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Vibraphone Solo - Level 5 - Digital Download SKU: A0.533707 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 4 pages. Musik Fabrik Music Publishing #3039013. Published by Musik Fabrik Music Publishing (A0.533707). Mountains Like These (2007) capriccio for solo vibraphone was commissioned by and written forpercussionist Mike Perdue. The work opens with the gentle unfolding of a series of pitches,outlining a harmonic field that will be transformed and explored throughout the remainder of thework. Written while in Aspen, Colorado (amidst mountains of all shapes, colors, and sizes), themusic explores the sense of adventure one can experience when traversing a new landscape.
Carson Cooman: Mountains Like These (2007) capriccio for solo vibraphone
Vibraphone

$9.10 7.81 € Vibraphone PDF SheetMusicPlus

Vibraphone Solo - Level 4 - Digital Download SKU: A0.1252849 Composed by Lauré Lussier. 21st Century,Contemporary. Individual part. 6 pages. Drum Pub #846650. Published by Drum Pub (A0.1252849). Raindrops Having a Nice Day is a pleasant and challenging solo piece for the advanced vibraphonist and has a repetitive feel to it which is developed in the second half of the piece. Pedal instructions have been purposely omitted to give the performer the entire freedom of interpretation. This piece can be played with 2 or 4 mallets, and fits in very well in a recital context.You can enjoy Raindrops Having a Nice Day in a longer and electronic version, along with my other compositions, on my YouTube channel: https://www.youtube.com/@LaureLussierHope you enjoy!L.
Raindrops Having a Nice Day
Vibraphone

$25.00 21.46 € Vibraphone PDF SheetMusicPlus

Vibraphone Solo - Level 4 - Digital Download SKU: A0.1253578 Composed by Lauré Lussier. 21st Century,Classical,Contemporary,Film/TV. Individual part. 3 pages. Drum Pub #847231. Published by Drum Pub (A0.1253578). Waltz III is the third of a three-part mini-series of Waltzes for 4-mallet solo vibraphone. Challenging enough for the advanced vibraphonist while remaining accessible to the audience. Pedal instructions have been purposely omitted to give the performer the entire freedom of interpretation. This piece fits in very well in a recital context.You can enjoy Waltz III in a longer and remixed electronic version, called Trans(Dis)figured Waltz III, along with my other compositions, on my YouTube channel: https://www.youtube.com/@LaureLussierHope you enjoy!L.
Waltz III
Vibraphone

$9.00 7.73 € Vibraphone PDF SheetMusicPlus

Instrumental Solo,Vibraphone - Level 3 - Interactive Download SKU: A0.1253581 Composed by Lauré Lussier. This edition: Interactive Download. Standards. Individual part. 8 pages. Duration 186. Drum Pub #2KAZ6EzPtw3U176sF1xOyf. Published by Drum Pub (A0.1253581). Key: D minor.Waltz I is the first of a three-part mini-series of Waltzes for 4-mallet solo vibraphone. Challenging enough for the advanced vibraphonist while remaining accessible to the audience. Pedal instructions have been purposely omitted to give the performer the entire freedom of interpretation. This piece fits in very well in a recital context. You can enjoy Waltz I in a longer and remixed electronic version, called Trans(Dis)figured Waltz I, along with my other compositions, on my YouTube channel: https://www.youtube.com/@LaureLussier Hope you enjoy! L.
Waltz I
Vibraphone

$9.00 7.73 € Vibraphone PDF SheetMusicPlus

Vibraphone Solo - Level 3 - Digital Download SKU: A0.1011453 Composed by Jerod Nunley. 20th Century,Baroque,Contemporary. Individual part. 2 pages. Jerod Nunley #3537259. Published by Jerod Nunley (A0.1011453). This piece is based off of the sarabande, a dance with traditions in 16th century Spain. It was also adopted in the Baroque-era as a movement in a suite (namely dance suites). Many composers added a sarabande to their works, including Bach and Handel. Another detail important to the sarabande is the emphasis on beat 2, with the piece in 3/4 time. The emphasis relates more to how the part would fit if accompanying a dancer. The piece is a 4-mallet vibraphone solo in E-Flat. It is primarily tonal with a some chromatic harmonies, however the chords are not written in functional order. It is a good piece for performers on vibraphone that are used to four-mallet technique but are not yet ready to approach higher level literature. The work helps prepare players for independence between hands. Pedaling and dampening are on the discretion of the performer, where they feel it is right in the music. Though it is a good piece to help students work on technique, it was not written as an educational work, but as my own attempt at a Baroque style with my harmonic language.
Sarabande in E-Flat Major
Vibraphone

$7.99 6.86 € Vibraphone PDF SheetMusicPlus

Vibraphone Solo - Level 4 - Digital Download SKU: A0.998880 Composed by Robert A. Howard. 21st Century,Blues,Contemporary,Standards. Individual part. 4 pages. Robert A. Howard #6480949. Published by Robert A. Howard (A0.998880). This fifth piece in the series of 'Mosaic' works is written for solo vibraphone. As in the other Mosaic works, a series of early, unrelated sketches were reworked to create this piece. Mosaic V features a range of contrasting material, juxtaposed with a refrain-like ascending scale figure. Some ideas refer to the jazz context of the vibraphone, such as in the use of syncopation, off-beat accents, swinging irregular time signatures, tremolos, and the use of the blues scale. The work primarily explores the melodic potential of the vibraphone, with occasional harmonies produced by adding pedal points, added-note chords, and harmonisation in parallel sixths. The piece is highly accessible and is appropriate for more advanced vibraphone players, including students and professionals.
Mosaic V
Vibraphone

$3.49 3 € Vibraphone PDF SheetMusicPlus

Vibraphone Solo - Level 2 - Digital Download SKU: A0.981380 Composed by Johann Sebastian Bach. Arranged by Bruno Cavalcante. Baroque,Concert,Instructional,World. Individual part. 4 pages. Bruno Cavalcante #5748927. Published by Bruno Cavalcante (A0.981380). In Baroque music, the key of B minor had a melancholy quality. Bach reserved it for a few of his most impressive works, such as the Kyrie in the Mass in B minor. Bach composed his ‘French’ suites as a young man of thirty, when he was working at the court of Köthen. However, the suites have nothing to do with the court. Bach wrote them for teaching purposes in his own private circle. The first five appear in their original form in the little music book he compiled in 1722 for his second wife Anna Magdalena, possibly as a wedding present. But Bach continued to rework the pieces. The later versions, with the addition of a sixth suite, have survived thanks to the many copies made by his pupils. They are rewarding practice pieces that despite a certain compositional complexity (it is Bach, after all), do not make extreme demands on the player.
Minuet BWV 814 Bach Vibraphone
Vibraphone

$1.99 1.71 € Vibraphone PDF SheetMusicPlus






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