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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4789 Composed by Thomas P. Westendorf. Portraits, Unrequited love, Farewells. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4789). I Don't Think You Love Me Now. Song & Chorus. Words and Music by Thos. P. Westendorf. Published 1883 by W.F. Shaw] in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Unrequited love, Farewells. First line reads Oh why do you frown my darling, today?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
I Don't Think You Love Me Now. Song & Chorus
Chorale SATB

$5.99 5.13 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.803461 Composed by Geneva Psalter, 1551. Arranged by Phyllis Hopper. Christmas,Easter,Renaissance,Sacred. Octavo. 10 pages. HopSez Productions #2965873. Published by HopSez Productions (A0.803461). Comfort, Comfort Now My People is a hymn based on Isaiah 40 (think of the air in Handel's Messiah). It can be sung by a choir (separate mens' and womens' parts) and/or sung by a congregation. Here you have an arrangement with a definite Renaissance feel. I can hear finger cymbals ringing a counter rhythm throughout (sorry, I didn't write it in, but I'm sure you can figure it out). The parts are open and airy and the song has a light, joyous feel to it. While the instruments are published as violin, cello and drone (piano, etc) this should be playable by any pairings of treble and bass instruments that play in C. I hope you enjoy it as much as I have enjoyed putting together the arrangement! PH Jan2017.
Comfort, Comfort Now My People - vocal
Chorale SATB

$4.99 4.28 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
I See You
Chorale SATB

$2.49 2.13 € Chorale SATB PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.653 Composed by C.T. Lockwood. Parlors, Fireplaces, Musical instruments, Mothers & children, Domestic life, Children playing, Beaches, Moonlight, Ships, Lighthouses, Sadness, Homesickness, Travel, Prayer. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.653). The Little Ones at Home. Song & Chorus. Words by E.F.D. Music by C.T. Lockwood. Published 1873 by S. Brainard's Sons in Cleveland. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Parlors, Fireplaces, Musical instruments, Mothers & children, Domestic life, Children playing, Beaches, Moonlight, Ships, Lighthouses, Sadness, Homesickness, Travel, Prayer. First line reads I am thinking now of home, among my native hills.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Little Ones at Home. Song & Chorus
Chorale SATB

$5.99 5.13 € Chorale SATB PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.654 Composed by C.T. Lockwood. Parlors, Fireplaces, Musical instruments, Mothers & children, Domestic life, Children playing, Beaches, Moonlight, Ships, Lighthouses, Sadness, Homesickness, Travel, Prayer. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.654). The Little Ones at Home. Song & Chorus. Words by E.F.D. Music by C.T. Lockwood. Published 1873 by S. Brainard's Sons in Cleveland. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Parlors, Fireplaces, Musical instruments, Mothers & children, Domestic life, Children playing, Beaches, Moonlight, Ships, Lighthouses, Sadness, Homesickness, Travel, Prayer. First line reads I am thinking now of home, among my native hills.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Little Ones at Home. Song & Chorus
Chorale SATB

$5.99 5.13 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.978029 Composed by J.C. Baker, Fermata Nowhere. Instructional,Standards. Octavo. 1 pages. J. Gallagher #5034151. Published by J. Gallagher (A0.978029). For a whole week of Valentine's Day have your students use this fun and engaging sight reading practice with love songs THEY WILL KNOW! I use it as a warm up/ do now at the start of band and choral classes for the first 5-10 minutes or so.These are quick 2, 4, and 8 measure examples totaling 10 songs for the students to practice sight reading using solfege.There are some tricky syncopated rhythms involved as well as key changes (C, G, F, D, Bb).The songs included in the 10 examples are, in order:1. Can't Help Falling In Love - Elvis2. Thinking Out Loud - Ed Sheeran3. We Found Love - Rhianna4. Just The Way You Are - Bruno Mars5. She Loves You - The Beatles6. I Will Always Love You - Whitney Houston7. Shallow - A Star Is Born8. All Of Me - John Legend9. Can You Feel The Love Tonight - Elton John/Lion King10. Love Is An Open Door - FrozenThis is a great warm up exercise at the start of class or rehearsal to get the students focused and their brains warmed up for singing, sight singing, reading, and learning new music.Typically students can take either the whole sheet down in one day and we spend a good majority of a day on it OR spread it out over the week and do 1 or 2 a day.Structure it as best you see fit.The students love competing with each other to see who can figure out the solfege and the song first!Bonus points if they can name the song, artist, and the correct lyrics!
Valentine's Day Choral Activity/Game Sight Singing
Chorale SATB

$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

SATB choir and organ - Medium - Digital Download SKU: MQ.AE152-E Composed by Sheldon Curry. Lessons and Carols. 21 pages. Aureole Editions - Digital #AE152-E. Published by Aureole Editions - Digital (MQ.AE152-E). English.Commissioned by True Concord (Tucson, AZ) for their annual Christmas Lessons and Carols, these settings of the Magnificat and Nunc dimittis are powerful and effective. Melding an almost British sensibility with a contemporary musical language, they require an advanced ensemble and capable organist. We think you'll agree that the results are stunning.Notes from the Composer:Magnificat: Imagine you are a teenage Jewish girl a little over 2 thousand years ago. You have almost no power to affect any change in your life other than the biological ones that are happening to you daily. You've been feeling strange lately, nauseous in the mornings. You're soon to be married to an older man you barely know. Your cousin Elizabeth is pregnant and you are on your way to visit her. As you walk, you silently meditate on your current state of affairs, absentmindedly chanting a prayer you've heard since birth.Suddenly, a bright light and strange being appear, the being greets you and gives you the most bizarre news anyone has ever heard. After your initial shock, you can't help but praise God.Nunc dimittis: An old man is at the temple in Jerusalem. Year after year, day after day, hour after hour he has longed for deliverance from Roman oppression and the coming of Messiah. On this day, as he trudges along, he encounters a young girl, an older man and a baby. Not unusual, but something about the child catches his eye and draws him to the family. As he stands staring at the child, suddenly he knows. He knows! This is the One he has been waiting for. The long wait is over. The search is ended. He takes the baby from the mother and holds him close. He feels not elation as much as relief. He can now rest in peace.
Concord Canticles (Downloadable)
Chorale SATB

