Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.878811 By Doris Day. By Jay Livingston and Raymond B. Evans. Arranged by Justin Goh. Pop. Octavo. 9 pages. Justin Goh #3859777. Published by Justin Goh (A0.878811). SATB ChoirA cappellaSample recording: https://www.youtube.com/watch?v=UwXiFG5YRBU--The idea of arranging this piece first came to me when I attended a Folksong Arrangement class. I was tasked to think about what songs my grandparents sang to me. Que Sera, Sera, although not a folksong, was the first that came to mind. My maternal grandmother had sung this to me in my younger days.      Not long after, my grandmother announced that she intended to sell her house - the very house that I spent most of my growing-up years in. This was followed by many weeks of packing her belongings, uncovering forgotten treasures, and recalling the days of my childhood. Quite aptly, arranging this piece gave me an avenue to express my sentimental thoughts, and say goodbye to an old house filled with so many memories.      I hope that both the performer and the listener can be transported back in time, even if just for a few minutes, to reminisce the happier and more carefree days of our lives. Furthermore, let us count our blessings in the present, as the future’s not ours to see.       Que Sera, Sera. What will be, will be. --If you have questions or comments, I'm most happy to hear from you at justingohcj@gmail.com

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.887688 By Smash Mouth. By Neil Diamond. Arranged by Cat McGill. Pop. Octavo. 4 pages. Cat McGill #4580577. Published by Cat McGill (A0.887688). This is such a fun song to sing, and should have your whole choir bopping along! This is an SATB arrangement but you can drop out the tenor line and the three part arrangements will work with just about any combination of parts. I have tried to keep it as simple as possible, although the F major chord just before the end of the chorus does make the chord progression a bit tricky! It's a well-known song though, so shouldn't need too much work to get it down.There are no minimum order quantities on this piece as I arrange all my songs to be taught by ear.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.770849 Composed by E.M. Bartlett. Arranged by W. Elmo Mercer. Christian,Gospel,Sacred,Spiritual. Octavo. 7 pages. Bible Truth Music #3435969. Published by Bible Truth Music (A0.770849). This rousing rendition of a long-time favorite Gospel song encourages thoughts and attentions toward Heaven. It includes an optional bass solo and is fun to sing.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea� over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,� and the song ends with: “and never again I’ll go sailing.� It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables� and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1102500 Composed by M. Joseph Willette. Classical,Contemporary,Religious,Sacred,Spiritual. Octavo. 12 pages. T.U.X. People's Music #705911. Published by T.U.X. People's Music (A0.1102500). Featuring a fresh take on a traditional text, Garden Hymn is M Joseph Willette's interpretation on the heart's bond to this world and its creator. Its thoughtfully written parts and harmonies are a wonderful addition to any program!

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich� that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.� The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming.  When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™­ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™­)-all is reconciled in a final Amen!

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene.   I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found.   I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed.   I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through.   I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed.   I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul.   I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died.   Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song.   I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate.   Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear.   Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors   The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there.   Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting.   The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.  

Choral Choir (SATB) - Digital Download SKU: A0.799653 Composed by D. M. Gardner. 20th Century,Contemporary,Sacred. Octavo. 62 pages. D. M. Gardner Music #481037. Published by D. M. Gardner Music (A0.799653). An intense hell-fire blazes throughout Day of Wrath. Though it begins quietly and mysteriously with the haunting Dies Irae chant, the audience is swept into a picture of hell painted by light and sound as the piano viciously churns-out its relentless melody against the turmoil of the choir... Driving to the ultimate end: Understanding whom we are to fear.But I will forewarn you whom ye shall fear: Fear him, which after he hath killed hath power to cast into hell; yea, I say unto you, Fear him. Luke 12:5 (King James Version)Day of Wrath is a performance not soon forgotten. Choreographed lights and sound add to the illusion of hell-fire and brimstone, while cello harmonics sail above the choir with an eerie crystalline presence. An opener, a closer... A crowd-pleaser for sure. If you want to break-up the praise and worship a bit, Day of Wrath will certainly wake up the audience!PURCHASE INCLUDES FULL SCORE AND ALL PARTS - Priced as a choral score (so, please purchase one copy per performer...Thank you!)Instrumentation: Cello, Narrator, SATB, Piano, Timpani, Cymbals, Bass DrumPremiere: University of Nebraska at Omaha - University ChorusDifficulty: Intermediate/AdvancedText from KJV version of the Bible and Dies Irae (Tomaso de Celano)To learn more about the composer, please visit https://www.dmgardner.com

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1299443 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #889312. Published by Kevin G. Pace (A0.1299443). A gorgeous, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Remember Compassion“ . . . wherefore, I will have compassion upon you.� (Doctrine and Covenants 64:2)Though the mountains be shaken and the hills be removed,My lasting compassion will I always prove.Unlike sheep without shepherds who lose track on their way,My voice will be heard whenever you pray.Chorus:Remember compassion; remember I’m here.I will be near you; oh, please do not fear!Remember compassion when others you see.Proffer as I would, then come unto Me.When all evil is tempting and the sun bears its heat,My springs of cool water will be at your feet.I will comfort my people through my cov’nant of care,Through hunger or thirst, my cup’s never bare.Through each trouble and heartache; through each burden so great,Through each lone transgression will I share the weight.I will ease all your suff’ring as you search for my face.My presence is near; I’ll give you my grace.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1329875 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 12 pages. Kevin G. Pace #917864. Published by Kevin G. Pace (A0.1329875). A magnificently beautiful choral composition.  Music composed by Kevin G. Pace. Text by Mary Ann W. Snowball.Text: Remember Compassion“ . . . wherefore, I will have compassion upon you.� (Doctrine and Covenants 64:2)Though the mountains be shaken and the hills be removed,My lasting compassion will I always prove.Unlike sheep without shepherds who lose track on their way,My voice will be heard whenever you pray.Chorus:Remember compassion; remember I’m here.I will be near you; oh, please do not fear!Remember compassion when others you see.Proffer as I would, then come unto Me.When all evil is tempting and the sun bears its heat,My springs of cool water will be at your feet.I will comfort my people through my cov’nant of care,Through hunger or thirst, my cup’s never bare.Through each trouble and heartache; through each burden so great,Through each lone transgression will I share the weight.I will ease all your suff’ring as you search for my face.My presence is near; I’ll give you my grace. 

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.954675 By Alex E. By Robert Lowry. Arranged by Alex E. Christmas,Classical,Sacred,Traditional. 4 pages. Müller Publishing company #6630429. Published by Müller Publishing company (A0.954675). **Arrangement of the Traditional Christmas Hymn Jesus Is Born by Robert Lowry - Accompaniment for Choirs and Congregation with Classic Harmony**Celebrate the most magical time of the year with the traditional Christmas hymn, Jesus Is Born, composed by the renowned Robert Lowry. This arrangement has been meticulously crafted to serve as an accompaniment for choirs and congregation, retaining the classic harmony that characterizes this beloved festive piece.The notes and harmonies have been thoughtfully adapted to ensure that choirs, regardless of their size or experience, can join the congregation and create a festive and worshipful atmosphere. This arrangement preserves the depth and sentiment of the original hymn while providing a solid foundation for a collective celebration.Perfect for Christmas services, spiritual gatherings, and seasonal celebrations, this rendition of Jesus Is Born will quickly become a valuable resource for any church or group wishing to invoke the spirit of Christmas through music.Don't miss the opportunity to enrich your Christmas celebrations with this specially adapted arrangement of the hymn Jesus Is Born by Robert Lowry. Acquire it now and inspire your congregation with the beauty, joy, and depth of this iconic melody.