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Small Ensemble Cello,Guitar - Level 3 - Digital Download SKU: A0.576903 Composed by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 14 pages. David Warin Solomons #506799. Published by David Warin Solomons (A0.576903). Instrumental arrangement of my classical-folk crossover setting of Prévert's poem Pour faire le portrait d'un oiseau (To paint the portrait of a bird).  Prévert indicates that you can never capture the real essence of a bird. You can paint a cage, a tree branch for it to sing on, but you have to wait for the actual bird itself to enter your painting - only then can you sign your painting, using a feather from that bird. The music has a Dorian feel - ie with a minor third and seventh but often with a raised sixth - (in this case F#s in an otherwise A minor context). I have provided full score and separate parts and also the melody instrument part with chord names, to enable the guitarist to read along with the melody instrument player and opt for interpretations other than the notated version (eg strumming, rasgueado etc). The sound sample is an electronic preview. My live performance of the original song can be heard on youtube at: https://www.youtube.com/watch?v=SkjYONGdicI
Portrait of a bird for cello and guitar
Violoncelle , Guitare (duo)

$10.00 8.67 € Violoncelle , Guitare (duo) PDF SheetMusicPlus

Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1434765 Composed by Traditional. Arranged by David Warin Solomons. Celtic,Contemporary,Irish,Traditional. 5 pages. David Warin Solomons #1014896. Published by David Warin Solomons (A0.1434765). Based on an Irish folksongThe pdf contains score and partsI have a bonnet trimmed with blue.Do you wear it? Yes, I do.I will wear it when I can,going to the ball with my young man.My young man has gone to sea,but when he comes back he'll play for me.Tip to the heel and tip to the toeand that's the way the Polka goes.My young man is home from seahe's come back to marry meTip to the heel and tip to the toeand that's the way the Polka goes.I have a bonnet trimmed with blue.Do you wear it? Yes, I do.I will wear it when I can,going to the ball with my young man.
I have a bonnet trimmed with blue for cello and guitar
Violoncelle , Guitare (duo)

$5.00 4.34 € Violoncelle , Guitare (duo) PDF SheetMusicPlus

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.532392 Composed by E. Satie. Arranged by Klas Krantz. 20th Century,Concert. Score and parts. 4 pages. Amadeus Music #6064881. Published by Amadeus Music (A0.532392). Erik Satie (1866-1925) was a French composer and pianist. Starting with his first composition in. Satie was introduced as a gymnopedist in 1887, shortly before writing his most famous compositions, the Gymnopedies (1888). In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications. Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd.
Gnossienne no. 5 for cello and guitar
Violoncelle , Guitare (duo)

$3.95 3.43 € Violoncelle , Guitare (duo) PDF SheetMusicPlus

Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1434761 Composed by David Warin Solomons. 20th Century,Comedy. 5 pages. David Warin Solomons #1014892. Published by David Warin Solomons (A0.1434761). Instrumental re-working of my folksong based on the enjoyment of the deep fried banana in ScotlandThe pdf contains score and partsYoung Hamish he went out to buy him some chipsand ordered a haddock and good saucy dipsHis eyes then did wander and he licked his lips'Cause he'd spotted a Scottish bananaOch aye! that'll do me!The deep fried banana's just right for my tea!So Hamish he emptied his wallet right thereand all for the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaNow everyone knows deep fried food does you goodProvided you have a wee apple for pudBut Hamish just kept all that under his hoodPreferring his Scottish banana.Och aye! that'll do me!Cos deep fried bananas are all I can see!So Hamish he picked up his package of foodincluding the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaYoung Hamish went home now with all of his haulSat down on the sofa with TV and allHe opened the package and started to bawlThere was fish and chips but no banana!Och nay! I'll check where I wentIt surely was stolen by some passing gentOr else it escaped while my money was spentOh where is my Scottish banana?all for the Scottishall for the Scottishall for the Scottish bananaBut Hamish just couldn't account for his lossHe looked in the heather, he looked in the mossHe questioned a passing great white albatrossBut nary a sign of banana!Oh nay, where can it be?Bananas don't vanish, bananas don't flee!So Hamish he turned and then quite suddenlyHe slipped on his Scottish banana!all for the Scottishall for the Scottishall for the Scottish banana.
The Scottish Banana for cello and guitar
Violoncelle , Guitare (duo)

$6.00 5.2 € Violoncelle , Guitare (duo) PDF SheetMusicPlus

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577529 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985937. Published by David Warin Solomons (A0.577529). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
Up I arose in verno tempore for cello and guitar
Violoncelle , Guitare (duo)

$6.00 5.2 € Violoncelle , Guitare (duo) PDF SheetMusicPlus

Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1434759 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 8 pages. David Warin Solomons #1014890. Published by David Warin Solomons (A0.1434759). Based on the old Scottish ballad Gilderoy, about a handsome highwayman who was eventually betrayed by his mistress.The pdf contains score and partsThe last, the dreaded hour is come,That bears my love from me:I hear the dead note of the drum,I mark the fatal tree.The bell has toll'd; it shakes my heart;The trumpet speaks thy name:And must my Gilderoy depart,To bear a death of shame!No bosom trembles for thy doom;No mourner wipes a tear;The gallows' foot is all they tomb,The sledge is all thy bier.Oh Gilderoy! I bethought we thenSo soon, so sad to part,When first in Roslin's lovely glenYou triumph'd o'er my heart?Your locks they glitter'd to the sheen,Your hunter garb was trim;And graceful was the ribbon green,That bound your many limb!Ah! little thought I to deploreThose limbs in fetters bound;Or hear, upon the scaffold floor,The midnight hammer sound.Ye cruel, cruel, that combinedThe guiltless to pursue;My Gilderoy was ever kind,He could not injure you!A long adieu! but where shall flyThy widow all forlorn,When ev'ry mean and cruel eyeRegards my wo with scorn?Yes! they will mock thy widow's tears,And hate thine orphan boy;Alas! his infant beauty wearsThe form of Gilderoy.Then will I seek the dreary moundThat wraps thy mouldering clay,And weep and linger on the ground,And sigh my heart away.
Gilderoy for cello and guitar
Violoncelle , Guitare (duo)

$5.00 4.34 € Violoncelle , Guitare (duo) PDF SheetMusicPlus

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.790863 Composed by Frederic Chopin. Arranged by Georg Mertens. Romantic Period. 6 pages. Georg Mertens #3514007. Published by Georg Mertens (A0.790863). The Largo from Cello Sonata G minor is the only original work for cello, which could be transcribed for cello & guitar. The Cello part is written in bass & tenor clef (original treble and bass). The original bowings are phrasing bows as for piano. Here are recommended bowings for cello players. The guitar part is not easy, but the chords found by a pianist create a new sound dimension for the guitar player. Sounds beautiful and intimate.
Chopin Largo from Cello Sonata for cello & guitar
Violoncelle , Guitare (duo)

$4.99 4.33 € Violoncelle , Guitare (duo) PDF SheetMusicPlus






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