Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.831754 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Logan Widmor. A Cappella,Pop. Octavo. 18 pages. Logan Widmor #5307877. Published by Logan Widmor (A0.831754). A Cappella arrangement of everything i wanted by Billie Eilish for solo, SATB voices, and vocal percussion.If you have any questions, feel free to contact the arranger at lwidmusic@gmail.com.

By OneRepublic. By Brent Kutzle, Brent Michael Kutzle, Casey Cathleen Smith, Casey Smith, Ryan B Tedder, Tyler Spry, Zach Skelton, Zachary Skelton, and Ryan Tedder (1979-). Arranged by Rob Dietz. A Cappella. Octavo. 11 pages. Rob Dietz #6599239. Published by Rob Dietz

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1095155 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Michael Coderre. A Cappella,Contemporary,Pop,Singer/Songwriter. Octavo. 13 pages. Michael Coderre #699214. Published by Michael Coderre (A0.1095155). Song by Billie Eilish about the deep emotions of loving someone. Emotions that can become more than you can manage. Sparse but harmonically rich arrangement enhances the text. For SSATBB (with some divisi) and solo.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.827523 By Chris Daughtry. By Jon Bon Jovi and Richie Sambora. Arranged by Nicholas Wright. 20th Century,A Cappella,Contemporary,Rock. Octavo. 9 pages. Nicholas Wright #6329695. Published by Nicholas Wright (A0.827523). Voicing: SATB (mixed)Parts: 8 (includes solos/divisi)Pages: 8Range: D2 - F5Key: A minor

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1335751 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Rob Dietz. A Cappella,Contemporary,Pop. 15 pages. Rob Dietz #921576. Published by Rob Dietz (A0.1335751). Contemporary A Cappella arrangement for SSSAAATTBB + Solo and Vocal Percussion. Originally performed by OneVoice.

By Royal Deluxe. By James Weaver, Sam Getz, Samuel Getz, and Tyrone Wells. Arranged by Matthew Haltom. Rock. 9 pages. Matthew Haltom #898132. Published by Matthew Haltom

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Published by Michelle Kraak (A0.1012606). The Betrayal is written for choir (soprano, alto, tenor, bass). It is a religious piece based on the passion of Christ. It has aspects of imitation, with a lot of independence in the parts. The vocal parts represent the voice of Jesus, the voices of those who crucified him, a narrator, and also briefly the voice of Peter, Jesus' disciple. The bass primarily sings the role of the people who called for his death, but as the piece continues others join in this role. I wrote some of the lyrics and also pulled some verses in from the Bible. I think this would be a great piece for Holy Week, perhaps on Good Friday or Maundy Thursday. the piece captures some of the intense emotions involved in the crucifixion and would make a great addition to Lenten music in the church. Lyrics:Why did you leave me?Why did you run?I absolved you of your sin. Jesus Christ must die for what he's done. I absolved you of your sin,I saved you from yourselves,I just wanted to lead you,Closer to God. Death! I wanted to give you new life. Three times you will deny me, Woman I do not know him! Jesus Christ must die for what he's done. Why did you leave me? Why did you run?I absolved you of your sin.I saved you from yourselves,I just wanted to lead you, Closer to God. Jesus I didn't know him.I don't know the man! Jesus Christ must die for what he's done. Peter struck him!Cut off his ear,Jesus touched him and healed him,Though the man had come for him. Jesus Christ must die for what he's done. Why should Jesus die for what he's done?Why did I forsake the Son of God?I'd have called for him to be crucified. We are no better,Then the past. Why did you forsake me,Why did you forsake me? Forgive them,For they do not know what they're doing. Forgive them,For they do not know what they're doing. Betrayed with a kiss. Surely he was the son of God.Surely he was the son of God.Surely he was the son of God.4 minutes 29 seconds6 minutes 29 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.944518 Composed by George Shearing. Arranged by Aldo Martinez. Contemporary. Octavo. 9 pages. Aldo Martinez #6111273. Published by Aldo Martinez (A0.944518). Lullaby of Birdland is a jazz standard and popular song composed by George Shearing with lyrics by George David Weiss George Shearing wrote Lullaby of Birdland in 1952 for Morris Levy, the owner of the New York jazz club Birdland. Levy had got in touch with Shearing and explained that he'd started a regular Birdland-sponsored disk jockey show, and he wanted Shearing to record a theme which was to be played every hour on the hour. Levy originally wanted his own music to be recorded, but Shearing insisted he couldn't relate very well with it and wanted to compose his own music. They compromised by sharing the rights of the song; the composer's rights went to Shearing, and the publishing rights went to Levy.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821179. Published by Zack Richards (A0.894408). I wrote this piece in response to the #BlackLivesMatter Protests across the United States and world during the early summer of 2020. The extreme extent of peaceful protests and violent riots demonstrated the desperate need for change in a way I had not witnessed before. I knew quickly that I wanted to write music in some sort of response to the situation, but I struggled at first to find my voice within the movement. I am a white male and have experienced the privilege that comes with it. No matter how much I sympathized or understood the struggles of minorities in our culture, I knew I could not possibly bring the full meaning of it through my music, as I could never really experience the trials they have faced constantly for so long. So instead I decided to write words and music that reflected how I hoped things would be going forward after this movement. I wanted this to be an anthem for those who have suffered through real oppression, in any form. While there are some religious undertones in the text I chose, I tried to find words that could resonate with anyone, reaching beyond color, culture, belief, orientation, age, or any other dividing label. I tried to write in regard to one thing we all have in common, humanity. I hope I was able to accomplish this. The anthem can be done in parts or unison or as a solo. It can also be done with or without accompaniment.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1021834 By The Wanted. By Alex Smith and Elliot Gleave. Arranged by Jason Nicolo Ferrandino. Pop. Octavo. 14 pages. Jason Nicolo Ferrandino #6897519. Published by Jason Nicolo Ferrandino (A0.1021834). This song from The Wanted is a great modern addition for your Show Choir. Intended to be paired with choreography, this song lets your group shine while singing and dancing. Arranged for SATB choir.

