Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511). The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.

SATB - Intermediate - Digital Download By Maroon 5. Arranged by Rune Ulset Furberg. 16 pages. Published by Rune Ulset Furberg

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.905244 Composed by Woong Lee (�웅). Arranged by Woong Lee (�웅). Christian,Contemporary. Octavo. 7 pages. Woong Lee #3601891. Published by Woong Lee (A0.905244). �웅 작곡, �해� 작시 - 장미� 기�(Prayer of Rose) (For 4Voices & Piano)https://youtu.be/r7vqO4pfCkg

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1365141 Composed by Todd Marchand. Christian,Lent,Sacred. 7 pages. Con Spirito Music #949447. Published by Con Spirito Music (A0.1365141). Scottish-born James Montgomery (1771-1854) was a poet, writer, and editor, raised and theologically trained in the Moravian Church. As a writer of hymns, his work has been compared favorably to that of Samuel Wesley, Isaac Watts, Philip Doddridge, John Newton, and William Cowper (Cooper). Among his most well-known lyrics are Angels From the Realms of Glory, Go to Dark Gethsemane, and Hail to the Lord's Anointed.In the Hour of Trial consists of four stanzas of eight lines in 6.5.6.5 meter, written in the first-person voice. Stanzas 1 and 2, presented by unison women's voices, then men's, are pleas for Jesus' presence in times of temptation; stanza 3, in full harmony and unaccompanied, expresses the author's reliance on Christ in times of affliction; stanza 4, with full choir and organ accompaniment, expresses the author's reliance, at time of death, on Jesus' truth and promise of eternal life. This anthem is especially appropriate in Lent and for memorial services, and is fitting for general worship as well.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701460 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125381. Published by Kevin G. Pace (A0.701460). An original hymn based on Alma chapter 5 from the Book of Mormon. See text by Kathryn Hales below.YouTube video: https://youtu.be/mDD-eZJ8PcIDo you hear the voice of the Shepherd Calling Come unto me, Partake of the fruit of the Tree of Life And drink living waters freely. Come unto me and bring forth works Of righteousness built on faith; Remember the deliverance of your fathers And the words the prophets saith.   Strip yourselves of all pride and envy; Persecute not your brother; Be ready to help the needy and poor, Showing love to one another.   Receive my image in your countenance; Sing the song of redeeming love; Humble yourselves and trust in my voice, That comes from the heavens above.   Wash your garments in the blood of the Lamb; Steadfastly believe on my name; Have clean hands and a pure heart, Standing firm without guilt or shame.   Come to the fold of the Good Shepherd, Repent, overcome every sin; I’m calling with a voice so gentle, Come to my fold and enter in.

Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.882922 Composed by Vahram Sarkissian (Sargsyan). 20th Century,A Cappella,Contemporary,Sacred. Octavo. 14 pages. Vahram Sargsyan #2002319. Published by Vahram Sargsyan (A0.882922). Labia Mea for eight mixed voices a cappella is a unique innovative composition that explores and questions the possibilities of the human voice. Several unusual techniques are used throughout the work such as different types of throat singing, overtone singing, multiphonics, vocal percussion, extreme registers etc. It reveals some sounds and colors yet unknown to the world of vocal music. The work is based on a short excerpt of the psalm 50 (Domine labia mea aperies). There is a text accumulation process throughout the work, at the beginning there are just sounds, then phonemes assemble, words appear and closer to the end the full text is revealed.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.893896 Composed by James Weldon Johnson, John Rosamond Johnson. Arranged by MistressPianist. 20th Century,Spiritual. Octavo. 11 pages. Leah Anteneh #5895423. Published by Leah Anteneh (A0.893896). Lift Every Voice And Sing SATB Choral, with a more classical feel. This piece is meant for mixed voices with divisi in the Alto and Tenor part (although divisi is optional).Comes with Piano Accompaniment as well, no additional charge!Perfect for school choirs/church choirs and other educational purposes. In honor of Black History Month as well as Juneteenth.Duration of the work is roughly 2 minutes and 40 seconds to 3 minutes.Vocal Ranges for each part: (low-high) Soprano: G#3-C#5Alto: G#3 - C#5Tenor: C#3 - E4Bass: E2 - C#4(Can be requested to be in a higher key!)

