Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming.  When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™­ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™­)-all is reconciled in a final Amen!

Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Kerry Marsh. Funk,Jazz,Pop,Soul. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1032960. Published by Kerry Marsh (A0.1453743). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Them Changes is a standout track by Thundercat, featuring a funky, bass-driven groove that highlights Thundercat's virtuosic bass playing and unique blend of jazz, funk, and R&B influences. The lyrics explore themes of heartbreak and emotional turmoil, delivered with Thundercat's signature falsetto vocals.Kerry Marsh's vocal jazz arrangement begins with an a cappella rendition of the song's bridge, serving as a teaser before launching into the now-iconic drums and bass groove. A hallmark of neo-soul, the dissonance between the chord changes and the melody can present challenges for vocal harmonies. This arrangement skillfully navigates these tricky spots, employing octaves and unison writing to minimize clashes, and then breaking out into lush, dense harmonies where they are most effective.The chart concludes with a space for vocal or instrumental improv, accompanied by vocal backgrounds, ending the piece in a sudden and unconventional manner. This modern-day classic will be a hit with your vocal jazz ensemble, offering something for singers, instrumentalists, and the audience alike to enjoy.Perfect for advanced ensembles looking to explore contemporary jazz-funk, this arrangement captures the essence of Thundercat's innovative style while providing a fresh and exciting challenge. Check out the Scoreflipper preview to see how this arrangement can elevate your group's performance and captivate your audience.

Choral SATB choir with optional brass instruments - Digital Download SKU: H1.C5284DP Arranged by Jack Schrader. Hymntune, Advent, Christmas. Octavo. 8 pages. Hope Publishing - Digital #C5284DP. Published by Hope Publishing - Digital (H1.C5284DP). 1 Kings 8:27 - 1 Thessalonians 4:16 - Isaiah 60:3 - John 1:14 - Job 19:25 - Matthew 1:23 - Matthew 1:1 - Matthew 1:2 - Matthew 1:3 - Matthew 1:4 - Matthew 1:5 - Matthew 1:6 - Matthew 1:7 - Matthew 1:8 - Matthew 1:9 - Matthew 1:10 - M.Classic hymn tune In this dynamic setting from Jack Schrader, the traditional REGENT SQUARE hymn tune by Henry T. Smart receives a creative, exciting treatment, full of text-painting and climatic moments. This Christmas favorite for SATB choir and organ with optional brass is a splendid way to invite everyone to come and worship.

SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7540-E. Published by E. C. Schirmer Music Company - Digital (MQ.7540-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.928983 Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Blues,Concert,Folk. Octavo. 5 pages. Donald A Mills #4853851. Published by Donald A Mills (A0.928983). With an original introduction by this arranger, this melodic balled is sung here a cappella, unencumbered by instruments. Some of the chord structure is complex, but intuitive. Your audiences will surely love this beautiful song in this new arrangement for SATB.From Wikepedia:Historians have not been able to definitively identify The House Of The Rising Sun, but here are the two most popular theories:1) The song is about a gambling hall in New Orleans. The House Of The Rising Sun was named after Madame Marianne LeSoleil Levant (which means Rising Sun in French) and was open for business from 1862 (occupation by Union troops) until 1874, when it was closed due to complaints by neighbors. It was located at 826-830 St. Louis St.2) It's about a women's prison in New Orleans called the Orleans Parish women's prison, which had an entrance gate adorned with a rising sun artwork. The melody is a traditional English ballad, but the song became popular as an African-American folk song. It was recorded by Texas Alexander in the 1920s, then by a number of other artists including Leadbelly, Woody Guthrie, Josh White and later Nina Simone. It was her version The Animals first heard. No one can claim rights to the song, meaning it can be recorded and sold royalty-free. Many bands covered the song after it became a hit for The Animals.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.841363 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098159. Published by Artistic Score Engraving di Galvagno Michele (A0.841363). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482). “The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.5047 Composed by Peter Wixon. Portraits, Parlors, Windows, Aged persons, Cats, Nostalgia. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5047). Town and Country. Songs. No. 1. The Squeak of My Grandmother's Chair. Words and Music by Peter Wixon. Published 1889 by Chas. D. Blake & Co., 488 Washington St in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Parlors, Windows, Aged persons, Cats, Nostalgia. First line reads There's a musical note that I loved long ago, when I was young and fair.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

SATB choir, optional congregation, organ, brass quartet - Moderately Easy - Digital Download SKU: MQ.60-7023-E Composed by Donald Busarow. Christ the King. Instrument part. 10 pages. MorningStar Music Publishers - Digital Sheet Music #60-7023-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-7023-E). A festive hymn setting of the tune Lauda anima suitable for celebratory occasions. A brief introduction for brass and organ leads into stanza 1 for unison voices. Stanza 2 begins with unison women, then unison men, and finally all voices in unison. Stanza 3 is a four-part choir setting, and stanza 4 concludes with a soprano/tenor descant over unison voices singing the melody. Congregation sings from hymnal. Director may adjust text as necessary.

