jr. #1033295. Published by Daniel L. Ridout, Jr. (A0.1454120).

Written in 4 parts, with occasional 5-part divisi, this slower spiritual emphasizes a call and response between parts as is traditional in many spiritual genres.

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.881126

Composed by Traditional Spiritual. Arranged by Cesar Alejandro Carrillo. 20th Century,A Cappella,Sacred,Spiritual. Octavo. 4 pages. Cesar Alejandro Carrillo #3860325. Published by Cesar Alejandro Carrillo (A0.881126).

This is an arrangement of the well-known american negro spiritual Swing low, sweet chariot in a slightly spicy harmonization.

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.1001699

Composed by Traditional. Arranged by Tony Backhouse. A Cappella,Gospel,Spiritual. Octavo. 3 pages. Tony Backhouse #6674625. Published by Tony Backhouse (A0.1001699).

Upbeat and joyful SATB Christmas carol/ Negro spiritual, with opportunities for exploiting dynamics and tempo- especially at the end where the held notes could go on forever. The verses are placed on the soprano stave but could equally be a soloist or the full section. Note the contrast between the tender attitude in the verses and the abrupt fortissimo change into the chorus (eg. bar 12)  The outro vamp (bars 24-26) could go on for  longer. .