SKU: A0.1512880

Boldness, timidity, and trust mingle in this text from the 16th Psalm. The music is designed to amplify the poet's realization of his inadequacy and need in regard to God coupled with a realization of the assurance he can have in God's goodness. 
The music uses Mixolydian mode with a flat 6th and should be quite accessible and compelling for a wide range of ensemble ability.

SKU: A0.939793

This chamber opera intended for an audience of children should please the adult listener as well. The work is scored for Woodwind Quartet, Piano and Percussion, with 4 soloists (SATB) and a small chorus (SATB). The lyrics are adapted from a story by Hans Christian Andersen by the same title. The MP3 Audio Clip is a MIDI-realized playback, not a live performance. The PDF contains both the full score and all the instrumental parts appended. Total duration under 17 minutes.

SKU: A0.1496454

This arrangement of 'Adore' by Grahm Kendrick and Martin Chalk is arranged for Two Part Mixed Choir (Alto/Tenor).  Perfect for an Advent or Christmas service or Holiday concert, this piece melds the beautiful anthem 'Adore' withe the refrain from 'O Come All Ye Faithful' (O Come Let us Adore Him).  This piece is easy to learn and give each part an opportunity to showcase the melody.  MIdi version available on Youtube.

SKU: A0.1376149

The Heavens Are Telling is a very accessible classic SATB anthem for choir and organ.  I took two lines of music and lyrics from Haydn's 1797 oratorio The Creation and made that my chorus.  I then wrote verses using lyrics from other parts of The Creation and then wrote new music for the verses to sound like a continuation of Haydn's work.  The structure is through composed but with Ch/Vs/Ch/Vs/Ch/Ch with the final chorus having the lines reversed.  The piece makes a stately declaration of the wonders of God's creation of the heavens.  
11 pages; 1:50 minutes
The range for each part is only 1 octave.
Be the first choir to record this anthem and send me the link and I will post it.    plbeaman@gmail.com      Temporarily I have attached a recording of the vocal solo version, which is in another key, so you can get the text and main melody; which is then followed by a MIDI version of organ and 'aahs', to give you an idea of the SATB version.

SKU: A0.921639

An a cappella SATB arrangement of a Christmas classic that offers some jazzy chromatic harmonies.

If you would like part tracks (midi), please email me directly at lntiedt@gmail.com. .

SKU: A0.1290271

A Paolo Conte classic, inspired by Neri Per Caso's Ciro Caravano arrangement.

SATB choir with a Bass or baritone melody/solo all through the song.

Ideal for beginner choirs or vocal quintets.
Please contact me at andrea@andreafigallo.com for the midi learning files.

 Am, modulates to Bbm.

SKU: A0.1464746

A SATB divisi acappella arrangement that features a lower voice soloist. Ideal for medium-large sized groups looking for a beautiful and challenging musical ballad rich in harmonic and rhythmic textures. Please contact shane.naidoo2003@gmail.com for more information about MIDI learning tracks or any other enquiries.

SKU: A0.891007

This is a new composition for full choir (SATB) and piano accompaniment. It is based entirely on Revelation 15:3-4.
The video link and mp3 sample is using midi instruments and not actual performers. If you have any questions my email is jcdavilaba@gmail.com

SKU: A0.1031983

The Love Which Makes Us One is a composition for SATB choir with piano accompaniment. It is based on a sonnet by Christina Rossetti (1830-1894) entitled I loved you first: but afterwards your love from her Monna Innominata, a series of 14 sonnets. I loved you first: but afterwards your love is one of Rossetti’s love poems; it simply yet profoundly expresses the existence of love as being made possible only through the complete melding of two people as one entity.

The Love Which Makes Us One is best suited for advanced intermediate to professional level choirs. Competitive high school and college choirs should be able to manage it. The piece involves continuous two-against-three rhythms with the choir vs. piano. In addition, there is one extended a capella section that requires the choir to stay on pitch for the piano re-entry. Tenors need to be able to sing the G above middle C, and basses need to be able to sing the F below C3.

Duration: 5:40

World premiere performance by Freudig Singers of Western New York on March 7, 2020, Buffalo, NY.

(Please note that the mp3 file associated with this listing is a midi rendering only. No lyrics are used, although the vocal parts are sung.)

SKU: A0.1023568

Matt Goldstein's a cappella arrangement for Malinda Kathleen Reese. A powerful, groovy anthem of female empowerment. Intermediate level.

This price reflects a FLAT FEE per ensemble/organization, not a per copy fee. Additional customization and/or complimentary MIDI part tracks are also available through contacting mattgoldsteinmusic@gmail.com.