$2.70 2.31 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.
Do You Hear How Many You Are?
Chorale SATB

$2.25 1.93 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes  Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
Anim Zemiros
Chorale SATB

$3.00 2.57 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Published by Michelle Kraak (A0.1012606). The Betrayal is written for choir (soprano, alto, tenor, bass). It is a religious piece based on the passion of Christ. It has aspects of imitation, with a lot of independence in the parts. The vocal parts represent the voice of Jesus, the voices of those who crucified him, a narrator, and also briefly the voice of Peter, Jesus' disciple. The bass primarily sings the role of the people who called for his death, but as the piece continues others join in this role. I wrote some of the lyrics and also pulled some verses in from the Bible. I think this would be a great piece for Holy Week, perhaps on Good Friday or Maundy Thursday. the piece captures some of the intense emotions involved in the crucifixion and would make a great addition to Lenten music in the church. Lyrics:Why did you leave me?Why did you run?I absolved you of your sin. Jesus Christ must die for what he's done. I absolved you of your sin,I saved you from yourselves,I just wanted to lead you,Closer to God. Death! I wanted to give you new life. Three times you will deny me, Woman I do not know him! Jesus Christ must die for what he's done. Why did you leave me? Why did you run?I absolved you of your sin.I saved you from yourselves,I just wanted to lead you, Closer to God. Jesus I didn't know him.I don't know the man! Jesus Christ must die for what he's done. Peter struck him!Cut off his ear,Jesus touched him and healed him,Though the man had come for him. Jesus Christ must die for what he's done. Why should Jesus die for what he's done?Why did I forsake the Son of God?I'd have called for him to be crucified. We are no better,Then the past. Why did you forsake me,Why did you forsake me? Forgive them,For they do not know what they're doing. Forgive them,For they do not know what they're doing. Betrayed with a kiss. Surely he was the son of God.Surely he was the son of God.Surely he was the son of God.4 minutes 29 seconds6 minutes 29 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/
The Betrayal
Chorale SATB

$16.95 14.53 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 2 - Digital Download SKU: A0.1309630 Composed by Jonathan Bush. Arranged by Matthew Udland. A Cappella,Barbershop,Children,Comedy,Film/TV. 2 pages. Midwest A Cappella #898797. Published by Midwest A Cappella (A0.1309630). I know what you are thinking... I need a super fun 30-second song to toss at my high school a cappella group or small ensemble that they can learn in a class period. LOOK NO FURTHER :)There is a baritone line written in if you have an abundance of basses, but if you don't just cut out the bari. Similarly, you don't NEED a vocal percussionist but I've separated the sounds out into two lines if you've got a young couple of beatboxers who want to practice a simple rhythmic pattern.Your audience will thank you :)... bonus points if you have your students play Musical Statues while singing!
Bluey Theme Song
Chorale SATB

$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1038298 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 5 pages. Ethan R. Ray #643236. Published by Ethan R. Ray (A0.1038298). A meditative, introspective, and pensive a cappella SATB written primarily for college choirs. The piece foregoes complexities and flourishes and focuses on simplicity and melody. Text: Believe when you’re gone I don’t feel my soul When you are not here And when you leave me on some shore I think of how I’ll always love you And in ways I will grieve I will cry heaven If the beauty of the day is enough to break your heart Then come back angel See that your meadows give way to the sun I’ll always love you And in ways I won’t know You may grieve me too You may grieve me in heaven.
Cry Heaven
Chorale SATB

$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.915687 Composed by Richard Joseph Barber. A Cappella,Christmas,Contemporary. Octavo. 7 pages. Barber Music Company #3692331. Published by Barber Music Company (A0.915687). SATB, a cappella. A good high school choir should be able to perform this piece well. Although harmonies are traditional, good intonation may be difficult at first, but should come with familiarity. The sopranos will sing three high a's, but beyond that, range should not be a challenge.                                                                                                                                                                                   The song is fast paced and worshipful. It tells the story of the angels' visit to the shepherds, the shepherds' haste to the stable to worship the new born King, and their return to tell their friends and neighbors the good news. Let me know what you think of it, and don't be shy about contacting me with performance questions.  Dick Barber, aspiringtunerrjb@sbcglobal.net.
One Quiet Night (An Advent Song)
Chorale SATB

$2.20 1.89 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.949299 Composed by Jean Ahn. 20th Century,Contemporary. Octavo. 14 pages. Jean Ahn #4632463. Published by Jean Ahn (A0.949299). Text from Little PrinceThe little prince went back to look at the roses again. You're not at all like my rose. You're nothing at all yet, he told them. No one has tamed you and you haven't tamed anyone. You're the way my fox was. He was just a fox like a hundred thousand others. But I've made him my friend, and now he's the only fox in all the world. And the roses were humbled. You're lovely, but you're empty, he went on. One couldn't die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she's the one I've watered. Since she's the one I put under glass. Since she's the one I sheltered behind a screen. Since she's the one for whom I killed the caterpillars (except the two or three for butterflies.) Since she's the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose. ― Antoine de Saint-Exupéry, The Little Prince
You Are Lovely, but...
Chorale SATB

$2.50 2.14 € Chorale SATB PDF SheetMusicPlus






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