SATB choir, organ, trumpet - Moderately Easy - Digital Download SKU: MQ.51-3062-E Composed by Mark W. Oldenburg and Stephen P. Folkemer. Lent. 10 pages. MorningStar Music Publishers - Digital Sheet Music #51-3062-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.51-3062-E). English.These anthems were written specifically to fit the prescribed texts for each Sunday of Lent in Cycle B. The anthems may be downloaded and printed from your computer. Based on NUN FREUT EUCH.Available for Lent Cycle B Lent 1 - Through Greys of Fogs and Clouds and Seas, SATB, Organ, and Treble Instrument Lent 2 - After Wandering Years, SATB, Organ, Treble Instrument Lent 3 - Praise God, Who By the Law, SATB, Trumpet, Organ Lent 4 - Nostalgic for Their Servitude Lent 5 - I Was Wed at Sinai Instrumental Part and Congregational Page included.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.999351 Composed by Dennis A. Westgate. Christmas,Contemporary,Musical/Show,World. Octavo. 79 pages. Tyne Music #5889575. Published by Tyne Music (A0.999351). THE CHRISTMAS CAROL MUSICAL:-  Who better to write the libretto for this classical Christmas story, than the author?Taking the the actual dialogue from the Charles Dickens novel I’ve added an original score. This musical play is another in the TYNEONSTAGE series of family orientated stage musicals and will be ideal for any senior school or college looking for something different to add to their festive programme. There are ten original descriptive songs for both solo artists and choristers. Even though this story has been adapted and presented in many different ways, I would like to add this, my own version, as a tribute to one of the giants of the literary world. This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/the-christmas-carol-musicalP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation.SONG TITLES 1)   Bah Humbug! 2)   Hey Ding a Dong 3)   Marley’s Lament 4)   Today is Born a King     5)   The Christmas {olka 6)   Without Love 7)   An Old Fashioned Christmas 8)   My Father 9)   A Winter’s Morning10) Thoughts of Christmas

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.829504 Composed by C. Held, Richard H. Neiderhiser. Arranged by Lyndell Leatherman. Sacred. Octavo. 1 pages. Leatherman Music Services #5775291. Published by Leatherman Music Services (A0.829504). From 1978 to 1992 I was honored to serve on staff with Dr. Richard H. Neiderhiser at the Grandview (Missouri) Church of the Nazarene. In addition to his impressive homiletic skills, he possessed a rich background in music and liturgy. Those were golden years as together we sought fresh expressions of worship. Every Advent season he would come up with a relatively obscure Advent hymn text and then use each stanza as the outline for that Sunday's sermon. And each Sunday we would start on stanza one and sing through the stanza of the day. Often he would write a new tune for the text; such is the case with Let the Earth Now Praise the Lord. With Dr. Neiderhiser’s blessing I offer it here for your consideration next Advent. The mp3 demo plays through the music twice. The purchase price allows you to duplicate as many copies as you need for your instrumental and vocal musicians.

SATB choir divisi and piano or full or chamber orchestra (Full Orchestra: 3[1.2.pic] 2 2 2 – 4 3 3 [1.2.btrbn.] 1 – tmp+2 – hp – str – SATB Chorus (divisi) - Chamber Orchestra: 1 1 1 1 – 1 1 0 0 – tmp+2 – org – str – SATB Chorus (divisi)) - Medium - Digital Download SKU: MQ.50-1147-E Composed by Terre Johnson. Advent, Christmas. Instrument parts. 13 pages. MorningStar Music Publishers - Digital Sheet Music #50-1147-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1147-E). English.In its full orchestra version, this was highlight of Christmas at Luther College 2018. It begins calmly, radiating joy and peace. Building through a march-like assembly of praise, the middle explodes with majesty, then ends quietly as it began. Can be performed with piano from the choral score or with chamber or full orchestra.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3031 Composed by W.R. Bristow. Altars, Altarpieces, Churches. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3031). The Orphans Prayer. Words by D. Major, Esq. Music Composed by W.R. Bristow, Organist of the Cathedral. Published 1840 by Firth & Hall, No. 1 Franklin Sq. in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Altars, Altarpieces, Churches. First line reads Hear Hear O God the Orphans pray'r tis breath'd in tears to Thee.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1044850 By Mark R Lewis. By Mark R Lewis. Celtic,Folk,Irish. Octavo. 48 pages. Mark R Lewis #649472. Published by Mark R Lewis (A0.1044850). This original song tells a fairy tail in the style of a Celtic folk song. Both the story and the tune are wholly original and were composed as part of a music production class that Mark participated in during the spring of 2022. This song tells the story of a young boy's adventure in the woods, his skepticism towards what the old folks say, and the results of his failure to listen to them. This piece by Mark R Lewis is arranged for SATB ensemble. All parts get the melody at some point and there are several duets between voices parts throughout the piece. Additionally the accompaniment voices switch between homophonic harmonies and arpeggiating chords several times for increased complexity and interest. The instrumental parts consist of vibraphone, piano, bass guitar, and floor tom parts. Any mellow metallophone would be an appropriate substitute for the vibraphone and the bass guitar part can be played on almost any bass instrument. The optional floor tom could be substituted with any other lower, resonant drum available but should not be a short, sharp sound. All that said, both the vibraphone and bass guitar parts are mostly doubled in the piano or vocal lines so groups that do not have access to those instruments should still be able to perform this piece without concern. This piece is also available for Vocal Trio w/ Mixed Ensemble and the sound files sampled here are from that arrangement. Vocal Range: d minor Soprano - 1+ octave (D4 to E5) Alto - 1+ octave (A3 to D5) Tenor - 1+ octave (C3 to D4) Bass - 1+ octave (F2 to A3) Instrumental Range: Vibraphone - 1+ octave (D4 to E5) Piano - ability to reach at least an octave in both hands Bass guitar - 1+ octave (E2 to A3).