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Harpsichord - Level 1 - Digital Download SKU: A0.964508 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 2 pages. Leyandder Trustworthy #6331223. Published by Leyandder Trustworthy (A0.964508). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Harpsichord and chords. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Harpsichord and chords
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$4.99 4.3 € Clavecin PDF SheetMusicPlus

Harpsichord - Level 5 - Digital Download SKU: A0.1101563 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Johann Sebastian Bach. Baroque,Classical,Instructional,Multicultural,World. Score. 14 pages. Gabriel Vinicius #704942. Published by Gabriel Vinicius (A0.1101563). The Concerto after the Italian taste or Italienisches Konzert, BWV 971 (concerto Nach italienischem gusto) published in 1735 as the first half of the Clavier-Übung II is a three-movement concerto for a solo two-manual harpsichord by J.S. Bach. The Italian concerto, as a style, relies upon the contrasting roles of two different groups of instruments in an ensemble: bach emulates this effect, creating contrast by means of the different manuals. This is, along with the French Overture and some of the Goldberg Variations one of the free pieces by this composer that asks specifically for a two-manual instrument.
Bach Italian Concerto, BWV 971
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Johann Sebastian Bach
$5.00 4.31 € Clavecin PDF SheetMusicPlus

Harpsichord - Digital Download SKU: A0.962319 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score. 15 pages. Sergio Roberto de Oliveira #4324311. Published by Sergio Roberto de Oliveira (A0.962319). Falls House Press has published his works  Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam).  The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012.  More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra.  Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
Suite para cravo solo
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$10.34 8.92 € Clavecin PDF SheetMusicPlus

Harpsichord - intermediate - Digital Download SKU: S9.Q11355 Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 10 minutes. Schott Music - Digital #Q11355. Published by Schott Music - Digital (S9.Q11355). Hermann Schroeder (1904-1984) wrote his Sonatina da camera at the suggestion of Prof. Hugo Ruf who had been looking for attractive new music for his 'old' instrument and for his students at the Cologne Musikhochschule. This work is a little three-movement sonata which draws on both the Baroque harpsichord tradition and the classical sonata form (in the outer movements). These elements are combined very successfully with a modern tonal language; with humour and the joy of virtuoso playing getting their fair share too. It is to be hoped that Schroeder's single work for harpsichord (apart from his 'Duplum' for organ and harpsichord, Schott ED 6233) will be played by many performers and included in the rather small contemporary repertoire for harpsichord as a valuable addition.
Sonatina da camera
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$15.99 13.79 € Clavecin PDF SheetMusicPlus

Harpsichord - Level 5 - Digital Download SKU: A0.835755 Composed by Paul Burnell. Contemporary. Score. 7 pages. Paul Burnell #3012369. Published by Paul Burnell (A0.835755). For harpsichord with optional percussion or recorded looped percussion samples. Composed 2006 Duration 4:00 Optional: percussionist(s) improvise a repeated dance rhythm with a pronounced back beat, providing a four-bar introduction and continuing throughout. Programme note: 'I, Cog' was written in 2006 and first performed by Jane Chapman as part of the SPNM 'Sound Source' concert at the Cargo nightclub, Shoreditch, London. It is written for harpsichord with optional accompaniment provided by live improvising percussion or recorded and looped percussion samples. The brief programme note for the first performance was: Best to be happy you little cogs...
I, Cog
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$1.99 1.72 € Clavecin PDF SheetMusicPlus

Harpsichord - Level 4 - Digital Download SKU: A0.1438096 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. 21st Century,Contemporary,Contest,Festival,Instructional,Jazz. Score. 54 pages. Barbara Arens #1018198. Published by Barbara Arens (A0.1438096). As a former harpsichordist, I know that it's difficult finding contemporary pieces that are expressive, lyrical, enjoyable, or even fun to play! The first 8 pieces here are movements from a Suite in baroque form - but with a difference! A Gavotte merges into a jolly Rumba; the Allemande has a Tango feeling... the pieces lie well under the harpsichordist's fingers and exploit the beauties of the instrument. The 12 further pieces are adaptations from the composer's piano works - they are a joy to play on the harpsichord!
Harpsichord Update - 20 New Pieces
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Barbara Arens
$14.99 12.93 € Clavecin PDF SheetMusicPlus

Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Arturo Escorza #711337. Published by Arturo Escorza (A0.1108689). In 1993, Frances Rauscher, et al, published a study in which they attributed a temporary improvement (of around 15 minutes) in mental tasks such as those found in IQ tests... Now, my criticism goes further: the piece in question is the Allegro con spirito from Sonata for two pianos in D minor KV. 448 by Mozart, so far so good. If we look at the original score, Mozart does not mention pianos, nor their ancestor, the fortepiano, but clavicembalos, i.e. harpsichords. In modern music, the A4 is tuned to 440 Hz and the scale is divided into 12 semitones of identical distance between each of them, causing that the only pure interval between them is the octave and that the others are impure and cause unpleasant interferences. In past centuries, other temperaments were used to tune the scales, with more pure, harmonic intervals, without interferences, although the intervals between semitones were some larger than others, which is why there are compositions in different tones, because according to the temperament it provoked different sensations, but with the modern equal temperament that's part of the past... the equal temperament killed the harmony and the colors of the music as its composers imagined it, as they heard it. What's this all about? to which I have recorded the piece of the supposed Mozart Effect approaching what Mozart had in mind: with two harpsichords, both with the A4 tuned to 421.6 hz, according to the Steiner tuning fork, used at the time of composition of the piece in Vienna, (note: it's not enough to tune the A4 but also to tune the intervals), and tuned in the Kirnberger III temperament. Some intervals may seem out of tune to modern ears, but it is one of so many historical temperaments used in those times.
Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
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Arturo Escorza
$4.00 3.45 € Clavecin PDF SheetMusicPlus

Harpsichord - Level 5 - Digital Download SKU: A0.533818 Composed by Gian Paolo Chiti. 20th Century,Concert,Contemporary,Standards. Score. 12 pages. Musik Fabrik Music Publishing #3049275. Published by Musik Fabrik Music Publishing (A0.533818). A work for solo harpsichord by the Italian Composer, based on the Greek myth of Icarus. Icarus is the son of the master craftsman Daedalus, the creator of the Labyrinth. Often depicted in art, Icarus and his father attempt to escape from Crete by means of wings that his father constructed from feathers and wax. Icarus' father warns him first of complacency and then of hubris, asking that he fly neither too low nor too high, so the sea's dampness would not clog his wings or the sun's heat melt them. Icarus ignored his father's instructions not to fly too close to the sun, when the wax in his wings melted and he fell into the sea.
Gian Paolo Chiti: Icarus for harpsichord
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$15.95 13.76 € Clavecin PDF SheetMusicPlus






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