Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 4 - Digital Download SKU: A0.1271704 Composed by Johann Sebastian Bach. Arranged by Nancy Frese Tabb. Baroque,Chamber,Classical,Contest,Festival. 8 pages. Nancy Frese Tabb #864086. Published by Nancy Frese Tabb (A0.1271704). Bach's Fugue in C Minor (BWV 847) is arranged as a Three Part Alto Saxophone Choir.  While the original version from the Well-Tempered Klavier is scored as a Piano Solo, this arrangement scored for three  Saxophones features a prominent initial exposition of each instrument complemented by the harmonies of the other instruments.  Perfect for a recital, concert or competition!

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1394379 By Robert Stevens. By Johann Georg Linike. Arranged by Robert Stevens. Baroque,Chamber,Classical. 40 pages. SAXpress.com #977861. Published by SAXpress.com (A0.1394379). Trio Sonata in C is a pleasant little work by the mostly unknown German Baroque composer Johann Georg Linike. Although called a trio sonata, it does not follow the typical format of a Baroque trio sonata. Each of the three movements are quite short – think of it as a trio sonata in miniature. Together, all three movements take less than five minutes to perform. 1st, 2nd, and 3rd parts are included for both E flat and B flat instruments. The parts may be combined as desired. The short length and moderate range of the piece make this a good choice for intermediate players. Movement 1, Allegro in C major, is in common time. Movement 2, Adagio in A minor, is in  common time. Movement 3, Vivace in C major, is in 3/4 time.

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone - Level 3 - Digital Download SKU: A0.786359 Composed by Siberian Folk Melody. Arranged by Beka Wilson. Christian,Gospel,Praise & Worship,Sacred. 6 pages. Beka Wilson #4310371. Published by Beka Wilson (A0.786359). Fairest Lord Jesus is designed to be an unaccompanied instrumental trio. It is perfect for an offertory, prelude, or contest piece. This arrangement is for E flat instruments, so the parts will work for any combination of alto saxophone, baritone saxophone, or other treble clef E flat instruments. Also, this arrangement is compatible with products S0. 507573 (C treble clef), S0. 507583 (alto clef), S0. 507587 (B flat), S0. 507595 (C bass clef), and S0. 507601 (F) for different instrumentation.Length: approximately 3 minutes (85 bpm recommended)Pages: 6 (includes score and parts)Level: Intermediate

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.534363 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Sacred,Standards. 179 pages. Musik Fabrik Music Publishing #3387883. Published by Musik Fabrik Music Publishing (A0.534363). The Six Trio Sonatas, BWV 525-530 were composed about 1727 during Bach’s period in Leipzig. They were not composed for organ, but (according to Forkel, Bach’s first biographer whose information came from Bach’s son Carl Philip Emmanuel Bach) for the pedal harpsichord as means of improiving the pedal technique of his son Wilhelm Friedemann Bach. This instrument, which requires a great deal of precision in performance, contains a normal harpsichord with two manuals attached to a pedal board which activates another harpsichord which is lower to the ground. Many of the movements in these Italian sonatas were used in other settings, in Bach’s Cantatas and in other instrumental works.Bach always tuned his own keyboards and confided his tuning system to his student Johann Kimberger (1721-1788) who used this information to devise several tuning schemes to create a well-tempered system according to Bach’s ideas. The main principal that Bach gave Kimberger was that all thirds should be tuned slightly sharp (...alle grossen Terzen scharf). The saxophone is an ideal instrument to experiment with this sort of tuning, given the possibilities for adjustment in the embouchure. Nothing can replace a good set of ears in the process and use of electronic tuning devices should be avoided, unless they can be specifically programmed to reflect these sorts of non-standard tunings.Sonata no. 1 in Eb major, BWV 525 Sonata no. 2 in c minor , BWV 526 Sonata no. 3 in d minor, BWV 527 Sonata no. 4 in e minor, BWV 528 Sonata no. 5 in C major, BWV 529 Sonata no. 6 in G major, BWV 530

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1405116 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Stevens. Chamber,Classical. 60 pages. SAXpress.com #988156. Published by SAXpress.com (A0.1405116). Divertimento in B Flat (1783) K439b no 2 W. A. Mozart ((1756 – 1791)) Saxophone Trio, flexible instrumentation Divertimento in B Flat K.439b by Mozart, arranged for sax trio, flexible instrumentation. This is number two of a set of five divertimentos written around 1783. Originally, the works were written for 3 basset horns but were also performed by other wind and string ensembles. They are commonly performed by two clarinets and a bassoon today. This arrangement is for saxophone trio with flexible scoring.Divertimento in B Flat has five movements: Allegro (Common time, tempo around 124 bpm, B-flat major throughout, about 2.25 minutes) Minuetto 1 (3/4 time, tempo around 124-136 bpm, ABA form, B-flat major to E-flat major to B-flat, about 3.75 minutes) Larghetto (3/4 time, tempo around 60 bpm, B flat major throughout, about 4 minutes) Minuetto 2 (3/4 time, tempo around 136 – 144 bpm, ABA form, B-flat major to F to B-flat major, about 3.5 minutes) Rondo (2/4 time, tempo around 144 – 152 bpm, ABACA form, B-flat major except when the C section wanders to F minor, about 3.25 minutes) The first movement features a lively main theme and a carefree, somewhat mellow alternate theme. Minuet 1 has a graceful main theme and relaxed, somewhat playful trio section. The movement three Larghetto is slow and dreamy. It even seems to yawn when the music several times indulges in long pauses. The second Minuet movement is livelier and a bit more colorful and playful than the first with a lively trio section. The concluding Rondo (Allegro) is energetic and colorful, with syncopations and interesting key shifts to add interest.This version of Divertimento in B-flat includes the following parts: Full trio score (C score), 20pp Part 1 – soprano saxophone, 8pp Part 2 – soprano saxophone 2, 8pp Part 2 – alto saxophone, 8pp Part 3 – tenor saxophone, 8pp Part 3 – baritone saxophone, 8pp The printed score and parts are 9″x 12″. The alternate parts included with this arrangement allow a great deal of flexibility in your ensemble. The parts can be played in any combination as long as part one, two, and three are covered. Probably Soprano-Alto-Tenor or Soprano-Alto-Baritone would be the most common grouping. However, even though it is not specified on the parts, there is no reason the piece could not be played by a Tenor/Tenor/Baritone ensemble. Also if a bass sax is available it could certainly cover the part 3 tenor sax part.

