Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.882262 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5723771. Published by Adrian D Biggs (A0.882262). Agnus dei for SATB Chorus and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. 

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.880203 Composed by Steve Fee and Vicky Beeching. Arranged by Luke Furman. Contemporary,Sacred,Spiritual. Octavo. 12 pages. Furman Musical Arrangements #5030257. Published by Furman Musical Arrangements (A0.880203). This flexible arrangement brings Steve Fee and Vicky Beeching's song of praise to life in a way that is suitable as either a choir anthem or a congregational hymn led by one vocalist.  A soloist, section, or full choir may sing the verses, and a 4-part choir backs up a soloist during the chorus and the bridge.  The choral parts are designed to be easily learned and sit in a singable range.  One or more soloists can feature throughout the piece as the worship leader.  The included instrumental parts (for flute, alto sax, bass guitar, and drum set) are optional, but each can add an extra layer of vitality to this worship song.  Any suitable C instrument could substitute for flute.

Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.848566 Composed by Wesley. Arranged by Gene Roberson. Christian. Octavo. 5 pages. Gene Roberson #3511513. Published by Gene Roberson (A0.848566). From the NEW TUNE Collection, here is Charles Wesley's words to a new tune for O For A Thousand Tongues to SingComplete with Piano accompaniment and Chord Symbols. Can be used as a choir anthem. Unison with some simple parts added on the last verse. Not to ever do away with the familiar original tunes, but since we like to sing contemporary songs in worship, new tunes fit will with combo groups for hymn and praise song accompaniments. Enjoy this new song.Also works an instrumental solo for C instruments. Flute, oboe, violin, C Trumpet.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.882270 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5970749. Published by Adrian D Biggs (A0.882270). Agnus dei for SATB Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, organist. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available for SATB and Piano.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.583969 By Boston. By Tom Scholz. Arranged by Jeff Tincher. Rock. Octavo. 28 pages. Jeff Tincher #5209057. Published by Jeff Tincher (A0.583969). Here is the second single from Boston's debut self-titled album. In the original key, this is the full album version which includes the Foreplay prelude. Critics said this song sounded like a song from the band Yes. It is classified as Advanced Intermediate because of the speed and intricacy of the triplets that is Foreplay. The single version starts at measure 61. This arrangement has additional vocal parts added to enhance the instrumental parts. This arrangement also includes the guitar solos. Duration = 7:29.  Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.918883 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christmas,Classical,Contest,Festival,Sacred. Octavo. 17 pages. Jubal's Lyre Music Publishers #6339071. Published by Jubal's Lyre Music Publishers (A0.918883). One of Bach’s most beloved works is offered here in a Piano/Vocal Score for SATB choir with a NEW translation that better captures the meaning of the original German. Two stanzas are provided, which can be sung separately or in succession with a repeat. This work can be performed alone or with any of the Jubal’s Lyre instrumental editions in G major. These are available for solo instruments, duets, or ensembles. For worship, this work can be performed almost any time since it exudes peace and joy, but is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). For more music and information, visit www.jubalslyre.com/music.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.890284 By Woody Herman. By Joe Bishop and Woody Herman. Arranged by Gregory Amerind. Jazz. Octavo. 16 pages. GWA Music #5008715. Published by GWA Music (A0.890284). Jingle Bells meets Woody Herman's Thundering Herd. Your vocal group will love this cookin' chart that's fun and challenging. The classic blues-based head of Woodchopper's Ball with a holiday twist is perfect for vocal jazz ensembles looking for a great uptempo chart for that December concert, or a caroling gig that needs a kicker. Opportunities for extended open solos as well for vocalists and instrumentalists alike. Check out the video link for a full demo, then order this chart. Combo parts are sold separately on this site.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.575832 Composed by Johann Sebastian Bach. Arranged by David Warin Solomons. Baroque,Christian,Christmas,Sacred. Octavo. 10 pages. David Warin Solomons #2028515. Published by David Warin Solomons (A0.575832). Arrangement of the Lutheran hymn Nun komm, der Heiden Heiland (Come now, saviour of the heathens) based on the final Chorale of Bach's Cantata by the same name (BWV 62). This arrangement was made specially for a choir whose sopranos prefer to sing relatively low, so it is in the key of G minor. The instrumental parts (oboe, cor anglais and string quartet) also follow the same harmonies as the Bach original. The sound sample is an electronic preview. The pdf file contains the score and separate instrumental parts.

