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Choral Choir (SATB divisi) - Level 5 - Digital Download

SKU: A0.516511

Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511).

The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.

Missa Solemnis for mixed choir, soloist voices and organ - Full
Chorale SATB

$20.20 19.25 € Chorale SATB PDF SheetMusicPlus

Choral Choir (Mixed) - Level 3 - Digital Download

SKU: A0.575581

Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Octavo. 11 pages. David Warin Solomons #2026207. Published by David Warin Solomons (A0.575581).

This version of the traditional folk song Green grow the rushes oh has been arranged for various combinations of voices - this one: mens' voices - in G (Alto Tenor Baritone), and mixed voices - in B (Mezzo-soprano, Alto, Tenor) women's voices - in D (Soprano Mezzo-Soprano Alto) The traditional count-down from one to twelve is interrupted midway when the top voice declares let's not make them listen to the lot but the chorus includes all twelve symbols anyway. The sound sample is a performance of the men's voices version (in G) by Matthew Curtis of www.choraltracks.com.

Green grow the rushes o (men's voices)
Chorale SATB

$2.99 2.85 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.1283376

Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Published by Con Spirito Music (A0.1283376).

Charles Wesley’s (1707-1788) Advent hymn, “Come, Thou Long-Expected Jesus,†from Hymns for the Nativity of our Lord (1744), reflects the dual nature of Advent for Christians, in that it recalls the first coming and incarnation of the Messiah while also anticipating His return.

Each stanza presents a different idea: Stanza 1, the longing for freedom from sin and fear; Stanza 2, attributes of or names for Christ; Stanza 3, the Messiah's birth, kingdom, and purpose; and Stanza 4, a prayer for Christ's rule in believers' hearts. Among the Scriptures referenced in the hymn are 2 Corinthians 4:14, Revelation 3:21, Isaiah 61:1-2, Luke 4:18-19, and Romans 6:22.
 
In this setting of Wesley’s text to an original tune, a short introduction is followed by verse 1, presented by women’s voices (soprano, alto) and verse 2, presented by men’s voices (tenor, bass). Verse 3 is presented by SATB voices, unaccompanied; and following a short organ interlude and modulation from D minor to E minor, the concluding verse 4 is introduced by all voices in unison with organ, then expands both dynamically and in texture to SATB and ends on a glorious E major chord.

©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit
www.conspiritomusic.com

Come, Thou Long-Expected Jesus — SATB voices, organ Chorale SATB

$2.00 1.91 € Chorale SATB PDF SheetMusicPlus

Choral Choir (Mixed) - Level 4 - Digital Download

SKU: A0.576147

Composed by David Warin Solomons. Contemporary. Octavo. 5 pages. David Warin Solomons #2031633. Published by David Warin Solomons (A0.576147).

Setting of Rimbaud's mysterious (or possibly tongue-in-cheek) synaesthetic poem Voyelles for mixed choir with 2 soprano soloists (SSAATBB) The top two voices are soloists and the other voices provide the accompaniment. In the poem each vowel is allocated a colour and a strange vision, which are reflected in the music. A version for mixed choir (AAATBarBB) is also available. The sound sample is a performance by the composer of the male voices version. A video of this piece (men's voices version) with words on screen can be found on youtube at: https://www.youtube.com/watch?v=uCWS-Qho9ec.

Voyelles for mixed voices (with 2 soprano soloists)
Chorale SATB

$2.99 2.85 € Chorale SATB PDF SheetMusicPlus

Choral Choir (Mixed) - Level 3 - Digital Download

SKU: A0.575608

Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Octavo. 8 pages. David Warin Solomons #2026283. Published by David Warin Solomons (A0.575608).

After singing the excellent Britten setting of this traditional song I was moved to write various versions of my own: The choral versions are more sophisticated than the original but different from and possibly rather easier than the Britten arrangement. The voice and guitar version has a more interesting guitar part than the traditional guitar chords. The sound samples are sung by Matthew Curtis of choraltracks.com for the choral versions and by Margaret Jackson-Roberts with the composer on guitar for the voice and guitar version. All three versions are available here: voice and guitar (low alto or high tenor: both versions are in the pdf file) Women's voices (SSA or SMezA) men's voices (TBarB) in D major and in B major (both versions are in the pdf file) videos of the choral versions can be seen here: women's voices https://www.youtube.com/watch?v=yumtXSa_o-w men's voices https://www.youtube.com/watch?v=Zxy3opZlBog.

