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Chorus - Digital Download SKU: AX.00-PO-0002971 The Wizard of Oz -- Choral Revue - SATB. Arranged by Greg Gilpin and Pete Schmutte. Choral. 37 pages. Alfred Music - Digital Sheet Music #00-PO-0002971. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002971). ISBN 9780769270555. UPC: 029156658880.For the very first time, all of the wonderful songs from the motion picture classic The Wizard of Oz are brought together in this exquisitely crafted choral revue. Audiences of all ages will be thrilled to hear this delightful choral setting of the timeless music. This 10-minute revue includes: Munchkinland * Ding Dong! The Witch Is Dead * The Lullaby League * We're Off to See the Wizard * If I Only Had a Brain * The Merry Old Land of Oz * Over the Rainbow. The Pete Schmutte orchestration adds that 'MGM' style extravaganza sound to make every performance of this review a real event! Bring the incredible story to life by adding this revue to your next concert. A SoundTrax CD is available.Inst. Parts Available (choral); Recorded Acc. Available.
The Wizard of Oz -- Choral Revue
Chorale SATB

$6.99 6.71 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1447462 By Marvin Gaye. By Barrett Strong and Norman Whitfield. Arranged by Joseph Hollings. 20th Century,A Cappella,Broadway,Musical/Show,Pop,Soul. 15 pages. Joseph Hollings Publishing #1027242. Published by Joseph Hollings Publishing (A0.1447462). Duration: 3:10SATB/4-Part Choir with male solo featureBring the soulful sound of Marvin Gaye’s classic hit, I Heard It Through the Grapevine, to life with this SATB a cappella arrangement featuring a male solo. Whether you're looking for sheet music arrangements for high school choir, college choir, amateur singers, and professional choirs, this arrangement captures the rich, layered textures of the original Marvin Gaye recording, offering a dynamic and engaging performance piece. A rehearsal piano part is included to support soprano, alto, tenor, and bass voices. The solo feature gives you the opportunity to highlight a strong male singer. The arrangement reproduces many of the intricate layers and textures from Marvin Gaye’s recording. Enhance your choir's repertoire with this classic soul choir arrangement. I Heard It Through the Grapevine is a timeless classic that resonates with audiences of all ages, ensuring an impactful performance. The song was first recorded by Gladys Night and the Pips, then again in 1970 by Credence Clearwater Revival. The song was also featured in the 2013 jukebox musical, Motown the Musical..
I Heard It Through The Grapevine
Chorale SATB
Marvin Gaye
$1.99 1.91 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Chorale SATB

$10.00 9.61 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1101579 By System of a Down. By Daron Malakian and Serj Tankian. Arranged by Moshe Gordon Radian. A Cappella,Rock. Octavo. 83 pages. Moshe Gordon Radian #704933. Published by Moshe Gordon Radian (A0.1101579). An a cappella arrangement of System Of A Down's Radio/Video—a track from the album Mezmerize. I've been recording improvised a cappella arrangements of songs since high school as a hobby, originally dubbing them as demos to entice friends from my high school's choir to join and record the full parts. I originally recorded Radio/Video in 2012, years after high school, having the crazy idea of trying to arrange a metal song, without being able to scream. I did a decent job and uploaded it to YouTube and forgot about it for years (intense university and startup years). During one of the Covid lockdowns, I was browsing an a cappella Facebook group and came across Noa Gruman's YouTube video doc on choirs during Covid (https://www.youtube.com/watch?v=86IHL4FWUu8), and through it, I discovered the Hellscore choir (https://www.youtube.com/hellscoreacappella), an Israeli metal a cappella group. After starting a new job, I've decided to support various creators I've been following, including Noa - and discovered the option to have monthly sessions with her by supporting her through Patreon. After discussing some vocal techniques, I asked Noa if she would be willing to listen to and comment on my old metal arrangement, to which she agreed. Rather than just doing that, I rerecorded a new version of the arrangement, with new ideas and taking advantage of some improved vocal techniques. Noa gave me a very useful critique but suggested that it would be more efficient to also put the arrangement down in musical notation. And so, for the first time in my life, I sat down to actually write a musical arrangement. This piece is the result of this months-long process, which is itself born of a decade old project of mine. I would be excited to have you perform this arrangement with a full choir—I would love to hear the result! I will be re-recording it myself in the near future. I sincerely hope you'll enjoy this piece.
Radio/video
Chorale SATB
System of a Down
$1.99 1.91 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody,   Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I   am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us:   O Death, where is your victory?    O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
It Is Not Death to Die
Chorale SATB

$2.25 2.16 € Chorale SATB PDF SheetMusicPlus






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