Choral Choir,Choral (SATB divisi) - Level 2 - Digital Download SKU: A0.1400173 By The Wanted. By Edward Drewett, Steve Mac, and Wayne Hector. Arranged by Brian M. Plehn. A Cappella,Contemporary,Pop. 9 pages. Brian M. Plehn #983387. Published by Brian M. Plehn (A0.1400173). This is an SSATB with solo arrangement of the Wanted's song, Glad you Came.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027799 Composed by Heather Gilligan. Contemporary. Octavo. 6 pages. World Projects Corporation #2989151. Published by World Projects Corporation (A0.1027799). From the composer...The text for I'll See You in the Morning was taken from a children's book of the same name. The book, by Mike Jolley, evokes a calm, reassuring atmosphere with its warm illustrations of the moon and stars, snuggling animals, and sleeping children. I wanted to capture the same aura through the use of lush, comforting harmonies and a relaxed tempo. I also wanted to highlight the sense of deep love that a parent feels for a child, as this text does. The mother of a two-year-old myself, these feelings are somewhat self-referential.

SATB chorus divisi unaccompanied - Digital Download SKU: OX.9780193572379 Composed by Bob Chilcott. Octavo. 9 pages. Oxford University Press Digital #9780193572379. Published by Oxford University Press Digital (OX.9780193572379). ISBN 9780193572379.For SATB (with divisions) unaccompanied. Bob Chilcott wrote this piece at the request of a friend and colleague Michael Emery, the Producer of the BBC Singers, who wanted a new piece to sing at Mass in Notre Dame, Paris, while touring with their choir, the St Peter's Singers, Hammersmith. Offprinted from the collection Cantica Nova.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.881130 Composed by Johann Sebastian Bach. Arranged by Cesar Alejandro Carrillo. Contemporary,Jazz,Latin. Octavo. 8 pages. Cesar Alejandro Carrillo #4730883. Published by Cesar Alejandro Carrillo (A0.881130). Air on a G String is one of the most versioned works of Johann Sebastian Bach. With this arrangement I have wanted to give a new and unprecedented facet to this wonderful music by adding a rhythm of Cuban son. The result will be a delicious Air with spicy Latin flavor. It can be accompanied with claves (Cuban percussion sticks).

SATB chorus divisi - Digital Download SKU: BJ.1231 Composed by Enrico Miaroma. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1231. Published by Bo Ejeby Forlag - Digital (BJ.1231). 8.27 x 11.7 inches.Contents:My song FarewellTwo compositions to lyrics by Indian Nobel Laureate Rabindranath Tagore: My Song and Farewell. Enrico Miaroma, Italian composer and choral conductor, writes about the pieces: Farewell was composed in 2011 for a youth choir of 45 young adults, working and having fun together in Arco (Trentino), for one marvellous week together with Gary Graden and myself. My aim was to compose a piece that young choristers would appreciate after intense and joyful days together. Through my music I wanted to share the range of emotions and the hardship of parting when they were to go home to their native countries again. The choice of such a beautiful and evocative text helped me a great deal to achieve this. Farewell is recorded by S:t Jacobs Chamber Choir and Gary Graden on the cd To the Field of Stars (Footprint Records FRCD 083). My Song is like a little brother to Farewell. From the very beginning, I had a strong feeling that the assonance between the words of the title, 'my song', and 'my son', was intended by the poet. Throughout the composing process, this kept coming back to me, bringing my little son, Giovanni, who is four years old, to mind. I would like My song to be a gift from a father to his son, for his future life: 'This song of mine, my child, will wind its music around you'.John Quinn, MusicWeb International on Enrico Miaroma and Farewell: The choral writing is rich and he harnesses the emotions in the text most effectively. It's an eloquent piece, very well written for voices and it conveys well, I think, some of the emotions of valediction, including dignity..