Choral Choir (SATB) - Digital Download SKU: A0.828300 Composed by Emily Garsin, Anna Shields. Arranged by Anna Shields. Children,Graduation,Holiday,Musical/Show,Pop. Octavo. 25 pages. Anna Shields of Starling Arts #5354447. Published by Anna Shields of Starling Arts (A0.828300). Choral arrangement of The Voice Inside, written for the Starling Arts choirs by Emily Garsin & Anna Shields.Arranged for 5 parts: Soprano 1, Soprano 2, Alto 1, Alto 2 and Tenor/Bass.Perfect for school ensembles and community choirs without large numbers of lower voices.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty� was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias� (aka The Agincourt Carol), with the refrain Ride on in majesty!� following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576147 Composed by David Warin Solomons. Contemporary. Octavo. 5 pages. David Warin Solomons #2031633. Published by David Warin Solomons (A0.576147). Setting of Rimbaud's mysterious (or possibly tongue-in-cheek) synaesthetic poem Voyelles for mixed choir with 2 soprano soloists (SSAATBB) The top two voices are soloists and the other voices provide the accompaniment. In the poem each vowel is allocated a colour and a strange vision, which are reflected in the music. A version for mixed choir (AAATBarBB) is also available. The sound sample is a performance by the composer of the male voices version. A video of this piece (men's voices version) with words on screen can be found on youtube at: https://www.youtube.com/watch?v=uCWS-Qho9ec.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.726149 Composed by B.F. White. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred. Octavo. 5 pages. Con Spirito Music #6733809. Published by Con Spirito Music (A0.726149). “God is Love: Let Heav’n Adore Him� pairs a text by the Welsh Anglican bishop Timothy Rees (1874-1939) with the 19th-century American hymn tune BEACH SPRING, attributed to Benjamin Franklin White (1800-1979), compiler and editor of the influential Sacred Harp hymnal.Quick to rehearse, yet satisfying to perform and moving in its effect on listeners, this lovely anthem expresses assurance in God’s boundless love, from His creation of the world (v. 1) to His love for “ev’ry child of ev’ry race� (v. 2) to His ultimate triumph over sin and death. Verses 1 and 2 are assigned to unison women’s and unison men’s voices, respectively. Then, following a modulation upward, the concluding verse 3 is sung by all voices in unison, with 4-part harmony at the peak of the verse before drawing to a peaceful, unison close. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576146 Composed by David Warin Solomons. Contemporary. Octavo. 5 pages. David Warin Solomons #2031631. Published by David Warin Solomons (A0.576146). Setting of Rimbaud's mysterious (or possibly tongue-in-cheek) synaesthetic poem Voyelles for men's voices with two alto soloists (AAATBarBB) The top two voices are soloists and the other voices provide the accompaniment. In the poem each vowel is allocated a colour and a strange vision, which are reflected in the music. A version for mixed choir (SSAATBB) is also available. The sound sample is a performance by the composer (multitracking) A video of this piece with words on screen can be found on youtube at: https://www.youtube.com/watch?v=uCWS-Qho9ec.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1493730 Composed by Todd Marchand. Christian,Christmas,Sacred. 4 pages. Con Spirito Music #1070393. Published by Con Spirito Music (A0.1493730). Sing, O Sing, This Blessed Morn is a hymn commemorating the birth of Jesus Christ. Written by Anglican bishop, scholar, author, and poet Christopher Wordsworth (1807-1885), it was published in his collection, The Holy Year; or Hymns for Sundays and Holy-Days, and Other Occasions (1862). Rather than a retelling of the Nativity story, the hymn is more a statement of beliefs about the nature and work of Christ, echoing elements of the Nicene Creed in phrases such as: God from God, and Light from LightGod himself comes down from heav'nOne with us in human birthGod with us ... deigns forever now to dwellborn for us that we born again in him may bewith thy Spirit may [we] be ... with the Father and with theeThis joyful, medium-easy setting of Sing, O Sing, This Blessed Morn for SATB voices and organ is mostly unison, with SATB on the first half of stanzas 3 and 5, and on the concluding alleluias.Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.700719 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham, and Richard H. Hales. Christian,Praise & Worship,Sacred. Octavo. 42 pages. Kevin G. Pace #545875. Published by Kevin G. Pace (A0.700719). Hymns (Original Sacred SATB Music Volume 5) is a collection of original hymns for SATB voices. 26 hymns. Music by Kevin G. Pace with text by Mark R. Fotheringham. 2 hymn texts by Richard H. Hales.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.957755 Composed by Stephen Lines. Contemporary,Multicultural,Sacred,Standards,World. Octavo. 13 pages. Stephen Lines #13283. Published by Stephen Lines (A0.957755). A very moving chorale for 5 voices, piano and optional Bb Trumpet. Suitable for secular or sacred performance.