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Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Hautbois, Piano (duo)

$20.00 17.01 € Hautbois, Piano (duo) PDF SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download SKU: A0.528471 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6030043. Published by Diego Marani (A0.528471). Salut d'Amour, Op. 12, is a musical work composed by Edward Elgar in 1888, originally written for violin and piano. Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss ('Love's Greeting') because of Miss Roberts' fluency in German.This arrangement for Oboe reflects faithfully the original for violin and can be also used as music for wedding events.
Salut d'Amour (Love's Greeting) for Oboe and Piano
Hautbois, Piano (duo)

$6.99 5.95 € Hautbois, Piano (duo) PDF SheetMusicPlus

Cello,Flute,Oboe,Piano - Level 3 - Digital Download SKU: A0.998844 Composed by Robert A. Howard. 20th Century,Standards. 7 pages. Robert A. Howard #6183595. Published by Robert A. Howard (A0.998844). Preludium II uses material from the composer's original Preludium piece for orchestra. It was composed in response to a call for pieces that stipulated the given chamber instrumentation. The work is an introductory overture-type movement, effective as a brief ternary form concert opener. The piece is clearly in D major, in a fast tempo, with a catchy melody and bell-like accompaniment. It is highy accessible and is appropriate for most standards of musician, including amateurs, students and the more advanced. Duration: 1 minute 50 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk.
Preludium II
Hautbois, Piano (duo)

$5.49 4.67 € Hautbois, Piano (duo) PDF SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download SKU: A0.786660 Composed by Daniel C. Roberts, George William Warren. Arranged by Beka Wilson. Christian,Holiday,Patriotic,Sacred. Score and part. 7 pages. Beka Wilson #6343111. Published by Beka Wilson (A0.786660). This arrangement of God of Our Fathers would be a perfect occasion song for Father's Day, Independence Day, Memorial Day, or Veterans Day. Length: around 2 minutesLevel: intermediate for most instruments7 pages (includes score and separate solo part)This arrangement is available as a solo for voice, piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available for SATB Choir.
God of Our Fathers--oboe solo
Hautbois, Piano (duo)

$6.99 5.95 € Hautbois, Piano (duo) PDF SheetMusicPlus

Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
Sonata Franckoniana
Hautbois, Piano (duo)

$8.99 7.65 € Hautbois, Piano (duo) PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Oboe,Piano - Digital Download SKU: A0.576454 Composed by Robert Johnson. Arranged by David Warin Solomons. 20th Century,Contemporary,Renaissance. Score and parts. 19 pages. David Warin Solomons #26513. Published by David Warin Solomons (A0.576454). Arrangement for wind trio and piano of a romantic sad song by Renaissance composer Robert Johnson The original words are as follows: As I walked forth one summer's day, To view the meadows green and gay A pleasant bower I espied Standing fast by the river side, And in't a maiden I heard cry: Alas! alas! there's none e'er loved as I. Then round the meadow did she walk, Catching each flower by the stalk Such flow'rs as in the meadow grew, The Dead Man's Thumb, an herb all blue; And as she pull'd them still cried she: Alas! alas! there's none e'er loved as I. The flowers of the sweetest scents She bound about with knotty bents; And as she bound them up in bands She wept, she sigh'd, she wrung her hands; Alas! alas! alas! cried she, Alas! alas! there's none e'er loved as I. When she had fill'd her apron full Of such green things as she could cull, The green things served her for her bed, The flow'rs were the pillows for her head; Then down she laid her, ne'er more did speak; Alas! alas! with love her heart did break.
As I walked forth
Hautbois, Piano (duo)

$12.00 10.21 € Hautbois, Piano (duo) PDF SheetMusicPlus






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