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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1487785 By Gala. By Filippo Carmeni, Gala Rizzatto, and Maurizio Molella. Arranged by Bruno Monteferrante. 21st Century,Disco,Pop. Score and part. 10 pages. Bruno Monteferrante #1064723. Published by Bruno Monteferrante (A0.1487785). Experience the vibrant energy of Gala's iconic hit Freed from Desire with our exclusive arrangement for tuba solo and piano accompaniment. Perfectly tailored for musicians looking to add a contemporary and dynamic piece to their repertoire, this arrangement captures the essence of the original song while providing a fresh and engaging musical experience.Key Features:Ideal for Musicians: This arrangement is perfect for those seeking a unique and exciting piece to showcase their skills, with an accompanying piano part that complements the solo beautifully.Authentic and Captivating: Faithfully adapted from Gala's original, this arrangement maintains the song's powerful rhythm and infectious melody, making it a standout choice for performances.Clear Notation: The sheet music features clear, easy-to-read notation for both the tuba and piano parts, ensuring a smooth and enjoyable playing experience.Perfect for Performances: Whether for a recital, concert, or personal enjoyment, this arrangement brings the spirited energy of Freed from Desire to any setting, captivating audiences and players alike.Why Choose This Arrangement?Our Freed from Desire arrangement for tuba solo with piano accompaniment is crafted to provide an exhilarating playing experience while staying true to the original song's vibrant character. Ideal for intermediate to advanced players, this piece is a must-have for anyone looking to add a contemporary classic to their music collection.Order Your Copy Today!Bring the infectious energy of Gala's Freed from Desire to life with this unique arrangement. Order now and let your performance shine with this captivating tuba and piano duo!
Freed From Desire
Euphonium, Piano (duo)
Gala
$5.99 5.14 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 5 - Digital Download SKU: A0.792055 Composed by Scriabin, Alexander. Arranged by Sauer, Ralph. Romantic Period. Score and part. 20 pages. Gordon Cherry #2927217. Published by Gordon Cherry (A0.792055). Alexander Scriabin’s music has been described as mystical, lyrical and idiosyncratic. He was known as the most innovative and controversial early modern Russian composer. Scriabin's works were ignored for many years until recently and are now seen as sincere expression(s) of genius. The Three Etudes for Euphonium and Piano are early works of Scriabin, originally written for solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression. Mr. Sauer has arranged three wonderful new works for advanced performers who wish to explore Scriabin's music, largely unknown to the Euphonium world.The three movements are about ten minutes in length and suitable for advanced performers.Parts are available for Bass and Treble clef readers.
Three Etudes for Euphonium and Piano
Euphonium, Piano (duo)

$20.00 17.18 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 5 - Digital Download SKU: A0.792456 Composed by George Gershwin. Arranged by Ralph Sauer. 20th Century,Blues,Classical,Jazz,Romantic Period. Score and part. 20 pages. Gordon Cherry #4983589. Published by Gordon Cherry (A0.792456). George Gershwin’s Three Preludes, originally published for Piano in 1926, have been transcribed by Ralph Sauer in this first ever edition for Euphonium & Piano. About 6 minutes in length, the Preludes are jazzy, bluesy and a lot of fun to play, plus, very entertaining for audiences.  This transcription, in bass clef is suitable for advanced performers with a range from a low C# to high D's.  Prelude No. 1 has a bluesy motif with a strong jazz feel.  Prelude No. 2, Blue Melody, is a sad song also with a blues feel using lots of sevenths and a major/minor duality.  Prelude No. 3,  Spanish Prelude features lots of syncopations and a battle between major & minor with the major winning out in the end.  This work will make a fantastic addition to your recital.
Three Preludes for Euphonium and Piano
Euphonium, Piano (duo)

$25.00 21.47 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)

$19.95 17.13 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)

$19.95 17.13 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 3 - Digital Download SKU: A0.1436390 By Taylor Swift. By Aaron Dessner and Taylor Swift. Arranged by MAJOR SCORE PUBLISHING TM. Jazz,Pop,Rock,Singer/Songwriter. Score and part. 19 pages. Major Score Publishing #1016500. Published by Major Score Publishing (A0.1436390). How Did It End? Taylor Swift Euphonium with piano (Premium duet) Euphonium players! Look no further! How Did It End? from the brand new Taylor Swift hit featured on The Tortured Poets Department is now available! Play along with the original recording, solo, with our included piano accompaniment or with our FREE piano play along on our YouTube channel! Our arrangement is designed to deliver the authentic and enjoyable performance experience you are looking for! We have even included the background vocal lines in the piano accompaniment giving you that extra level of enjoyment to enhance your performance experience! This arrangement is a fantastic resource for smaller performances, recitals and gigs to being a great tool for music teachers and students! Enjoy!Included in your premium sheet musicEuphonium: 2 pagesPiano: 7 pagesFull Score: 10 pages (with cover)FREE PIANO PLAY ALONGComing ASAP!Other Euphonium sheet music on Hal Leonard Platforms:Let it Go (Frozen) Leave the Door Open (Silk Sonic)I Will Survive (Gloria Gaynor)Treasure (Bruno Mars)New Rules (Dua Lipa)Can't Stop the Feeling!777 (Silk Sonic)You're a Mean One, Mr GrinchFollow us today!Instagram@majorscorepublishingYouTube@majorscorepublishingWebsitehttps://www.majorscorepublishing.com/
How Did It End?
Euphonium, Piano (duo)
Taylor Swift
$7.99 6.86 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.   Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.   Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands            Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival                Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Euphonium, Piano (duo)

$32.95 28.3 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 3 - Digital Download SKU: A0.1458243 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Wedding. Score and part. 11 pages. SCORE EDITIONS #1037220. Published by SCORE EDITIONS (A0.1458243). A Whole New World is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. Lyrically, A Whole New World describes Aladdin showing the confined princess a life of freedom and the pair's acknowledgment of their love for each other while riding on a magic carpet. In this version, the composition was arranged for Euphonium B.C: and Piano by Harry Walker.
A Whole New World
Euphonium, Piano (duo)

$5.99 5.14 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 5 - Digital Download SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gordon Cherry #6425321. Published by Gordon Cherry (A0.811242). Originally titled Sospiri d'Amour, this instrumental miniature, Sospiri (Sighs), Opus 70 was originally intended as a companion to Salut d'Amour. Elgar composed this heartfelt work in 1914 for string orchestra, harp, and organ, just before the outbreak of WWI. It is a bleak adagio of thoughtful intensity that he dedicated as a tribute to W.H. Reed, a dear friend, and the Concertmaster of the London Symphony. The work has been described most beautifully by Michael Kennedy who wrote, It is, though short, a major work of grave beauty, an epitome of Elgar’s ability to express nostalgic regret.Ralph Sauer has arranged this beautiful work for Euphonium and Piano (part is in bass clef) as an homage to the great English master. The work is about 5 minutes in length and appropriate for advanced performers.
Sospiri (Sighs) for Euphonium and Piano
Euphonium, Piano (duo)

$15.00 12.88 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 3 - Digital Download SKU: A0.550121 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4596301. Published by jmsgu3 (A0.550121). Moonlight * лунный Ñвет * 月光 * Σεληνόφωτο * MÄ›síÄní svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869
Debussy: Claire de Lune for Euphonium & Piano
Euphonium, Piano (duo)

$32.95 28.3 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
Pachelbel: Canon for Baritone Horn & Piano
Euphonium, Piano (duo)

$28.95 24.86 € Euphonium, Piano (duo) PDF SheetMusicPlus






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