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1138518 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738859. Published by Woods Only, Arrangements (A0.1138518). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for sax trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1138515 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738855. Published by Woods Only, Arrangements (A0.1138515). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto saxophone trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Saxophone Trio,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1138517 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738858. Published by Woods Only, Arrangements (A0.1138517). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone saxophone trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Saxophone Trio,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1138516 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738857. Published by Woods Only, Arrangements (A0.1138516). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for tenor saxophone trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.954021 Composed by Christopher Burnett. Concert,Instructional,Standards. 2 pages. BurnettPublishing.COM #3681571. Published by BurnettPublishing.COM (A0.954021). Kansas All-State Scales - SAXOPHONE is based upon the following KMEA All-State Wind & Percussion Music Requirements for the Live Audition: One major scale, two octaves, with up to 4 sharps or 4 flats. Quarter Note MM= 120. Memorization is not required. Slurred up and tongued down. All scales will start on the lowest possible starting note in the practical range. Each scale is non-transposed (i.e., if a trumpet player is asked to perform a C scale, they will be expected to perform a C scale on their instrument, not a C concert scale.) The major scale for each instrument will be posted by the band chairpersons on the morning of live auditions. Compiled and edited by Christopher Burnett, Conn-Selmer Artist, and Clinician.

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.568484 Composed by Sebastina de Yvradier (1809â??1865). Arranged by Thomas Graf. Folk,World. 12 pages. Thomas Graf - the-hit-factory.com #2961267. Published by Thomas Graf - the-hit-factory.com (A0.568484). La Paloma  is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed  La Paloma  around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become.  La Paloma  belongs to a genre of songs called  Habaneras,  a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all  Habaneras,  its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly  La Paloma  became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of  La Paloma  has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with  Yesterday  by the Beatles, is one of the most recorded songs in the history of music.   Instrumentation:  Part I (Soprano/Alto), Part II (Alto), Part III (Tenor)            Listen to the recording - a challenge for your ensemble.  Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N...                                Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic    New catalogue includedVideo: https://www.youtu.be/ERXv2yBGgOA.

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.525091 Composed by Traditional French Christmas Carol. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 18 pages. John A. Dempsey #6659229. Published by John A. Dempsey (A0.525091). Arranged as a lively sax trio for soprano sax, alto sax and tenor sax, this exultant arrangement of a traditional French Christmas carol contains variation in all three parts as well as dynamic shading, embellishments and incidental music by Grieg, all adding to the atmosphere of festive praise and joyful thanksgiving.  Gloria in excelsis Deo is Latin for Glory to God in the Highest.  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture, special music and more.  Concert Key: Bb major.  Soprano Sax Key: C major.  Alto Sax Key: G major.  Tenor Sax Key: C major.  14 pages of music (that includes the score and separate two-page parts for each instrument).

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.523087 Composed by Gustav Holst. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. 15 pages. John A. Dempsey #3120931. Published by John A. Dempsey (A0.523087). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant woodwind trio for soprano sax, alto sax and tenor sax, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs as well as holiday recitals, Christmas concerts, traditional church services and other seasonal worship events.  Suggested worship uses: prelude, postlude, offertory, interlude and silent prayer accompaniment.  11 pages of music (that includes separate two-page parts for each individual instrument).  Concert Key: Bb major.  Soprano Sax Key: C major.  Alto Sax Key: G major.  Tenor Sax Key: C major.

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.946346 Composed by Johann Sebastian Bach. Arranged by Benjamin Karaca. Baroque,Chamber,Christian,Classical,Multicultural,World. 16 pages. Benjamin Karaca #6266395. Published by Benjamin Karaca (A0.946346). This piece was originally composed for harpsichord. Its authorship by Bach is disputed.Originally, when writing this arrangement, I had the lineup of Alto, Tenor, and Baritone Sax (ATB) in mind. However, the first part can also be played on the Soprano Sax, and the second part on the Alto Sax. Thus, this arrangement can be performed with various instrument combinations. Apart from very few changes, this arrangement closely follows the source material. I opted not to add articulations and have retained the original key of A minor.Saxophone Trio ATB (SAB / STB / AAB). Duration: 3:00 min. Level: 3/5.Part 1: Soprano Sax / Alto SaxPart 2: Alto Sax / Tenor SaxPart 3: Baritone SaxScore in CA high-quality arrangement by a professional musician. It also includes interesting information about the piece and helpful tips for interpretation. For more information, please visit my website: www.benjaminkaraca.com.