Bassoon,Piano - Level 3 - Digital Download SKU: A0.716859 Composed by Traditional. Arranged by Tim Curd. Contemporary,Folk,Holiday,Patriotic. Score and part. 6 pages. Tim Curd #4783423. Published by Tim Curd (A0.716859). An arrangement of the Irish traditional, also known as Londonderry Air for solo alto Bassoon and piano . A great concert item for school or general performance and a popular choice for St Patricks Day and Funerals.A Backing Track is available for this tune:https://www.sheetmusicplus.com/title/danny-boy-for-solo-bassoon-and-piano-backing-track-digital-shee...

Bassoon,Piano - Level 3 - Digital Download SKU: A0.617619 Composed by WILLIAM J. KIRPATRICK. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and part. 12 pages. The Lanier Company #5866339. Published by The Lanier Company (A0.617619). REDEEMED is an arrangement by Gary Lanier for Bassoon and Piano of one of our most cherished Hymns. This energy packed arrangement is perfect for Church or any gathering where hymns of testimony, redemption and inspiration are desired. The score, including cover and instrumental part is 12 pages long.

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1310502 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Easter,Sacred,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899560. Published by Colin Kirkpatrick Publications (A0.1310502). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate bassoon player. It is in concert C and range is from G on the lowest line of the bass clef to the E just above the staff. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined� piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness� (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1284621 Composed by Colin Kirkpatrick. Holiday,Instructional,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #875796. Published by Colin Kirkpatrick Publications (A0.1284621). This is a lovely reflective solo piece for bassoon and piano. All the notes are within easy reach of the early intermediate player. The technical level is about Grade 3 (UK ABRSM) The range covers low F (only twice, and well prepared) to the F above the staff. The bassoon part makes considerable use of quarter note triplets and tied notes. The piece has long lyrical phrases, beginning in A minor/C major and ending in F major. It is ideal for developing a sustained tone. The piece is rewarding to perform and the piano part has been kept fairly straightforward throughout. It would make an excellent piece for a student recital.

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1487747 Composed by Various. Arranged by Colin Kirkpatrick. Baroque,Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #1064685. Published by Colin Kirkpatrick Publications (A0.1487747). These are eleven of the most well-known dances of the Renaissance set in five movements and selected from the famous collection entitled Terpsichore, published in 1612 by Michael Praetorius. They are sure to be a welcome addition to the elementary bassoon repertoire and make a pleasing performance item at a recital. The bassoon part is in the bass clef throughout and the highest note is usually the D above the bass staff. In a couple of pieces, the next note E is used.By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced “terp-SI-cory” and rhymes with the word “hickory”. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble, Praetorius was well aware that in practice they would be played by any instruments that happened to be available.These arrangements for bassoon and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas.

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1311222 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 8 pages. Colin Kirkpatrick Publications #900214. Published by Colin Kirkpatrick Publications (A0.1311222). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-sees�. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto� in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...�Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for bassoon is in E flat major. In the solo part, the lowest note is the B flat on the second line of the bass clef and the highest note is the E flat just above the bass staff. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore.  

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1423042 By Patrick Watson. By Patrick Watson. Arranged by Gildson Cerqueira. Pop. Score and part. 7 pages. Gildson Cerqueira #1004394. Published by Gildson Cerqueira (A0.1423042). Immerse yourself in the enchanting melody of 'Je Te Laisserai Des Mots' with our meticulously crafted sheet music arrangement. Elevate your musical experience and bring the soulful notes of this beautiful song to life. Purchase our sheet music today and embark on a journey of musical bliss and inspiration.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1423043 By Patrick Watson. By Patrick Watson. Arranged by Gildson Cerqueira. Pop. Score and part. 7 pages. Gildson Cerqueira #1004395. Published by Gildson Cerqueira (A0.1423043). Immerse yourself in the enchanting melody of 'Je Te Laisserai Des Mots' with our meticulously crafted sheet music arrangement. Elevate your musical experience and bring the soulful notes of this beautiful song to life. Purchase our sheet music today and embark on a journey of musical bliss and inspiration.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.557803 Composed by William Kirkpatrick. Arranged by David Burndrett. Christmas. Score and parts. 6 pages. David Burndrett #484887. Published by David Burndrett (A0.557803). This works well as a concert piece or just for fun. Download includes the score and both of the parts.

Bassoon,Piano - Level 3 - Digital Download SKU: A0.617664 Composed by WILLIAM J. KIRKPATRICK and WILLIAM H. DOANE. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 32 pages. The Lanier Company #5993425. Published by The Lanier Company (A0.617664). CLASSIC HYMN SUITE is a compilation of 3 hymn tunes arranged by Gary Lanier for Bassoon and Piano. The titles are (1) Lord, I'm Coming Home, (2) Take the Name of Jesus with You & (3) I Am Thine, O Lord. All for the price of 2. Perfect for any Christian inspirational event (32 pages).

Bassoon,Piano - Level 3 - Digital Download SKU: A0.617576 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The Lanier Company #5779421. Published by The Lanier Company (A0.617576). LORD, I'M COMING HOME is an arrangement by Gary Lanier for Bassoon and Piano of one of our most cherished Hymns. The theme is one of resolve to return to the Lord. This emotionally packed arrangement is perfect for Church or any gathering where hymns of testimony are desired. The score, including cover and instrumental part is 13 pages long.

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1503426 By Sabrina Carpenter. By Amy Allen, Ian Kirkpatrick, John Henry Ryan, Julia Michaels, and Sabrina Carpenter. Arranged by Juliana Akemi. 21st Century,Pop,Singer/Songwriter. Score and part. 13 pages. Juliana Akemi #1078874. Published by Juliana Akemi (A0.1503426). Taste for Bassoon with Piano accompaniment arrangement PDF, by Sabrina Carpenter from her record album Short n' Sweet.