Guitar,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1448098 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 5 pages. David Warin Solomons #1028036. Published by David Warin Solomons (A0.1448098). Based on an Irish folksongI have a bonnet trimmed with blue.Do you wear it? Yes, I do.I will wear it when I can,going to the ball with my young man.My young man has gone to sea,but when he comes back he'll play for me.Tip to the heel and tip to the toeand that's the way the Polka goes.My young man is home from seahe's come back to marry meTip to the heel and tip to the toeand that's the way the Polka goes.I have a bonnet trimmed with blue.Do you wear it? Yes, I do.I will wear it when I can,going to the ball with my young man.The pdf contains score and parts.

Guitar,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1448120 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 8 pages. David Warin Solomons #1028059. Published by David Warin Solomons (A0.1448120). Based on the old Scottish ballad Gilderoy, about a handsome highwayman who was eventually betrayed by his mistress.The last, the dreaded hour is come,That bears my love from me:I hear the dead note of the drum,I mark the fatal tree.The bell has toll'd; it shakes my heart;The trumpet speaks thy name:And must my Gilderoy depart,To bear a death of shame!No bosom trembles for thy doom;No mourner wipes a tear;The gallows' foot is all they tomb,The sledge is all thy bier.Oh Gilderoy! I bethought we thenSo soon, so sad to part,When first in Roslin's lovely glenYou triumph'd o'er my heart?Your locks they glitter'd to the sheen,Your hunter garb was trim;And graceful was the ribbon green,That bound your many limb!Ah! little thought I to deploreThose limbs in fetters bound;Or hear, upon the scaffold floor,The midnight hammer sound.Ye cruel, cruel, that combinedThe guiltless to pursue;My Gilderoy was ever kind,He could not injure you!A long adieu! but where shall flyThy widow all forlorn,When ev'ry mean and cruel eyeRegards my wo with scorn?Yes! they will mock thy widow's tears,And hate thine orphan boy;Alas! his infant beauty wearsThe form of Gilderoy.Then will I seek the dreary moundThat wraps thy mouldering clay,And weep and linger on the ground,And sigh my heart away.The pdf file contains score and parts.

Guitar,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1448145 Composed by David Owen. Arranged by David Warin Solomons. Contemporary,Traditional. 4 pages. David Warin Solomons #1028084. Published by David Warin Solomons (A0.1448145). Based on a song by the Welsh harpist David OwenDavid the bard on his bed of death liesPale are his features and dim are his eyesYet all around him his glance wildly rovesTill it alights on the harp that he loves.Give me my harp, my companion so longLet it once more add its voice to my songThough my old fingers are palsied and weakStill my good harp for its master will speak.Often the hearts of our chiefs it has stirredWhen its loud summons to battle was heardHarp of my country, dear harp of the braveLet thy last notes hover over my grave. The pdf file contains score and parts.

Instrumental Duet Guitar,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.942070 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 23 pages. Silver Sickle Publications #4762621. Published by Silver Sickle Publications (A0.942070). Invocation The guitar introduces the evocative mood of the work, followed four measures later by the oboe, which with its characteristic sound, embraces the guitar into a conversation and at the same time into an invocation.  The second theme, atmospheric, echoing reveals a waiting status. The work is full of fast arpeggios and technical difficulties for both instruments. Gradually increases in dramatic tension and complexity and concludes with the initial idea. The finale is simple, subtractive, allows a feeling of an unfulfilled expectation. Duos for guitar and Oboe are rare and always a challenging task for the composer. That was the primary reason of mine when I started working on this work, to accomplish a match that is unique and wonderful at the same time. Most of my music since that time explores the uniqueness of instruments and their interaction.  Invocation was one of the first and its material used later by me in my First Guitar Concerto (Phygein Adynaton).  Invocation was premiered at the TSAI Performance Center in Boston, MA and it was a prize winner at the Finalists of the 1994 ALEA Composition Competition