C Instrument - Digital Download SKU: A0.662483 Composed by Edward Elgar. Arranged by Andre Maaker. Classical,Romantic Period,Wedding. Lead Sheet / Fake Book. 2 pages. SheetMusicHub #271549. Published by SheetMusicHub (A0.662483). This is a lead sheet style (melody/chords/form) notation of Salute d'Amour (Liebesgruß) Op. 12 by Edward Elgar. From Wikipedia: Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss ('Love's Greeting') because of Miss Roberts' fluency in German. On their engagement she had already presented him with a poem The Wind at Dawn which he set to music and, when he returned home to London on 22 September from a holiday at the house of his friend Dr. Charles Buck in Settle, he gave her Salut d'Amour as an engagement present. The dedication was in French: à Carice. Carice was a combination of his wife's names Caroline Alice, and was the name to be given to their daughter born two years later. It was published a year later by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels. The first published editions were for violin and piano, piano solo, cello and piano, and for small orchestra. Few copies were sold until Schott changed the title to Salut d'Amour with Liebesgruss as a sub-title, and the composer's name as 'Ed. Elgar'. The French title, Elgar realised, would help the work to be sold not only in France but in other European countries. The first public performance was of the orchestral version, at a Crystal Palace concert on 11 November 1889, conducted by August Manns. The first recording of that version was made in 1915 for The Gramophone Company with an orchestra conducted by the composer. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. Auguste van Biene recorded a cello transcription in 1907..

C Instrument - Level 2 - Digital Download SKU: A0.1425388 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, and Philip Lawrence. Arranged by Marco Polo C. Ignacio. Pop. Lead Sheet / Fake Book. 3 pages. MARCO POLO IGNACIO #1006209. Published by MARCO POLO IGNACIO (A0.1425388). Versace on the Floor is a song by American singer Bruno Mars from his third studio album, 24K Magic (2016). Atlantic Records released the song as the only promotional single and the third official single from the album to Hot AC radio in the United States on June 12, 2017. Versace on the Floor was written by Mars, Philip Lawrence, Christopher Brody Brown and James Fauntleroy. Mars, Lawrence and Brown handled the track's production under the name Shampoo Press & Curl. A remix by French DJ David Guetta was released on June 27, 2017, for digital download and streaming in various countries. Versace on the Floor is an retro-styled R&B song reminiscent of the slow jams from the 1990s, and resembles the early works of Michael Jackson. The song's lyrics address romance, intimacy and Gianni Versace's clothing line.

C Instrument - Level 4 - Digital Download SKU: A0.1410777 Composed by Robert William Rast. Arranged by John Fries. 20th Century,Country,Historic,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #993174. Published by John Fries (A0.1410777). TYPE JOHN FIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. The Battle of New Orleans is a song written by Jimmy Driftwood. The song describes the Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle. It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton. His version scored number 1 on the Billboard Hot 100 in 1959 (see 1959 in music). Billboard ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 1950s/early 1960s in an era mostly dominated by rock and roll music. Horton's version began with the quoting of the first 12 notes of the song Dixie, by Daniel Emmett. It ends with the sound of an officer leading a count off in marching, as the song fades out.

C Instrument - Level 2 - Digital Download SKU: A0.1217874 Composed by Gerald Marks and Seymour Simons. Arranged by Leo Silva. Jazz,Multicultural,World. Lead Sheet / Fake Book. 1 pages. MP Sheet Music #814392. Published by MP Sheet Music (A0.1217874). Composition and characteristics  All of Me is a jazz standard whose lyrics and music were written by Gerald Marks and Seymour Simons in 1931. It has an ABAC structure and was originally written in the key of B-flat major.The melody combines the music's contradictory possibilities. The downward thrusts of the opening phrases suggest emotional despair, while the final line, with its repeated high notes, sounds almost jubilant. It usually runs in an average time.All of Me first came to public notice when a performance by Belle Baker was broadcast on the radio in 1931. After that a few others also became successful.Frank Sinatra recorded several versions of All of Me. Its 1948 release peaked at No. 21. He also sang it in the film Meet Danny Wilson, which may have helped Johnnie Ray's performance reach No. 12 in the charts that year. Sinatra's use of All of Me brought a non-jazz audience to the song, as did Willie Nelson, whose version was included on his Stardust album and reached No. 3 on the Hot Country Songs chart in 1978. In 2000, All of Me of Me received the Towering Song Award from the Songwriters Hall of Fame.