The Ballad of Green Broom (men's voices)
Chorale SATB

$2.99 2.85 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download

SKU: A0.1495196

Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito Music #1071742. Published by Con Spirito Music (A0.1495196).

Jesus Christ the Apple Tree is the commonly used title for a poem published under the heading Christ compared to an Apple-tree in the August 1761 issue of The Spiritual Magazine, a London periodical for Calvinist Baptists.

Above the poem in the publication are words of its author:

Gentlemen,
Having spent some of my vacant time in the composition of short pieces of Divine Poetry, have sent you the following, by way of specimen; which, if thought worthy of a place in your magazine, shall communicate the others regularly. I am your well-wisher and constant reader, R.H.

R.H. is today believed to most likely be the Rev. Richard Hutchins, a Calvinist Baptist clergyman then serving in Long Buckby, Northamptonshire. The poem's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. Because of its popularity in New England churches thereafter, it has often been wrongly attributed to an anonymous early American poet or to Smith.

The poem may be an allusion to the apple tree in Song of Solomon 2:3 (As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste), which has been interpreted as a metaphor for Jesus. It also alludes to other descriptions of the tree of life in both the Old and New Testaments. 

Primitive yet profound, Jesus Christ the Apple Tree has been set to music by many composers, including a very popular setting by Elizabeth Poston (1905-1987). This new setting for unaccompanied SATB voices captures the rustic quality of the text with a rising-and-falling folksong-like melody, attractively harmonized. 

Voices realized by Cantamus (https://cantamus.app/)

©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patritic, and popular music for instruments and voices, visit
www.conspiritomusic.com

Jesus Christ the Apple Tree — SATB voices Chorale SATB

$2.99 2.85 € Chorale SATB PDF SheetMusicPlus

Choral Choir (Mixed) - Level 4 - Digital Download

SKU: A0.576146

Composed by David Warin Solomons. Contemporary. Octavo. 5 pages. David Warin Solomons #2031631. Published by David Warin Solomons (A0.576146).

Setting of Rimbaud's mysterious (or possibly tongue-in-cheek) synaesthetic poem Voyelles for men's voices with two alto soloists (AAATBarBB) The top two voices are soloists and the other voices provide the accompaniment. In the poem each vowel is allocated a colour and a strange vision, which are reflected in the music. A version for mixed choir (SSAATBB) is also available. The sound sample is a performance by the composer (multitracking) A video of this piece with words on screen can be found on youtube at: https://www.youtube.com/watch?v=uCWS-Qho9ec.

Voyelles for men's voices (with 2 alto soloists)
Chorale SATB

$2.99 2.85 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB Chorus) - Level 4 - Digital Download

SKU: A0.1512147

Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham, Joseph Smith. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #1087188. Published by Kevin G. Pace (A0.1512147).

An epic, inspiring sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham, Kevin Pace and Joseph Smith.  Inspired by the verses in Doctrine and Covenants 128:19-24.

Text:
What do we hear in the gospel received?
Voices of gladness, returned from the grave,
Voices of prophets restoring all keys.
Rejoice all ye mountains, ye valleys and trees!
Cry out all ye deserts and sing all ye seas!

Hope is confirmed through the priesthood of pow'r,
Blessed by God's servants in this final hour.
Let all the dead sing forth anthems of praise,
Redeemed from their prisons, redeemed from malaise.
A House of The Lord once again has been raised!

Heavenly voices resound in our ears:
Glory, salvation, and unending years!
All of creation forever shall tell
Of Jesus, the Savior, King Immanuel.
One day, He'll return and with Him we shall dwell.

Until that day, shall we not give our all,
Aiding the work that redeems from The Fall?
Paving the way to a covenant path,
Our dead saved from darkness; our dead saved from wrath.
We'll then share the joy that our dear Father hath.

Voices of Gladness, a sacred hymn
Chorale SATB

$2.99 2.85 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download

SKU: A0.1493730

Composed by Todd Marchand. Christian,Christmas,Sacred. 4 pages. Con Spirito Music #1070393. Published by Con Spirito Music (A0.1493730).

Sing, O Sing, This Blessed Morn is a hymn commemorating the birth of Jesus Christ. Written by Anglican bishop, scholar, author, and poet Christopher Wordsworth (1807-1885), it was published in his collection, The Holy Year; or Hymns for Sundays and Holy-Days, and Other Occasions (1862). 

