Composed by Franz Schubert. Arranged by L.C. Harnsberger. Concert,Halloween,Romantic Period,Standards. Score and parts. 32 pages. LCH Music #6644783. Published by LCH Music

French Horn Quartet Horn - Level 3 - Digital Download SKU: A0.1216200 Composed by Traditional. Arranged by L.C. Harnsberger. 19th Century,Christian,Religious,Sacred,Spiritual. 8 pages. LCH Music #812812. Published by LCH Music (A0.1216200). Few hymn tunes are as popular and moving as “Amazing Grace.� This timeless melody known as “New Britain� was adapted in 1835 to include the inspiring words written by John Newton in 1772. This well-crafted arrangement for horn quartet starts quietly with bagpipe-style sustained notes and the melody in canon that transitions to ethereal cluster harmonies. After a flowing chromatic section is a moving coda that resolves to a quiet final resolution. This arrangement is perfect to use at weddings, funerals, concerts, and recitals.

Brass Ensemble,French Horn Quartet - Level 4 - Digital Download SKU: A0.1499365 Composed by Various. Arranged by L.C. Harnsberger. Advent,Christmas,Early Music,Holiday,Renaissance. 28 pages. LCH Music #1075419. Published by LCH Music (A0.1499365). The Renaissance period of music was filled with stunning pieces that are rarely heard today. The Christmas music of that era is characterized by beautiful modal melodies and fascinating, driving rhythms that can sometimes be wonderfully syncopated. “Three Renaissance Carols” brings together three magnificent carols, skillfully arranged for horn quartet.The collection starts with the Latin carol “Gaudete,” which features droning reminiscent of bagpipes, and evokes the sounds of Renaissance instruments like the crumhorn and shawm. Next is “Ríu Ríu Chíu,” a contrapuntal Spanish carol that gained popularity when the Monkees performed it on their 1967 Christmas episode. The piece concludes with the energetic and syncopated Spanish carol “E la don, don,” providing a rousing finale.“Three Renaissance Carols” is a unique and engaging arrangement that will captivate audiences with appealing and extraordinary melodies. It is perfect for holiday concerts, church services, caroling parties, and recitals.

Brass Ensemble,French Horn Quartet - Level 4 - Digital Download SKU: A0.1497082 Composed by Traditional. Arranged by L.C. Harnsberger. Advent,Chamber,Christmas,Holiday,Traditional. 8 pages. LCH Music #1073500. Published by LCH Music (A0.1497082). “The Holly and the Ivy” is a traditional English Christmas carol that was first published in 1909, with lyrics tracing back to about 1711. This creative arrangement retains the beauty of the original melody while incorporating canonic counterpoint, bell tones, and melodic fragmentation. The result is a piece that is as enjoyable to perform as it is to hear. “The Holly and the Ivy” is a delightful addition to holiday concerts, caroling parties, and recitals.

Horn - Level 3 - Digital Download SKU: A0.919034 Composed by Bernard de la Monnoye. Arranged by L.C. Harnsberger. Baroque,Christmas,Classical,Multicultural,World. 8 pages. LCH Music #6087489. Published by LCH Music (A0.919034). The beloved Christmas carol Pat-A-Pan was written in 1720 and continues to be performed throughout the Christmas season today. This arrangement keeps it enjoyable for every performer with canons, bell tones, and drum-like rhythms. This is perfect for any holiday-themed concert.

Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919037 Composed by Erik Satie. Arranged by L.C. Harnsberger. 20th Century,Concert,Contemporary,Wedding. Score and parts. 11 pages. LCH Music #6474671. Published by LCH Music (A0.919037). Enigmatic and highly influential composer Erik Satie wrote over three dozen piano works between 1884 and 1920. Some pieces were outlandish such as his Vexations which repeats 840 times and lasts up to 35 hours, and other pieces were simple with absurd titles like his Three Pieces in the Form of a Pear. Perhaps his best-known piece is his first Gymnopédie for piano that was completed in 1888. The piece consists of a simple accompaniment with a long soaring melody above it. The melody is instantly recognizable and was featured in films including My Dinner with Andre, and The Royal Tenenbaums; video games; and on albums by Blood Sweat & Tears, and Gary Numan. It is also found on most Top-50 lists of All-Time Classical Music Favorites. Satie also wrote two additional Gymnopédie with the collection of all three first published in 1898. Claude Debussy famously orchestrated two of them that same year. The long soaring melody and calm mood of this piece works beautifully for horn quartet. Each member gets the melody for an enjoyable performance. This piece is ideal for weddings, worship services, funerals, and any recital.

Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919036 Composed by Johann Sebastian Bach. Arranged by L.C. Harnsberger. Baroque,Christmas,Concert,Easter,Wedding. Score and parts. 17 pages. LCH Music #6474799. Published by LCH Music (A0.919036). This set and parts contains TWO VERSIONS: one complete version, and one easier short version (see below)Jesu, Joy of Man’s Desiring is a chorale from J. S. Bach’s cantata Herz un Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. The original scoring was for trumpet, oboes, two violins, basso continuo, and chorus. The melody is instantly recognizable and has been featured in countless films, recordings, and TV shows including Downtown Abbey, The Minority Report, The Muppet Show, the album Switched-On Bach by Moog-synthesizer artist Wendy Carlos, and the song Lady Linda by The Beach Boys. It is also found on most Top-100 lists of All-Time Classical Music Favorites. Two arrangements are included: The Complete Version is the entire cantata and is just over four minutes long. This version is perfect for worship services and recitals. The Short Version is a much simpler arrangement that is ideal for Weddings. It conveniently repeats sixteen measures so it can be as short as one minute (perhaps for a candle lighting ceremony), and may be repeated as needed if the processional takes longer than expected, or for any situation where you need to vamp.

