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Trombone - Level 2 - Digital Download SKU: A0.1112600 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Sacred,Traditional. 14 pages. Artistic Score Engraving di Galvagno Michele #714610. Published by Artistic Score Engraving di Galvagno Michele (A0.1112600). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
Eternal Father, Strong to Save - for Trombone Quartet
Quatuor de cuivres: 4 trombones

$5.50 4.74 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.872910 Composed by Traditional. Arranged by Peter A. Drahozal. Classical,Folk,Holiday,Patriotic,Standards. Score and parts. 8 pages. MusicPAD Music Publications #3535877. Published by MusicPAD Music Publications (A0.872910). This is a trombone quartet arrangement of The Star Spangled Banner which incorporates many of the great sounds of earlier renditions of the piece but in a trombone quartet setting.  This is an medium-advanced level piece for reasonably well seasoned players.  Some challenges include high register playing on part 1 (up to triple C) as well as an involved bass trombone part with pedal tones (many ossia notes are included for facility).  Rehearsal numbers are included to make practice / rehearsal much easier.  This is a great way to showcase your awesome trombone players before an athletic event.  Ladies and gentlemen, please rise...
Star Spangled Banner (National Anthem of the United States) with Fanfare (Trombone Quartet)
Quatuor de cuivres: 4 trombones

$9.95 8.57 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Brass Ensemble,Trombone Quartet - Level 5 - Digital Download SKU: A0.798574 Composed by Traditional. Arranged by Jörg Richter. Christmas,Praise & Worship. Score and parts. 6 pages. Jörg Richter #3544025. Published by Jörg Richter (A0.798574). Angels We Have Heard on High is a Christmas carol with the lyrics written by James Chadwick, Bishop of Hexham and Newcastle, to the music from a French song called Les Anges Dans Nos Campagnes. The music is the same as the original song, though Chadwick's lyrics albeit unique and original are clearly derived and inspired, and in parts a loose translation. The song’s subject is the birth of Jesus Christ narrated in the Gospel of Luke, specifically the scene in which shepherds outside Bethlehem encounter a multitude of angels singing and praising the newborn child. (From: Wikipedia.org).
Angels We Have Heard on High (Hört der Engel helle Lieder) for trombone quartet
Quatuor de cuivres: 4 trombones

$4.99 4.3 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Trombone Ensemble Bass Trombone,Euphonium - Level 4 - Digital Download SKU: A0.1226108 Composed by Johann Sebastian Bach. Arranged by Charles Decker. Baroque,Chamber,Contest,Festival,Historic. 19 pages. Charles Decker Music Press #822136. Published by Charles Decker Music Press (A0.1226108). From J.S. Bach’s Well-Tempered Clavier, Part I, the Fugue in C minor (No. 2) is arranged to showcase a trombone quartet of three tenors and one bass trombone on the familiar three-voice fugue. Bass and tenor clef parts are provided for trombone I. Beyond brass programs and special events consider featuring your trombone section on your band or orchestra concert. The recording is of the complete edition.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
Fugue in C minor #2 from The Well-Tempered Clavier, Part I for Trombone Quartet
Quatuor de cuivres: 4 trombones

$7.95 6.85 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - Digital Download SKU: A0.887012 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. Romantic Period,Standards. Score and parts. 7 pages. James Brady Music #5312711. Published by James Brady Music (A0.887012). This arrangement of the opening of Mussorgsky's best-known work is ideally suited as an opening or closing statement piece for a group of 4 early-intermediate trombones (1 bass trombone or tuba) or other bass clef instruments. It stays true to the original piece with adaptations in range for developing players and an adapted ending better suited for standalone performance. The estimated duration of the performance is 1m 30s.Pictures at an Exhibition is a suite of pieces for piano based on pictures by Mussorgsky's friend Viktor Hartmann, who died suddenly in 1873, aged 39. A memorial exhibition of Hartmann's works was staged in St. Petersburg the following year, and Mussorgsky's suite depicts walk around it, viewing 10 pictures in total. In addition to the pieces inspired by individual pictures, the suite contains several variations of the 'Promenade' theme, which depicts Mussorgsky roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend. (Vladimir Stasov). This arrangement presents the opening version of the 'Promenade', adapted to suit a group of 4 trombones (1 bass trombone or tuba) or similar group of bass clef instruments. The ranges have been reduced to accommodate young or developing players. The 1st part goes no higher than F4, and the bass part no lower than Bb1 (optionally A1). The melody is mainly in the 1st part, with passages in the 2nd and 3rd parts from time to time, but as the texture of Mussorgksy's composition is almost exclusively homophonic, all parts have equal importance. I have inserted additional dynamics and accents to aid phrasing, and adapted the ending to suit a standalone performance.
'Promenade' from Pictures at an Exhibition - easy arrangement for trombone quartet/tuba
Quatuor de cuivres: 4 trombones

$7.99 6.89 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1269033 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861565. Published by jmsgu3 (A0.1269033). Plusers gens voy is a ballade by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that no one can see her without failing. The song is a tribute to the lady's beauty and likely reflects the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
Solage: Plusers gens voy for Trombone Quartet
Quatuor de cuivres: 4 trombones

$24.95 21.5 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Trombone Quartet
Quatuor de cuivres: 4 trombones

$32.95 28.4 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus






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