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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.889693 Composed by William Hawley. Contemporary. Octavo. 33 pages. William Hawley #3514043. Published by William Hawley (A0.889693). William Hawley's Catullus Songs are settings of five of the Latin poems of Gaius Valerius Catullus (84-54 B.C.) for SATB voices and piano. The work was commissioned by Michael Paine, and nos. 4 and 5 of the set were premiered by Mr. Paine at the piano with Amanda Hamley, Soprano, Prudence Raper, Contralto, John English, Tenor, and Kevin O'Donnell, Baritone, in St. Anne's Church, London, September 6, 1998, in their World Premiere. The live recording of this premiere has been lost. The audio clip is the opening of the first piece, Vivamus, Mea Lesbia in the Composer's Virtual Instruments Demo. Though the work was composed for solo voices, it may be performed effectively by Mixed Choir. Total duration: ca. 10 minutes. ASCAP http://williamhawley.net
Catullus Songs
Chorale SATB

$4.99 4.81 € Chorale SATB PDF SheetMusicPlus

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1007050 Composed by Johnson Gao. Contemporary,Patriotic,Sacred,World. Octavo. 13 pages. Johnson Gao #6454941. Published by Johnson Gao (A0.1007050). 大風歌. åŠ‰é‚¦ (公元å‰256å¹´ - å…¬å…ƒå‰195å¹´)大風起兮雲飛æšã€‚å¨åŠ æµ·å…§å…®æ­¸æ•…鄉。安得猛士兮守四方。安得猛士兮守四方。The Great Wind Song (Liu Bang, B.C. 256-195)The great wind is blowing. The clouds are flying. I returned to my hometown after conquering nations within seas. How could I find warriors guarding borders. (How could I find warriors guarding borders.)
大風歌. The Great Wind Song (Liu Bang's Poem)
Chorale SATB

$1.99 1.92 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages. Dandelion Music Press #3103589. Published by Dandelion Music Press (A0.891191). An ideal SATB choice for Middle School/early High School changing voice and developing ensembles of all ages, this boy-friendly accompanied concert arrangement explores the cambiata voice, male vocal registers, and encourages enthusiastic use of the falsetto and upper range through the use of an appealing yodel. Ask your choristers to bring their guitars, ukuleles, mandolins, and banjos and strum along!Conceived using the SA(T)B concept (http://www.dandavisonmusic.com/what-is-satb.html) and also available in Two-Part Treble and Unison voicings, Git Along Little Dogies is a traditional American cowboy ballad.  The melody and lyrics were first published in 1910 in John Lomax's Cowboy Songs and Other Frontier Ballads, though the song has existed long before publication in the anonymous aural tradition of folk music. Since selling cattle was quite profitable, a crew of cowboys drove a herd, particularly from Texas, to railheads where they would be loaded into railcars and shipped cross-country to get the best price at market. Cowboys watched the cattle 24 hours a day, herding them in the proper direction in the daytime and watching them at night to prevent stampedes and deter theft.  Around the campfire, cowboys sang of life on the trail with all the challenges, hardships, and dangers encountered along the way.E. C. Teddy Blue Abbott, honored in the Montana Cowboy Hall of Fame, explains The singing was supposed to soothe the cattle and it did... The two men on guard would circle around with their horses on a walk, if it was a clear night and the cattle was bedded down and quiet, and one man would sing a verse of a song, and his partner on the other side of the herd would sing another verse; and you'd go through a whole song that way.Notable performances: 2016 Idaho Middle School All-State Choir, inaugural year | 2016 Northshore 6th Grade Honor Choir, boys2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com 
Git Along Little Dogies [SA(T)B]
Chorale SATB