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea� over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,� and the song ends with: “and never again I’ll go sailing.� It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables� and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926263 Composed by Dennis Bell. Arranged by Dennis Bell. Jazz,Latin. Octavo. 39 pages. Mark of Aries Music (BMI) #2548809. Published by Mark of Aries Music (BMI) (A0.926263). Kwanzaa is a composition celebrating the seven day observance. An additional word, Harambee which means Let's pull together in Swahili, was added for the ending phrases. For complete information about the meaning and message you might want to navigate to the following URL http://www.officialkwanzaawebsite.org/index.shtml.This particular song was written for the award winning jazz vocalist Lynette Washington's holiday album Long, Long Ago (A Jazz Celebration of Christmas, Chanukah & Kwanzaa (the mp3 is included here). Originally written and arranged for solo vocalist, I re-arranged it for my college/community choir in 2015. It is arranged for SATB Choir with Jazz Combo (Piano, Bass, Drums, Conga). Additional percussion, a 2nd keyboard, for possible jazz soloing, or a possible solo instrumentalist, may be added at the conductor's discretion. The solo parts can also be extended to fit the conductor's interpretation. Moving in half step changes from D to Eb to E to F to F# to G, the improvisations are played using those note's dorian mode.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1184279 Composed by Douglas Wieselman, Evan Lurie, Leslie Valdes, and Paul Smith. Arranged by Jed Scott. Jazz,Latin. Octavo. 28 pages. Jed Scott #783995. Published by Jed Scott (A0.1184279). The vocal jazz arrangement of Castaways that you've been waiting for! It's straightforward, with a mix of unison vocals and tight Manhattan Transfer-style voicings. Ample room for soloing, and blowing changes for all standard transpositions. A quick learn for vocal jazz ensembles and a surefire hit with high school and college audiences. (And parents who watched Backyardigans with their kids!)SATB Vocals, piano/bass/drums/optional instrumental solos.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.939945 Composed by Henry W. Baker. Arranged by Greg Wheatley. Christian,Sacred. Octavo. 7 pages. Greg Wheatley #3011417. Published by Greg Wheatley (A0.939945). Here is John Mason Neale's text of comfort for the Christian believer: Art thou weary, art thou languid, art thou sore distressed? Come to me, says One, and coming, be at rest. The tune by Henry W. Baker enhances these comforting words with simple, yet deeply felt emotion. This arrangement is well within the reach of the average church choir, and includes the option for a solo voice. An added feature of this setting is the optional instrumental ensemble (parts included for oboe, clarinet, violin, viola, and cello). Try using various combinations of these instruments, depending on what you have available, or use piano alone. This anthem is ideal for an introit, or perhaps a prayer response.

Instrumental Duet,Piano Electric Guitar,Instrumental Duet,Keyboard,Piano - Level 5 - Digital Download SKU: A0.1385825 By Stephen Sullivan. By Stephen Sullivan- arranged for SATB and Rock Band. Arranged by Original Score. 21st Century,Patriotic,Rock,Singer/Songwriter. 16 pages. Stephen Sullivan Arts #969765. Published by Stephen Sullivan Arts (A0.1385825). Based on the events of 9/11 and including audio clips from where the airport officials indicated the carnage on board one of the planes that struck the former World Trade Centers 1 and 2 on Tuesday, September 11th, 2001.  I was 12 and a half years old at the time, and my brother was 10 and a half.  Before he woke up, he had nightmares about flames.  That was really creepy.  The song centers on the trauma that the elementary school students across the street from the destruction in Manhattan faced as they witnessed the planes strike the towers, and everything that ensued.  It uses the opening melody of Rachmaninoff's 2nd Piano Concerto, repeated and with the addition of drums, a wild bass solo, and some electric guitar riffs.  It's a little painful even for me to listen to.  I listened to it a lot this evening before posting it for sale.Stephen Sullivan- 02/20/2024Southeast Indiana *.