Composed by John Stafford Smith. Arranged by L.C. Harnsberger. 21st Century, Fourth of July, Graduation, Patriotic, Americana. Score, Set of Parts. 7 pages. Published by Published by LCH Music (S0.220633). - Score,Set of Parts - 21st Century,Fourth of July,Graduation,Patriotic,Americana - Published by LCH Music

Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919038 Composed by Traditional Scottish Melodies. Arranged by L.C. Harnsberger. Celtic,Contemporary,Folk,Irish,Wedding. Score and parts. 23 pages. LCH Music #6426577. Published by LCH Music (A0.919038). This arrangement of Scottish traditional songs includes three iconic Scottish melodies: Bluebells of Scotland, Turn Again, Thou Fair Elisa, and Annie Laurie. The long soaring melodies and bagpipe-style drones of these songs work beautifully for horn quartet. These arrangements are ideal for weddings, preludes, funerals, and any recital.The origins of Scottish traditional music date back to at least the late Middle Ages, with songs passed down orally until many of the songs were published in collections in the 18th century. Scotland’s National Poet Robert Burns (1759-1796) famously collected Scottish folk songs and adapted many of the melodies to include his poetry. Today, elements of Scottish traditional music are found in epic film soundtracks such as Braveheart, Mary Queen of Scots, and Rob Roy, as well as classical symphonic works including Mendelssohn’s Scottish symphony. Bluebells of Scotland was most famously used by Arthur Pryor in his piece Blue Bells of Scotland for solo trombone and band. There are a few different versions of the melody Turn Again, Thou Fair Elisa, but the melody Robert Burns used (as published in the 1903 edition of The Songs of Robert Burns) is arguably the most beautiful. The timeless song Annie Laurie describes the ill-fated romance between Scottish soldier William Douglas and Annie Laurie, the young daughter of a British aristocrat. The music is often attributed to Lady John Scott (1810-1900).

Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.919032 Composed by Anton Bruckner. Arranged by L.C. Harnsberger. Contemporary,Multicultural,Romantic Period,Wedding,World. Score and parts. 31 pages. LCH Music #3516355. Published by LCH Music (A0.919032). This piece for horn quartet was adapted from three rarely heard pieces by Anton Bruckner. The Praludium and Postlude were originally written for keyboard. Bruckner was probably the finest organ improvisor of his time, but he wrote very few pieces for that instrument. The Chorale is adapted from an early quartet for men's voices c. 1848. Fortunately these three pieces work perfectly together for four horns. Bruckner's unmistakable harmonies, counterpoint, and drama are all present in this work. All attempts were made to create an edition that accurately reflects Bruckner's music as if he had originally written it for horn quartet. Enharmonic spellings were retained, and the articulations and dynamics were adjusted to both reflect Bruckner's intentions while making the music appropriate for live performances. Praludium, Chorale, and Postlude for Four Horns is a perfect piece for recitals, festivals, weddings, and any other ceremony.

By Vince Guaraldi. Arranged by L.C. Harnsberger. Score, Set of Parts. 14 pages. Published by LCH Music

French Horn Quartet Horn - Level 5 - Digital Download SKU: A0.798693 Composed by Johann Sebastian Bach. Arranged by Jörg Richter. Baroque,Praise & Worship,Sacred. 6 pages. Jörg Richter #5349485. Published by Jörg Richter (A0.798693). Das Arrangement für Horn Quartett basiert auf dem Satz von Johann Sebastian Bach.Wachet auf, ruft uns die Stimme ist ein Kirchenlied von Philipp Nicolai aus dem Jahre 1599, veröffentlicht im Anhang seines Buches Freudenspiegel des ewigen Lebens. Die Melodie zitiert eine Wendung aus der seinerzeit bekannten Silberweise des Nürnberger Schuhmachers und Meistersängers Hans Sachs. Es findet sich heute im Evangelischen Gesangbuch (EG 147, 3. Strophe mit Choralsatz von Johann Sebastian Bach zusätzlich EG 535 als Abschluss des Stammteils) als Eröffnung des Abschnitts Ende des Kirchenjahres, was seiner Stellung als Hauptlied für den Ewigkeitssonntag entspricht; im alten Gotteslob (Nummer 110) stand es, wie im alt-katholischen Gesangbuch Eingestimmt (E 304) hingegen im Abschnitt Advent. Im am 1. Adventssonntag 2013 eingeführten neuen Gotteslob ist das Lied unter der Nummer 554 in der Rubrik „Die himmlische Stadt (Eschatologie) eingeordnet, im Gesangbuch der Evangelisch-reformierten Kirchen der deutschsprachigen Schweiz unter Nr. 850, im freikirchlichen Gesangbuch Feiern und Loben unter Nr. 287 und im Mennonitischen Gesangbuch unter Nr. 414. (Aus: Wikipedia.org).