Guitar quartet - Digital Download SKU: ZZ.DZ-4322 Composed by Fernando Sor. Arranged by Eddie Healy. Score and parts. 49 pages. Les Productions d'OZ - Digital #DZ 4322. Published by Les Productions d'OZ - Digital (ZZ.DZ-4322). When I undertook my arranging project, Fernando Sor: Beneath the Surface, I had not yet conceived of another. Yet, Sor’s works are so charming and rich that I felt compelled to delve deeper. Again, I have taken a number of his works for solo guitar and expanded them here. This has enabled me to furnish each voice, those composed by Sor and those I’ve added, with a degree of independence that enables them to simultaneously behave independently of the others and to interact with and react to them more freely.I hope that this will inspire guitar students and more seasoned players alike to examine the structural underpinnings of his works when crafting their interpretations much as I have in producing these arrangements.Lorsque j’ai entrepris mon projet d’arrangement, Fernando Sor : Beneath the Surface, je n’avais pas encore imaginé d’autre projet. Pourtant, les œuvres de Sor sont si charmantes et riches que je me suis senti obligé d’aller plus en profondeur. Là encore, j’ai repris un certain nombre de ses œuvres pour guitare seule et les ai développées ici. Cela m’a permis de doter chaque voix, celles composées par Sor et celles que j’ai ajoutées, d’un degré d’indépendance qui leur permet de se comporter simultanément indépendamment des autres et d’interagir et de réagir plus librement avec elles.J’espère que cela inspirera les étudiants en guitare et les guitaristes plus expérimentés à examiner les fondements structurels de ses œuvres lors de l’élaboration de leurs interprétations, tout comme je l’ai fait pour produire ces arrangements.1. Minuet, Op. 11, No. 52. Etude, Op. 35, No. 23. Etude, Op. 44, No. 164. Etude, Op. 35, No. 145. Leçon III, Op. 31.

Guitar Ensemble - Level 3 - Digital Download SKU: A0.1490151 Composed by Nicholas Britell. Arranged by Derek Hasted. Film/TV. Score and Parts. 16 pages. Derek Hasted #1067003. Published by Derek Hasted (A0.1490151). SUCCESSION TV THEME - for 4 GUITARS/Large EnsembleDerek Hasted writes Originally set in the key C minor, this quirky, short, TV theme tends to prove something of an ear worm with those who hear it. Perfect to close the first half of a concert, then!I've moved the piece into the key of E minor, partly to make best use of the guitar neck, and partly to allow open string harmonics to recreate effortlessly the octave jumps in the original piano chords.I’ve added fingering where I hope it will help. The main theme moves from player to player, so that no single player has extended runs at speed and the audience will enjoy an amazing stereo effect too. The dynamics show where the tune needs to be brought out.The original is very fast, and you may find, as I do, that it breathes better on guitar if taken 10% slower, with the bonus of making the piece just that little bit longer too.I have also arranged this for guitar duet, in an arrangement that is slightly more demanding - find it from my website below.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797756 Composed by Bernard de la Monnoye. Arranged by Derek Hasted. Baroque,Christmas. Score and parts. 17 pages. Derek Hasted #4836609. Published by Derek Hasted (A0.797756). PATAPAN - traditional carol - 4 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.There are TWO ARRANGEMENTS in this one edition.Derek Hasted writes This Burgundian Carol, first published in 1720, usually has four verses in the French version and three in the English. This arrangement has three verses, all in slightly different styles.The melody and the onomatopoeia in the lyrics are together meant to symbolise the fife (“Ture-lure-lu�) and the drum (“Pata-pata-pan�).In both arrangements Guitar One has melody, and it fits nicely in a mix of IV and V position. There is no fingering, because your ensemble might want to choose between two different approaches...A less experienced ensemble might prefer to venture up the neck just to reach for the A and B notes, and return to the first position as soon as possible...A more experienced group might want to stay up the neck to get a more rounded tone throughout. Depending on your choice of fingering, slurs might be possible to improve the flow.There are two versions of the lower parts. In the first arrangement, in “SATB� style, Guitar 4 plays the bass; Guitar 3 provides, in the three verses, percussion, a choral countermelody, and finally a Hurdy-Gurdy style drone; Guitar provides a countermelody.In the second arrangement, the roles rotate at the end of each verse, so that all the accompanying players have three very different verses to play. Guitar 1 stays with the tune, because in a mixed ability ensemble, moving the tune about tends to highlight any weaknesses. This arrangement highlights the strengths!Percussion (the X-headed notes) works well if you tap the guitar near the bridge to get a deep bass drum.At the end, the brave amongst you can shout “Patapan� to bring the piece to a surprise conclusion...I hope you enjoy this piece!

Guitar - Level 3 - Digital Download SKU: A0.797829 By Elton John. By Elton John. Arranged by Derek Hasted. Pop,Rock. 16 pages. Derek Hasted #6496541. Published by Derek Hasted (A0.797829). CAN YOU FEEL THE LOVE TONIGHT - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes I first arranged this lovely tune for The Hampshire Guitar Orchestra, and my arrangement here produces the same big sound from an intermediate guitar quartet or large ensemble. School teachers will find this is an ideal piece for an end of semester concert, and adult ensembles will find it makes a restful interlude piece in a full-length concert.My arrangement comprises two verses and a Coda, but either verse could be repeated to make an even longer performance piece. There are no page turns.Guitar 1 suits the seventh position, and guitar 4 (which is in two voices) is all in the first and second position. The middle parts could be taken in a variety of positions, and I have left the fingering for you to choose. There are many places where the faster notes can be slurred, and this does make a positive difference to the overall fluidity of the piece.There are suggested dynamics which make the piece come alive.I hope you enjoy playing this piece!