SKU: A0.1443913

J.S. Bach's Trio Sonata No. 1 in E-flat Major, BWV 525, is a significant work in his oeuvre for organ. Here are some key points about this composition: It is one of Bach's six trio sonatas for organ, composed around 1727-1730 during his time in Leipzig.
The sonata has three movements: Allegro moderato, Adagio, and Allegro. It showcases Bach's mastery of counterpoint, with the three melodic lines expertly woven together in the trio texture. The sonata is written for two manuals and pedal, allowing for a rich contrapuntal interplay between the three voices.

The opening Allegro moderato movement features lively imitative entries.
The Adagio slow movement is expressive and songlike, with the three voices engaging in an intimate musical dialogue.
The final Allegro is a spirited gigue with intricate contrapuntal writing and virtuosic passagework.

BWV 525 exemplifies Bach's ability to create complex polyphonic works of great artistic merit for a single instrument like the organ.
So, in summary, this trio sonata stands out as a prime example of Bach's contrapuntal genius and innovative writing for the organ, combining intellectual rigor with profound musical expression.

SKU: A0.1271387

Introducing Chanson de Mai - an enchanting Clarinet Trio arrangement, inspired by the original composition by French composer Adolphe Danhauser. Originally written as a secular chorus for 3 voices, this delightful piece has been expertly reimagined for 3 Clarinets, creating a harmonious blend of melodic voices.

With an intermediate level of difficulty, this arrangement is accessible to aspiring clarinetists seeking to enhance their skills and ensemble playing. Each clarinet part has been thoughtfully crafted to showcase the instrument's unique tonal qualities while complementing one another, resulting in a captivating and balanced performance.

Chanson de Mai is a versatile addition to any clarinet ensemble's repertoire. Whether it's a concert, a recital, or an educational setting, this arrangement shines as a centerpiece of any program. The piece's uplifting melodies and engaging harmonies will undoubtedly captivate audiences, leaving a lasting impression.

Let the spirit of Adolphe Danhauser's French composition take center stage with this charming Clarinet Trio arrangement. Perfect for both formal performances and educational exploration, Chanson de Mai is sure to enchant and inspire both performers and listeners alike. Elevate your clarinet ensemble's musical journey with this delightful piece.

SKU: A0.552650

Sonata No. 1 BWV 525, originally for organ, arranged for clarinet trio: 2 Bb clarinets, 1 bass clarinet.
Duration: 14:15, Score: 19 pages
 In three movements.
I. Allegro
II. Adagio
III. Allegro

J.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.


The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.

SKU: A0.982519

A thoughtful reduction and adaptation of the original orchestral score, for a trio of soprano clarinets. Gershwin's scoring works very well for just three voices -- so the playful detail and feel of the piece is nicely maintained. 

In this arrangement, the melody is distributed across the three voices, so that all three parts are important and interesting. A few sections of the original piece are removed, a key signature changed, and a few other thoughtful minor modifications made so that this arrangement is very playable on clarinet.

SKU: A0.1225161

Song Title: Believe

Christmas Trio with Multiple Part Options. Features middle and low voices in the verse and high voice in the chorus.

Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation.

NOTE: Audio sample clip begins at Measure 13 (9 measures after Letter A).

A full length audio version can be heard in the YouTube video.

The audio sample represents a Clarinet Trio (Clarinet, Clarinet, Bass Clarinet).

This arrangement is also available for many other ensembles and soloists.

Look for more arrangements by Roger Wallace.

SKU: A0.1386174

This is a fun piece that combines a jazz style with the conventional classical form of a fugue. The work is well suited to recital programmes, as a light-hearted opener or relaxed interlude in a more serious concert. It is also suited to younger players who wish to combine the discipline of ‘classical’ chamber music while learning about jazz articulation, such as falls and short notes at the ends of phrases.

Fugue in Blue started out as a Clarinet Trio called Jazz Fughetta, indicating that it was a simple fugue in a jazz style, but without the formality of a fully worked out fugue. In this new version, the first three voices enter fugally with the second beginning on the dominant and the third back in the tonic. It is now in a swing style with a more laid back feel and some more inventive harmony and jazz articulation.

SKU: DX.118316

An accompanied clarinet trio opening with an exciting motive. The first rendition is in block harmonies with occasional rhythmic punctuations. The next section has subtle contrapuntal statements amongst all parts giving a joyous texture. After a modulation the ensemble alternates between solo statements and full ensemble giving contrasts in texture and color. Another modulation ensues where imitative motives take place through the voices only to come together in a solid fashion for an exciting ending.

Key of Ab, C, F.

SKU: A0.1270743

Introducing 4 Hymni Mariani, Op.47 – a captivating arrangement for Clarinet Trio, exquisitely composed by Franciszek Walczyński. This sacred hymn, consisting of four movements, has been skillfully adapted for three clarinets, with the added convenience of alternative parts for Eb Clarinet and Eb Alto Clarinet.

The arrangement strikes a harmonious balance between beauty and accessibility, making it an ideal choice for intermediate-level clarinet ensembles. Whether you're performing in concerts, recitals, educational settings, or religious ceremonies, 4 Hymni Mariani, Op.47 will enrapture audiences with its spiritual depth and melodic charm.

Walczyński's profound composition comes to life through the expressive voices of the clarinet trio, creating an unforgettable musical experience. Each movement weaves a tapestry of emotions, guiding listeners on a journey of reflection and spiritual contemplation.

Enrich your clarinet ensemble's repertoire with this versatile arrangement, embracing the power of sacred hymns in a new and captivating form. Elevate your performances with the timeless beauty of 4 Hymni Mariani, Op.47.

SKU: A0.1251230

Flute Trio with Multiple Part Options. Features all parts. The development section includes antiphonal lines accompanying the melody played by various voices.

Part 1: Piccolo 
Part 1: C Flute
Part 2: C Flute
Part 3: Alto Flute 

The audio sample represents a Flute Trio (2 Flutes, Alto Flute).

This arrangement is also available for many other ensembles and soloists.

Look for more arrangements by Roger Wallace.

SKU: A0.648301

This is an arrangement of a piano work by C.P.E. Bach. It is in two part form. Arranging this for clarinet trio that really brings out the individuality of the voices.

SKU: A0.1148910

This arrangement adapted for clarinet trio was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..

SKU: A0.799919

This early intermediate level clarinet trio is appropriate for most 2nd year students but can also be played by an advanced group looking to fill in a program with something lyrical, expressive, and familiar.

Students should be encouraged to listen to the original recording for ideas regarding phrasing, dynamics, and rubato. Players are also encouraged to stylize the melody rhythmically to match the interpretations of the original artists or to fit student/teacher preferences.  

Important to note, each part changes roles frequently. Attention should be paid to balance, blend, and continuity of sound and tone. This arrangement is designed to give each player plenty to do and to challenge everybody to know how their part fits in with the others as the melody and inner voices weave among the players.