Rather than a retelling of the Nativity story, the hymn is more a statement of beliefs about the nature and work of Christ, echoing elements of the Nicene Creed in phrases such as: 

God from God, and Light from Light
God himself comes down from heav'n
One with us in human birth
God with us ... deigns forever now to dwell
born for us that we born again in him may be
with thy Spirit may [we] be ... with the Father and with thee

This joyful, medium-easy setting of Sing, O Sing, This Blessed Morn for SATB voices and organ is mostly unison, with SATB on the first half of stanzas 3 and 5, and on the concluding alleluias.

Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)

©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit
www.conspiritomusic.com

Sing, O Sing, This Blessed Morn — SATB voices, organ Chorale SATB

$2.99 2.85 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download

SKU: A0.726149

Composed by B.F. White. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred. Octavo. 5 pages. Con Spirito Music #6733809. Published by Con Spirito Music (A0.726149).

“God is Love: Let Heav’n Adore Him†pairs a text by the Welsh Anglican bishop Timothy Rees (1874-1939) with the 19th-century American hymn tune BEACH SPRING, attributed to Benjamin Franklin White (1800-1979), compiler and editor of the influential Sacred Harp hymnal.

Quick to rehearse, yet satisfying to perform and moving in its effect on listeners, this lovely anthem expresses assurance in God’s boundless love, from His creation of the world (v. 1) to His love for “ev’ry child of ev’ry race†(v. 2) to His ultimate triumph over sin and death. Verses 1 and 2 are assigned to unison women’s and unison men’s voices, respectively. Then, following a modulation upward, the concluding verse 3 is sung by all voices in unison, with 4-part harmony at the peak of the verse before drawing to a peaceful, unison close. 

©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit
www.conspiritomusic.com

God is Love, Let Heav'n Adore Him - SATB voices, piano Chorale SATB

$2.00 1.91 € Chorale SATB PDF SheetMusicPlus

Choral Choir (Mixed) - Level 4 - Digital Download

SKU: A0.516501

Composed by Verdi Giuseppe. Arranged by Santino Cara. Opera. Octavo. 103 pages. Santino Cara #11207. Published by Santino Cara (A0.516501).

Act 1, Scene VII., VIII., IX., for solo voices, chorus STB and piano from: I Lombardi in the first Crusade! by Giuseppe Verdi on the libretto by Temistocle Solera. In the pdf file, in addition to the complete score for voices and piano, also includes the parts of the solo voices and the part for chorus Scenes: Scene VII. Continuation of the Finale I° Vieni! già posa Arvino Scene VIII., IX. Quintetto Finale I°, continuation of the scene IX. Mostro d’averno orribile Continuation of the scene IX. and Stretta of the finale I° Va! sul capo ti grava l’Eterno Roles of the characters: Giselda – Soprano Viclinda – Soprano Arvino – Tenor Pagano – Bass Pirro – Bass Chorus STB ( Sopranos, tenors and Basses).

Verdi "I Lombardi alla prima Crociat" (Act1-VII-VIII-IX) Solo voices, Chorus and Piano
Chorale SATB

$10.80 10.29 € Chorale SATB PDF SheetMusicPlus

Choral,Mixed Chorus Choir,Choral - Digital Download

SKU: A0.1470641

By Arturo Escorza. By Mateo de Dallo y Lana. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Historic,Sacred. 32 pages. Arturo Escorza #1048293. Published by Arturo Escorza (A0.1470641).

Discover the exquisite and rare Lauda Sion  a sequence composed for the feast of Corpus Christi, ca. 1690 by the renowned Spanish composer Mateo de Dallo y Lana, Master of Chapel of the Cathedral of Puebla de los Ángeles.

This unpublished masterpiece consists of 8 voices in two choirs, (SATB and SSAT) and continuo.
The full score provides a comprehensive view of the entire piece, while the separate continuo part allows for detailed performance preparation.

Lauda Sion showcases a rich tapestry of vocal interplay, with not all voices singing throughout, ensuring a dynamic and captivating musical experience.

Details:

Composer: Mateo de Dallo y Lana
Title: Lauda Sion
Feast: Corpus Christi
Voices: 8 (Choir 1: SATB, Choir 2: SSAT)
Instrumentation: Two choirs and continuo
Format: Full score and continuo part
Length: 130 measures.

"Lauda Sion" for 8 Voices - Mateo de Dallo y Lana
Chorale SATB
Arturo Escorza
$2.00 1.91 € Chorale SATB PDF SheetMusicPlus






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