Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.831754 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Logan Widmor. A Cappella,Pop. Octavo. 18 pages. Logan Widmor #5307877. Published by Logan Widmor (A0.831754). A Cappella arrangement of everything i wanted by Billie Eilish for solo, SATB voices, and vocal percussion.If you have any questions, feel free to contact the arranger at lwidmusic@gmail.com.

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1335751 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Rob Dietz. A Cappella,Contemporary,Pop. 15 pages. Rob Dietz #921576. Published by Rob Dietz (A0.1335751). Contemporary A Cappella arrangement for SSSAAATTBB + Solo and Vocal Percussion. Originally performed by OneVoice.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.827523 By Chris Daughtry. By Jon Bon Jovi and Richie Sambora. Arranged by Nicholas Wright. 20th Century,A Cappella,Contemporary,Rock. Octavo. 9 pages. Nicholas Wright #6329695. Published by Nicholas Wright (A0.827523). Voicing: SATB (mixed)Parts: 8 (includes solos/divisi)Pages: 8Range: D2 - F5Key: A minor

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1095155 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Michael Coderre. A Cappella,Contemporary,Pop,Singer/Songwriter. Octavo. 13 pages. Michael Coderre #699214. Published by Michael Coderre (A0.1095155). Song by Billie Eilish about the deep emotions of loving someone. Emotions that can become more than you can manage. Sparse but harmonically rich arrangement enhances the text. For SSATBB (with some divisi) and solo.

By Royal Deluxe. By James Weaver, Sam Getz, Samuel Getz, and Tyrone Wells. Arranged by Matthew Haltom. Rock. 9 pages. Matthew Haltom #898132. Published by Matthew Haltom

By OneRepublic. By Brent Kutzle, Brent Michael Kutzle, Casey Cathleen Smith, Casey Smith, Ryan B Tedder, Tyler Spry, Zach Skelton, Zachary Skelton, and Ryan Tedder (1979-). Arranged by Rob Dietz. A Cappella. Octavo. 11 pages. Rob Dietz #6599239. Published by Rob Dietz

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Published by Michelle Kraak (A0.1012606). The Betrayal is written for choir (soprano, alto, tenor, bass). It is a religious piece based on the passion of Christ. It has aspects of imitation, with a lot of independence in the parts. The vocal parts represent the voice of Jesus, the voices of those who crucified him, a narrator, and also briefly the voice of Peter, Jesus' disciple. The bass primarily sings the role of the people who called for his death, but as the piece continues others join in this role. I wrote some of the lyrics and also pulled some verses in from the Bible. I think this would be a great piece for Holy Week, perhaps on Good Friday or Maundy Thursday. the piece captures some of the intense emotions involved in the crucifixion and would make a great addition to Lenten music in the church. Lyrics:Why did you leave me?Why did you run?I absolved you of your sin. Jesus Christ must die for what he's done. I absolved you of your sin,I saved you from yourselves,I just wanted to lead you,Closer to God. Death! I wanted to give you new life. Three times you will deny me, Woman I do not know him! Jesus Christ must die for what he's done. Why did you leave me? Why did you run?I absolved you of your sin.I saved you from yourselves,I just wanted to lead you, Closer to God. Jesus I didn't know him.I don't know the man! Jesus Christ must die for what he's done. Peter struck him!Cut off his ear,Jesus touched him and healed him,Though the man had come for him. Jesus Christ must die for what he's done. Why should Jesus die for what he's done?Why did I forsake the Son of God?I'd have called for him to be crucified. We are no better,Then the past. Why did you forsake me,Why did you forsake me? Forgive them,For they do not know what they're doing. Forgive them,For they do not know what they're doing. Betrayed with a kiss. Surely he was the son of God.Surely he was the son of God.Surely he was the son of God.4 minutes 29 seconds6 minutes 29 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.944518 Composed by George Shearing. Arranged by Aldo Martinez. Contemporary. Octavo. 9 pages. Aldo Martinez #6111273. Published by Aldo Martinez (A0.944518). Lullaby of Birdland is a jazz standard and popular song composed by George Shearing with lyrics by George David Weiss George Shearing wrote Lullaby of Birdland in 1952 for Morris Levy, the owner of the New York jazz club Birdland. Levy had got in touch with Shearing and explained that he'd started a regular Birdland-sponsored disk jockey show, and he wanted Shearing to record a theme which was to be played every hour on the hour. Levy originally wanted his own music to be recorded, but Shearing insisted he couldn't relate very well with it and wanted to compose his own music. They compromised by sharing the rights of the song; the composer's rights went to Shearing, and the publishing rights went to Levy.

