Euphonium,Piano - Level 3 - Digital Download SKU: A0.1268287 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 12 pages. Diego Marani #860850. Published by Diego Marani (A0.1268287). The Slavonic Dances are a series of 16 orchestral pieces composed by Antonín Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for Bb or C Euphonium with piano accompaniment of the marvelous and nostalgic dance no. 2 is suitable for classroom, repertoire, recital or for a thoughtful encore.

Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.528433 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 11 pages. Diego Marani #6014033. Published by Diego Marani (A0.528433). The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They are among Brahms's most popular works and were the most profitable for him. The better-known Hungarian Dances include Nos. 1 and 5, the latter of which was based on the csárdás Bártfai emlék (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong.This arrangement for Euphonium or Trombone (C and Bb) with piano accompaniment reflects faithfully the original.

By Mikis Theodorakis. Arranged by Diego Marani. Individual Part, Score, Solo Part. 10 pages. Published by Diego Marani

Euphonium,Piano - Level 5 - Digital Download SKU: A0.1298852 Composed by Carl August Nielsen. Arranged by Ralph Sauer. 19th Century. Score and part. 20 pages. Gordon Cherry #888700. Published by Gordon Cherry (A0.1298852). Five Pieces, Op. 3 by Carl Nielsen is the composer's first collection of piano music. It was published during the 1890-91 period while he was traveling through Europe to study. The movements are:1 Folktune, 2. Humoresque, 3. Arabesque, 4. Mignon and 5. Elf's DanceThe five movements beautifully arranged by Ralph Sauer for Euphonium and Piano contain lots of character and even at this early stage show the composer's immense talent. This work of about 7 minutes in length is appropriate for advanced performers.

Euphonium,Piano - Level 3 - Digital Download SKU: A0.550121 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4596301. Published by jmsgu3 (A0.550121). Moonlight * лунный �вет * 月光 * Σεληνόφωτο * Měsí�ní svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869

Euphonium,Piano - Level 5 - Digital Download SKU: A0.792567 Composed by Russell Scarbrough. 20th Century,Contemporary. Score and part. 25 pages. Gordon Cherry #5008597. Published by Gordon Cherry (A0.792567). As the title suggests the work dying and dancing for Euphonium solo and Piano accompaniment is in two parts, which are played without a pause between the two. The first part, an adagio, is not necessarily meant to be evocative of the actual act of passing away, but more perhaps of the contemplation and reflection upon one’s life as that time approaches, and particularly of sorrow over regret and disappointment. The unsettled mood of the music reflects this bitterness, and stands in contrast to the expansive peace of the grave, heard at the beginning and end of the adagio. Dance, with ironic wit, the second part, is the other side of the same coin; perhaps humor of the gallows describes its spirit. At once fatalist and mocking, it brings to mind the words of the ancient teacher Koheleth, The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. I was pleased to compose dying and dancing in 2013 for Mark Kellogg, a superb Euphonium artist and my former trombone professor at the Eastman School of Music.