C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian

C Instrument - Level 4 - Digital Download SKU: A0.1411516 Composed by Billy Sherrill and Tammy Wynette. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #993804. Published by John Fries (A0.1411516). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Stand by Your Man is a song recorded by American country music artist Tammy Wynette, co-written by Wynette and Billy Sherrill. It was released on September 20, 1968, as the first single and title track from the album Stand by Your Man. It proved to be the most successful record of Wynette's career, and is one of the most familiar songs in country music. The song was placed at number one on CMT's list of the Top 100 Country Music Songs. The song received some criticism during the late 1960s-early 1970s women's liberation movement, as feminist groups deemed it to be too conservative, while, for others, the song made Wynette a spokeswoman for working-class housewives experiencing marital disappointments and changing gender roles in the late 1960s. However, Wynette herself said that she had not intended any social or political slant to it. In 1992, during a 60 Minutes interview regarding Bill Clinton's affair with Gennifer Flowers, Hillary Clinton remarked: I'm not sitting here, some little woman standing by my man like Tammy Wynette. Wynette was angered by this remark and issued a statement shortly after.

C Instrument - Level 2 - Digital Download SKU: A0.1506831 Composed by Burt Bacharach and Hal David. Arranged by Paul Hemmer. Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. PJMS MUSIC #1082207. Published by PJMS MUSIC (A0.1506831). One of the most popular movie themes of the 1960s. Some would say not PC. I say it's just a great song. Presented in lead sheet format.

C Instrument - Level 4 - Digital Download SKU: A0.1191999 By The Beatles. By John Lennon and Paul McCartney. Arranged by John Fries. 20th Century,Film/TV,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #791503. Published by John Fries (A0.1191999). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   Can't Buy Me Love is a song by the English rock band the Beatles that was released in March 1964 as the A-side of their sixth single.  It was written by Paul McCartney and credited to the Lennon–McCartney partnership.  The song was included on the group's album A Hard Day's Night and was featured in a scene in Richard Lester's film of the same title. The single topped charts in the United Kingdom, the United States, Australia, Ireland, New Zealand and Sweden.  In the UK, it was the fourth highest selling single of the 1960s.  The song's verse is a twelve-bar blues in structure, a formula that the Beatles seldom applied to their own material.  When pressed by American journalists in 1966 to reveal the song's true meaning, McCartney stated: I think you can put any interpretation you want on anything, but when someone suggests that 'Can't Buy Me Love' is about a prostitute, I draw the line.  He went on to say: The idea behind it was that all these material possessions are all very well, but they won't buy me what I really want.  However, he was to comment later: It should have been 'Can Buy Me Love' when reflecting on the perks that money and fame had brought him.

C Instrument - Level 4 - Digital Download SKU: A0.1205906 By Stan Getz & Astrud Gilberto. By Antonio Carlos Jobim, Norman Gimbel, and Vinicius De Moraes. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #804097. Published by John Fries (A0.1205906). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Garota de Ipanema (The Girl from Ipanema) is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after Yesterday by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001.

C Instrument - Level 4 - Digital Download SKU: A0.500058 Composed by Nils Johan Haakan Lidbo. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113278. Published by John Fries (A0.500058). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Garota de Ipanema (The Girl from Ipanema) is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after Yesterday by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001.

C Instrument - Level 4 - Digital Download SKU: A0.500170 By Tony Bennett. By Douglass Cross and George Cory. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113354. Published by John Fries (A0.500170). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   I Left My Heart in San Francisco is a popular song, written in the fall of 1953 in Brooklyn, New York, with music by George Cory (1920–1978) and lyrics by Douglass Cross and best known as the signature song of Tony Bennett. In December 1961, in the famous Venetian Room at the Fairmont Hotel in San Francisco, Tony Bennett first sang I Left My Heart in San Francisco. In the audience that night were San Francisco mayor George Christopher and future mayor Joseph L. Alioto. From the 1960s through the 1980s, at San Francisco's premier supper club the Venetian Room, Bennett sang the city song.

C Instrument - Level 4 - Digital Download SKU: A0.518447 Composed by Clyde Otis and Murray Stein. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #129146. Published by John Fries (A0.518447). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Originally titled You've Got What It Takes, the song was first recorded by Brook Benton's sister, In August 1959. Brook Benton partnered with Dinah Washington to record the song as BABY, You've Got What It Takes. Their version, released in January 1960, was hugely successful on both the pop and R&B charts, reaching #5 on the Billboard Hot 100 and #1 on the Hot R&B sides chart for ten weeks, becoming one of the most successful R&B singles of the 1960s.

C Instrument - Level 2 - Digital Download SKU: A0.1354595 By Sonny Rollins. By Al Frisch and Sid Wayne. Arranged by Paul Hemmer. Jazz,Standards. Lead Sheet / Fake Book. 1 pages. PJMS MUSIC #939299. Published by PJMS MUSIC (A0.1354595). Two Different Worlds was a hit recording for Don Rondo, Jane Morgan, Roger Williams in 1956 and covered by Lenny Welch and Robert Goulet in the 1960s. It has a memorable melody with lyrics that present a strong message of tolerance.

C Instrument - Level 4 - Digital Download SKU: A0.1410777 Composed by Robert William Rast. Arranged by John Fries. 20th Century,Country,Historic,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #993174. Published by John Fries (A0.1410777). TYPE JOHN FIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. The Battle of New Orleans is a song written by Jimmy Driftwood. The song describes the Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle. It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton. His version scored number 1 on the Billboard Hot 100 in 1959 (see 1959 in music). Billboard ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 1950s/early 1960s in an era mostly dominated by rock and roll music. Horton's version began with the quoting of the first 12 notes of the song Dixie, by Daniel Emmett. It ends with the sound of an officer leading a count off in marching, as the song fades out.

C Instrument - Level 4 - Digital Download SKU: A0.500167 By Roberta Flack. By Ewan MacColl. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113351. Published by John Fries (A0.500167). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   The First Time Ever I Saw Your Face is a 1957 folk song written by Scottish political singer/songwriter Ewan MacColl for Peggy Seeger, who later became his wife. At the time, the couple were lovers, although MacColl was still married to his second wife, Jean Newlove. Seeger sang the song when the duo performed in folk clubs around Britain. During the 1960s, it was recorded by various folk singers and became a major international hit for Roberta Flack in 1972.

C Instrument - Level 4 - Digital Download SKU: A0.1291466 Composed by Bobby Troup and Neal Hefti. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #882115. Published by John Fries (A0.1291466). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   Girl Talk is a popular song composed by Neal Hefti, with lyrics written by Bobby Troup. It was written for the 1965 film Harlow, a biographical film about Jean Harlow, starring Carroll Baker. The song has been described by Michael Feinstein as the last great male chauvinistic song written in the '60s.

C Instrument - Level 4 - Digital Download SKU: A0.499843 Composed by Bobby Troup and Neal Hefti. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113110. Published by John Fries (A0.499843). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Girl Talk is a popular song composed by Neal Hefti, with lyrics written by Bobby Troup. It was written for the 1965 film Harlow, a biographical film about Jean Harlow, starring Carroll Baker. The song has been described by Michael Feinstein as the last great male chauvinistic song written in the '60s.