$2.10 2.02 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030297 Composed by César del Caño. 20th Century,A Cappella,Contemporary,Holiday,Love,Wedding. Octavo. 4 pages. Cesar del Cano #6418517. Published by Cesar del Cano (A0.1030297). · · Polyphonic a cappella work for four mixed voices (S, A, T/B) with divisi and solo voices. · Approximate duration: 1:30 · Pages (4): Cover (1), Score (2, 3), Lyrics (4): Original lyrics (in Galician Languaje), translation (Spanish & English) and other details. This last page also contains various links which can be accessed from the pdf edition. · A video-score from YouTube is attached. · [ENG] Brincando no ar (Dancing in the air) Wedding song.  Text, music and polyphonic work: César del Caño She: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak, dancing in the air. He: You came to me like the moon comes to the night, and nobody will steal from me this nest I have made for you. Chorus: Dancing in the air a dove is coming to you carrying a love song, oh yes! in its beak it came, dancing in the air. [ESP] Brincando no ar  (Danzando en el aire) Canto nupcial Texto, música y obra polifónica: César del Caño Obra polifónica para cuatro voces mixtas (Soprano, Contralto, Tenor y Bajo), con divisi. Ella: Danzando en el aire  una paloma viene a ti  con una canción de amor ¡oh, sí!  en su pico, danzando en el aire.  Coro: Danzando en el aire  una paloma viene a ti  con una canción de amor ¡oh, sí!  en su pico, danzando en el aire.  Él: Llegaste a mí  como la luna viene a la noche,  y nadie me robará  el nido que he hecho para ti.  Coro: Danzando en el aire  una paloma viene a ti  con una canción de amor ¡oh, sí! en su pico llegó, danzando  en el aire. · Composer data: Website: https://www.cesardelcano.com Facebook: https://www.facebook.com/cesardelcano.esp YouTube: https://www.youtube.com/playlist?list=PLr9iLxVNyr-9eBzCd-zlZE_Iyxavn_WhT ·
Brincando no ar (Canto nupcial / Wedding song)
Chorale SATB

$4.50 4.34 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.576491 Composed by various traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas. Octavo. 8 pages. David Warin Solomons #27251. Published by David Warin Solomons (A0.576491). It all began with the idea one morning that the other tune for Nahum Tate's carol While shepherds watched is, of course, the Yorkshire ditty On Ilkley moor bar t'hat. Well, as the afternoon progressed, other tunes got added, resulting in a curious potpourri for choir and piano. The choir gets to sing On Ilkla Moor, the Este psalter tune known to all, and also Auld Lang Syne. The second voice, in its madrigalian way, gets a sly English cadence!. Meanwhile, the piano gets some sly references to Sing a song of sixpence and Scotland the brave. I sang it in G on this mp3, to fit my multitrack range, but versions are available on sheetmusicplus in G (ATBB), C (SATB) (fairly high for the sopranos) and Bflat (SATB) (fairly low for the basses) It can also be seen as a video here: https://www.youtube.com/watch?v=wRXrzrSY-Vw === While shepherds watched their flocks by night, All seated on the ground, The angel of the Lord came down, And glory shone around. Fear not! said he, for mighty dread Had seized their troubled mind. Glad tidings of great joy I bring To you and all mankind. To you, in David's town, this day Is born of David's line A Saviour, who is Christ the Lord, And this shall be the sign: The heavenly babe you there shall find To human view displayed, All meanly wrapped in swathing bands, And in a manger laid. Thus spake the seraph and forthwith appeared a shining throng of angels praising God who thus addressed their joyful song All glory be to God on high, And to the Earth be peace; Good will henceforth from heaven to men, Begin and never cease!.
While Shepherds watched - in various melodies - version in B flat SATB
Chorale SATB

$2.99 2.88 € Chorale SATB PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4496 Composed by Henry Clay Work. Carts & wagons, Dwellings, Barns, Wells, Inheritances, Nostalgia, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4496). Sequel to Grand Father's Clock. Song and Chorus. Words and Music by Henry C. Work. Published 1878 by Willis Woodward & Co., 817 & 819 B'way in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Carts & wagons, Dwellings, Barns, Wells, Inheritances, Nostalgia, Sadness. First line reads Once again have I roamed thro' the old-fashioned house, where my grandfather spent his ninety years.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Sequel to Grand Father's Clock. Song and Chorus
Chorale SATB

$5.99 5.77 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.987503 Composed by Nina Quinlivan. Arranged by Nina Quinlivan. Contemporary,Pop,World. Octavo. 10 pages. Nina Quinlivan #15803. Published by Nina Quinlivan (A0.987503). Smile is written in an A, B, C format for an SATB choir. Part A starts with a haunting but beautiful vocal line eventually being enhanced with rich harmonic tones. Part B is the same tempo as Part A but is now in a major key with splendid harmonies which starts to give the song an uplifting feeling. Part C is now faster with each voice getting a chance to shine with gorgeous melodic lines. This song can be sung by a high school choir or an adult choir. A note from the composer; I wrote Smile because I am around young people a lot and there is so much talk about sadness and suicide in today’s culture. I wanted to write a song that gave them hope. Sometimes it just takes a smile from you to turn someone’s day around. It can also work in reverse. Someone may take the time to smile at you to turn your day into a good day. So smile, it’s free.
Smile
Chorale SATB

