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Euphonium,Piano - Level 2 - Digital Download SKU: A0.587890 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037731. Published by David McKeown (A0.587890). 16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano ï»¿score and separate Euphonium part are included in the single PDF file.16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Euphonium in Bb and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…·     All Creatures of Our God and King, (Lasst Uns Erfreuen)·     All Hail the Power of Jesus Name, (Coronation)·     Before the Throne of God Above, (Before the Throne)·     Blessed Assurance, (Blessed Assurance)·     Christ the Lord is Risen Today, (Easter Hymn)·     Crown Him with Many Crowns, (Diademata)·     The Day of Resurrection, (Ellacombe)·     Just as I Am, (Woodworth)·     I Know that My Redeemer Lives, (Bradford)·     It is Well with My Soul, (Ville du Havre)·     A Mighty Fortress is Our God, (Ein Feste Burg)·     Nothing But the Blood of Jesus, (What Can Wash Away My Sin)·     There is a Green Hill Far Away, (The Green Hill)·     Thine Be the Glory, (Judas Maccabeus)·     Were You There? (Were You There?)·     When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 ï»¿
16 Favourite Easter Hymns for Solo Euphonium and Piano
Euphonium, Piano (duo)

$7.60 6.48 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 4 - Digital Download SKU: A0.1366782 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Film/TV. Score and part. 15 pages. Roger Wallace #951067. Published by Roger Wallace (A0.1366782). Vocal or Instrumental Solo (in F to G) with Piano Accompaniment. The Leslie Bricusse and Anthony Newley classic from Willy Wonka and the Chocolate Factory and the new movie Wonka.Solo parts included in this set:Piano and Voice: TenorBass Clarinet/Tenor Sax/Trombone TC/Euphonium TCClarinet/Soprano Sax/Trumpet Alto Clarinet/Horn in EbHorn in FBassoon/Trombone/Euphonium/Tuba/CelloBaritone Sax/Eb BassA full length audio version (representing the Trombone) can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
Pure Imagination
Euphonium, Piano (duo)
Mormon Tabernacle Choir
$4.99 4.26 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 4 - Digital Download SKU: A0.1366786 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Roger Wallace. Contemporary,Film/TV,Pop. Score and part. 15 pages. Roger Wallace #951101. Published by Roger Wallace (A0.1366786). Vocal or Instrumental Solo (in F to G) with Piano Accompaniment. The Leslie Bricusse & Anthony Newley classic from Willy Wonka and the Chocolate Factory and the new movie Wonka.Solo parts included in this set:Piano & Voice: TenorBass Clarinet/Tenor Sax/Trombone TC/Euphonium TCClarinet/Soprano Sax/Trumpet Alto Clarinet/Horn in EbHorn in FBassoon/Trombone/Euphonium/Tuba/CelloBaritone Sax/Eb BassA full length audio version (representing the Trombone) can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
Pure Imagination
Euphonium, Piano (duo)
Mormon Tabernacle Choir
$4.99 4.26 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 3 - Digital Download SKU: A0.1378350 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 7 pages. Kevin P Holdgate #962974. Published by Kevin P Holdgate (A0.1378350). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
Heaven Is A Place On Earth
Euphonium, Piano (duo)
Belinda Carlisle
$5.99 5.11 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)

$32.95 28.1 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)

$32.95 28.1 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 3 - Digital Download SKU: A0.967686 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and part. 9 pages. Lawrence H Underwood #6189331. Published by Lawrence H Underwood (A0.967686). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fifth installment in his A Christmas Portfolio series, this brand new setting of Jingle Bells is destined to be a new favorite! This Jingle Bells has been given the ragtime treatment. . .opening in standard 2/4 ragtime, moving into a ragtime waltz in the middle of the piece, before once again revisiting 2/4 - but with the piano part covering the melody and the soloist playing countermelody lines until final reclaiming the theme for the final rousing statement of the chorus. Suitable as a showpiece or encore in any winter or holiday setting!
Jingle Bells for Euphonium or Baritone
Euphonium, Piano (duo)

$5.99 5.11 € Euphonium, Piano (duo) PDF SheetMusicPlus

Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.918776 Composed by David Gaines. 20th Century,Contemporary. Score and parts. 8 pages. David Gaines #2113311. Published by David Gaines (A0.918776). A very short and fun work for euphonium and piano....very lighthearted and rhythmic. -- Adam Frey, euphonium soloist; Yamaha Performing Artist; euphonium instructor, Georgia State University.......This short, highly rhythmic prelude was inspired by the unique dancing movements of ferrets and was a semifinal round selection for the student division of the 25th Annual Leonard Falcone International Euphonium Competition in 2010.......A recording featuring euphoniumist Robert Kozanek (principal trombone, Czech Philharmonic Orchestra) is available on the Navona Records album Conversations: Keyboard and Chamber Music by John Bilotta and David Gaines (Catalogue #NV5829).
Jubilee for euphonium and piano
Euphonium, Piano (duo)

$3.99 3.4 € Euphonium, Piano (duo) PDF SheetMusicPlus

Euphonium,Piano - Level 3 - Digital Download SKU: A0.905761 Composed by Traditional. Arranged by Jerremy Fender. Folk,World. Score and part. 5 pages. Jerremy Fender #6351699. Published by Jerremy Fender (A0.905761). A beautiful Irish tune set for Solo Euphonium/Baritone (or Trombone) and Piano. This arrangement is in three verses the first two are the soloist playing the melody in different octaves. (The first in the staff, the second verse below the staff) The third verse has a countermelody that can be played up an octave if desired. Without the optional octave for the final verse the range for the solo part extends from Concert Low G to High A. Enjoy!  Also included TC Part with the BC part.
Loch Lomond (Solo Euphonium with Piano Accompaniment)
Euphonium, Piano (duo)

$4.99 4.26 € Euphonium, Piano (duo) PDF SheetMusicPlus






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