Bassoon,Piano - Level 3 - Digital Download SKU: A0.547879 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073397. Published by jmsgu3 (A0.547879). BASSOON & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages. Score 6 pages, Part 2 pages, Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda. 

Bassoon,Piano - Level 5 - Digital Download SKU: A0.1385323 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 25 pages. Jmsgu3 #969333. Published by jmsgu3 (A0.1385323). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.

Bassoon,Piano - Level 1 - Digital Download SKU: A0.1049934 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. Score and part. 3 pages. Woods Only, Arrangements #654325. Published by Woods Only, Arrangements (A0.1049934). This easy arrangement for bassoon and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1372201 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. Score and part. 10 pages. John A. Dempsey #956462. Published by John A. Dempsey (A0.1372201). A combination of sweeping majesty and melodic lyricism, Puccini's irresistible aria O Mio Babbino Caro (from Gianni Schicchi) is arranged here as a duet for bassoon and piano.  Recommended for concerts, recitals, weddings and more.  Movies and TV shows that have showcased this aria include A Room with a View, Rocky Balboa, Luca, Downton Abbey, and You're a Good Skate, Charlie Brown.  6 pages of music (that includes a separate one-page bassoon part).  Key: F major.

Bassoon,Piano - Level 1 - Digital Download SKU: A0.1384349 Composed by L. v. Beethoven. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period,Wedding. Score and part. 5 pages. Ian Fitze #968666. Published by Ian Fitze (A0.1384349). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A nice little simple piece for solo Bassoon and Piano/keyboard. Features plenty of interplay between the two instruments - makes good use of the soloist's range that a novice player would be able to handle. A light, catchy tune that would be suitable for many occasions including recitals, concerts and weddings.

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1473509 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Ian Fitze. 19th Century,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #1051309. Published by Ian Fitze (A0.1473509). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a moderately challenging piece adapted for instrumental solo with Piano accompaniment. From Wikipedia: The Mazurka (Polish: mazurek) is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's strong accents unsystematically placed on the second or third beat.Rimsky Korsakoff makes good use of melodies and counter-melodies throughout.A fun piece for both soloist and accompanist to put together.

Bassoon,Piano - Level 5 - Digital Download SKU: A0.1173507 Composed by Claude Debussy. Arranged by Austin Ralphson. 20th Century,Classical,Romantic Period,Wedding. Score and part. 12 pages. Austin Ralphson #773652. Published by Austin Ralphson (A0.1173507). Clair de lune means moonlight in French, and Debussy took this title from Verlaine's poem Clair de lune. The beautiful melody works very well for solo instrument with piano and requires good breath control. The rhythms are particularly tricky in this piece, regularly moving from triplets to duplets and back again. Despite this, however, it should always flow smoothly and be played with feeling.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/EJ9cVpdO2ho and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/EN4Sf