$2.95 2.84 € Chorale SATB PDF SheetMusicPlus

Choral,Mixed Chorus Choir,Choral - Level 2 - Digital Download SKU: A0.1448350 Composed by John Newton. Arranged by Orion Mendenall. Children,Christian,Sacred,Spiritual,Traditional. 11 pages. Amos 5.8 #1028290. Published by Amos 5.8 (A0.1448350). Do you want your children's choir to sing and play recorders, while glorifying God?  Have them learn this beautiful hymn!  There is an optional two-part vocal section, offering an introduction to singing harmonies. Students will also practice the first five notes on recorder (G, A, B, C, and D) and will play them throughout the song.  Finally, the piano accompaniment part has jazzy chords; students will be exposed to the style of smooth jazz, and will learn how to swing 8th notes.  An optional guitar part can be played using the chord symbols.  A new arrangement of a timeless song!
Amazing Grace
Chorale SATB

$1.99 1.92 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1349490 By Sam Smith. By Ed Sheeran, Fred Gibson, James Napier, Johnny McDaid, Samuel Frederick Smith, and Steve Mac. Arranged by Jacob Klingsten. 21st Century,A Cappella,Contemporary,Singer/Songwriter. 16 pages. Jacob Klingsten #934182. Published by Jacob Klingsten (A0.1349490). Who We Love by Sam Smith is a moving ballad that has beautiful harmonic integrity. This arrangement is for average- to larger-sized SATB a cappella groups, and sits at a intermediate-advanced difficulty for high school/collegiate groups. This arrangement is similarly for the a cappella group looking to explore cluster chords while fulfilling a slow, but moving ballad slot for your song set. While there isn’t a vocal percussionist part in the score, there is a slight amount of body percussion involved in the second verse, which can be replaced by a vocal percussionist if desired.This arrangement features incredible harmonies, including many cluster chords that sound full and rich; these cluster chords are often met with two- and occasionally three-part splits within each voice part, which makes it crucial for each part to be solid. If your group does not have enough members to satisfy the three-part splits, one of the notes can be omitted for a similar sounding product. Additionally, there are two solo opportunities featured, each with the exact same range. If only one solo is desired, the soloist can simply follow the melody. Finally, this arrangement also has a unique ending -- instead of ending on the four (IV) chord, like in the original recording, the final progression resolves to the tonic with a tear-jerking minor four (iv) to one (I). Additional Details: Key: B major 16 Pages Length: 2m 50s Ranges: Solos 1/2: F#3-G#5 Soprano: C#4-D#5 Alto: A#3-F#4 Tenor: F#3-C#4 Bass: F#2-F#3 (optional notes between B1 and E#2) If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges $50-75 per commissioned arrangement. Jacob would love to work with you and your ensemble!
Who We Love
Chorale SATB
Sam Smith
$2.49 2.4 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1364778 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Timorell. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 9 pages. Timorell #949073. Published by Timorell (A0.1364778). SSATB version of the arrangement as performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Complementary Midi tracks? Contact Timorell at tonewallnyc@gmail.com. Lush, intimate, intermediate-level a cappella piece for SSATB voices and solo, with lots of suspended chord structures. Some challenging rhythms but a delicious arrangement of an incredibly impactful song.Ranges:Solo: F#4 - D5S1: C#4 - F#5S2: D4 - D5A: G3 - A4T: D3 - F#4B: G2 - E4
What Was I Made For?
Chorale SATB
Billie Eilish
$2.00 1.93 € Chorale SATB PDF SheetMusicPlus

Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solomons #2027153. Published by David Warin Solomons (A0.575717). Duet based on the anonymous English poem about a centipede - the creature was quite happy with its hundred legs until a frog asked it to think about which leg comes after which... it then lay distracted in a ditch considering how to run... The sound sample is the English version, sung in B flat It can be sung by two solo voices or by a two part choir of any kind. Versions are available in English (B flat major and D major) German (F major and D major) and in French (F major and D major) the pdf file contains all of these versions. A video of the English original (in B flat) can be seen here: https://www.youtube.com/watch?v=Jo25CSSE5eU These are the words of my French version of the song Un cent-pattes était bien content Mais la grenouille l'interroge «Comment sais-tu quelle patte va avant C'est la gauche ou droite ou quoi?» ça lui fait penser, mais beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. Il commence un pas, s'arrête encore, Des pat-tes gauches se lèvent Il bouge ses droites en octuors Et trébuche comme dans un rêve oui ça fait penser, et beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. These are the words of my German version of the song Einem Hundertfüßler ging's ganz wohl Bis ein Frosch ihn schlau befragte Weisst du welcher Fuss nach vorne geht? Singen wir: rechts links links rechts! Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n Er versucht 'nen Tritt und blieb da steh'n Alle fünfzig linke Beine Kamen aufwärts und er stolperte Und die rechten folgten nicht Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n.
The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
Chorale SATB

$2.99 2.88 € Chorale SATB PDF SheetMusicPlus






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