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Bassoon,Piano - Level 5 - Digital Download SKU: A0.1173974 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 11 pages. Austin Ralphson #774131. Published by Austin Ralphson (A0.1173974). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/OChgwLvvF28 and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/EN4Sf
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - bassoon and piano with FREE BACKING TRACK
Basson, Piano (duo)

$3.99 3.4 € Basson, Piano (duo) PDF SheetMusicPlus

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1038963 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score and part. 5 pages. Amadeus Music #643960. Published by Amadeus Music (A0.1038963). The original piece is part of Bach’s Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The title comes from violinist August Wilhelmj’s late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string. The air is usually played slowly and freely, and features an intertwining harmony and melody.
Air (on the G string) BWV 1068 for bassoon and piano
Basson, Piano (duo)
transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string The air is usually played slowly and freely, and features an intertwining harmony and melody
$4.95 4.22 € Basson, Piano (duo) PDF SheetMusicPlus

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1310502 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Easter,Sacred,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899560. Published by Colin Kirkpatrick Publications (A0.1310502). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate bassoon player. It is in concert C and range is from G on the lowest line of the bass clef to the E just above the staff. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
Bach-Gounod: Ave Maria for Bassoon and Piano
Basson, Piano (duo)

$7.95 6.78 € Basson, Piano (duo) PDF SheetMusicPlus

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1284621 Composed by Colin Kirkpatrick. Holiday,Instructional,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #875796. Published by Colin Kirkpatrick Publications (A0.1284621). This is a lovely reflective solo piece for bassoon and piano. All the notes are within easy reach of the early intermediate player. The technical level is about Grade 3 (UK ABRSM) The range covers low F (only twice, and well prepared) to the F above the staff. The bassoon part makes considerable use of quarter note triplets and tied notes. The piece has long lyrical phrases, beginning in A minor/C major and ending in F major. It is ideal for developing a sustained tone. The piece is rewarding to perform and the piano part has been kept fairly straightforward throughout. It would make an excellent piece for a student recital.
Searching (for Bassoon and Piano)
Basson, Piano (duo)

$7.99 6.82 € Basson, Piano (duo) PDF SheetMusicPlus

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1311222 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 8 pages. Colin Kirkpatrick Publications #900214. Published by Colin Kirkpatrick Publications (A0.1311222). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for bassoon is in E flat major. In the solo part, the lowest note is the B flat on the second line of the bass clef and the highest note is the E flat just above the bass staff. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore.  
Handel: Largo (from Xerxes) for bassoon and piano
Basson, Piano (duo)

$4.95 4.22 € Basson, Piano (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.898907 Composed by Angelina Panozzo. 20th Century,Concert,Instructional,Standards. Score and parts. 18 pages. Angelina Panozzo #1985643. Published by Angelina Panozzo (A0.898907). This collection of 7 miniatures for solo bassoon and piano accompaniment was inspired by the connection between emotions and colors. Each miniature lasts 1 - 3 minutes and focuses on a different musical style. 1. Seeing Red: this movement is angry, atonal, and discordant. 2. Apples and Oranges: features inverted melodies that trade between the bassoon and piano 3. Yellow Bellied: this slinking movement slides between major and minor. 4. Green-Eyed Monster: aggressive and sliding, this miniature focuses on slurs and phrasing. 5. Feelin' Blue: inspired by bluesey scales, this miniature features a long, slow ritardando at the end. 6. Indigo Child: consonant and laid back 7. Shrinking Violet: focuses on syncopation and rhythm If you have any questions or would like to request an audio file, you can contact me on AngelinaPanozzo.com. Happy music-making!
Colloquial Colors for solo bassoon and piano accompaniment
Basson, Piano (duo)

$6.00 5.12 € Basson, Piano (duo) PDF SheetMusicPlus

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1150236 Composed by Rick Founds. Arranged by John A. Dempsey. Christian,Contemporary,Easter,Praise & Worship,Sacred. Score and part. 12 pages. John A. Dempsey #750411. Published by John A. Dempsey (A0.1150236). This exuberant, tuneful duet version for bassoon and piano contains a flavorful piano part and a bit of syncopation to accentuate the jubilant mood of the song. A Contemporary Christian classic, this music is recommended for traditional church services, youth rallies and other worship events, as a prelude, postlude, an interlude, offertory and special music.  Concert Key: F major.  8 pages of music (that includes a separate two-page bassoon part) .
Lord, I Lift Your Name On High
Basson, Piano (duo)

$7.99 6.82 € Basson, Piano (duo) PDF SheetMusicPlus

Bassoon,Piano - Level 4 - Digital Download SKU: A0.524661 Composed by William J. Kirkpatrick. Arranged by John A. Dempsey. Celtic,Christian,Irish,Sacred,Spiritual,Traditional. Score and part. 16 pages. John A. Dempsey #6139061. Published by John A. Dempsey (A0.524661). This lively hymn arrangement is designed to inject energy and enthusiasm into your worship service with its jazzy rhythm, upbeat tempo and flavorful melody.  This is an enduring hymn with eternal truth as its message.  Musically influenced by both Cajun and Celtic styles, this duet arrangement for bassoon and piano is recommended for traditional church services, praise gatherings, youth rallies and other worship events, as a prelude, postlude, an offertory, interlude and special music.  Key: Bb major.  12 pages of music (that includes a separate three-page bassoon part).
We Have Heard the Joyful Sound (Jesus Saves): Bassoon and Piano
Basson, Piano (duo)

$6.99 5.96 € Basson, Piano (duo) PDF SheetMusicPlus

Bassoon,Piano - Level 3 - Digital Download SKU: A0.870704 By The Chainsmokers. By Andrew Taggart, Ashley Frangipane, Frederic Kennett, Isaac Slade, Joseph King, and Shaun Frank. Arranged by Daniel Leeman. Pop. Score and part. 11 pages. Daniel Leeman #2968275. Published by Daniel Leeman (A0.870704). First performed at Coachella, and later nominated for a 2017 Grammy Award, The Chainsmokers’ Closer is an instant favorite, topping the Billboard Hot 100 for twelve weeks.This arrangement has been transcribed for solo instrument and piano accompaniment that captures the driving EDM rhythms. The arrangement is best suited for intermediate players with some syncopated sixteenth note rhythms, but won’t deter younger players who may have learned some of the more challenging parts by ear.This song retains the original concert key of Ab major, and instrumentalists can enjoy performing their solo part with piano accompaniment or playing along with the original recording.
Closer
Basson, Piano (duo)
The Chainsmokers
$6.99 5.96 € Basson, Piano (duo) PDF SheetMusicPlus






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