Choral Choir,Choral (SATB divisi) - Level 2 - Digital Download SKU: A0.1400173 By The Wanted. By Edward Drewett, Steve Mac, and Wayne Hector. Arranged by Brian M. Plehn. A Cappella,Contemporary,Pop. 9 pages. Brian M. Plehn #983387. Published by Brian M. Plehn (A0.1400173). This is an SSATB with solo arrangement of the Wanted's song, Glad you Came.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1021834 By The Wanted. By Alex Smith and Elliot Gleave. Arranged by Jason Nicolo Ferrandino. Pop. Octavo. 14 pages. Jason Nicolo Ferrandino #6897519. Published by Jason Nicolo Ferrandino (A0.1021834). This song from The Wanted is a great modern addition for your Show Choir. Intended to be paired with choreography, this song lets your group shine while singing and dancing. Arranged for SATB choir.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821179. Published by Zack Richards (A0.894408). I wrote this piece in response to the #BlackLivesMatter Protests across the United States and world during the early summer of 2020. The extreme extent of peaceful protests and violent riots demonstrated the desperate need for change in a way I had not witnessed before. I knew quickly that I wanted to write music in some sort of response to the situation, but I struggled at first to find my voice within the movement. I am a white male and have experienced the privilege that comes with it. No matter how much I sympathized or understood the struggles of minorities in our culture, I knew I could not possibly bring the full meaning of it through my music, as I could never really experience the trials they have faced constantly for so long. So instead I decided to write words and music that reflected how I hoped things would be going forward after this movement. I wanted this to be an anthem for those who have suffered through real oppression, in any form. While there are some religious undertones in the text I chose, I tried to find words that could resonate with anyone, reaching beyond color, culture, belief, orientation, age, or any other dividing label. I tried to write in regard to one thing we all have in common, humanity. I hope I was able to accomplish this. The anthem can be done in parts or unison or as a solo. It can also be done with or without accompaniment.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027799 Composed by Heather Gilligan. Contemporary. Octavo. 6 pages. World Projects Corporation #2989151. Published by World Projects Corporation (A0.1027799). From the composer...The text for I'll See You in the Morning was taken from a children's book of the same name. The book, by Mike Jolley, evokes a calm, reassuring atmosphere with its warm illustrations of the moon and stars, snuggling animals, and sleeping children. I wanted to capture the same aura through the use of lush, comforting harmonies and a relaxed tempo. I also wanted to highlight the sense of deep love that a parent feels for a child, as this text does. The mother of a two-year-old myself, these feelings are somewhat self-referential.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1492838 Composed by Charles Wesley/ Jeff Davis. Arranged by Jeff Davis. Chamber,Christian,Religious,Spiritual. 13 pages. Jeff Davis #1069520. Published by Jeff Davis (A0.1492838). When arranging this great Charles Wesley hymn I wanted to present a tune that was simple, singable, and reflected the message of this wonderful text. It is a powerful message about falling into sin and receiving grace and restoration (especially the last two verses). Whether your choir is a quartet or a large chorus, this hymn arrangement will fit all of these groups. Enjoy!

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.877147 Composed by Osvaldo Farres. Arranged by Mister Tim. A Cappella. Octavo. 4 pages. Vocality Music #4855319. Published by Vocality Music (A0.877147). Perhaps, Perhaps, Perhaps (Quizas, Quizas, Quizas) SATB+vp a cappella arranged by Mister TimFUN rendition of this song, influenced by the original, by the CAKE version, and by good singers who wanted a ridiculously cool arrangement to sing :-) 

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.987108 Composed by William Campbell. Arranged by William Campbell Music. Christian,Christmas,Concert,Contemporary,Sacred. Octavo. 12 pages. William Campbell Music #6115675. Published by William Campbell Music (A0.987108). A setting of the ancient Epiphany hymn Illuminans Altissime by St. Ambrose of Milan, From the collection, Five Ambrosian Hymns. Suitable for schools, churches, or for modern performance choirs, this music is based on the hymn written in the 4th Century by St. Ambrose of Milan. The original tune most likely sounded like what we would consider to be chant, but in a style that was specific to Ambrose, and came to be known as Milanese or Ambrosian in style. This is a meditative reflection of our own journey as we follow our own paths toward enlightenment. In recasting the hymn as a performance work I wanted to portray both the figurative and literal aspects of the imagery of light by using regular rhythmic patterns within accompaniment voices. In this way I hoped to illustrate the regular pattern of prayer that could lead individuals to Christ’s illumination. There are also important moments with harmonies that feature seconds, resulting in soft, almost clashing pitches that twinkle or shimmer like stars in the sky. .