C Instrument - Digital Download SKU: A0.482318 By Matthew Rybicki. By Matthew Rybicki. Arranged by Matthew Rybicki. Jazz. Lead Sheet / Fake Book. 2 pages. Published by Matthew Rybicki (A0.482318). Here's my homage to one of my favorite contemporary bassists, Rodney Whitaker. Nicknamed Big Money by Wynton Marsalis, Rodney played for years with trumpeter Roy Hargrove, whose recordings in the '90s were hugely influential for me. ​ The Left Side was the title of one of the tunes Roy wrote for the group, and it's inclusion in my title was an additional reference to the importance of this time in my musical development. ​ I tried to capture something of the spirit of that time in the composition, and the fact that Ron Blake was also a member of these important Hargrove ensembles added extra weight to the recording for me.

C Instrument - Digital Download SKU: A0.482317 By Matthew Rybicki. By Matthew Rybicki. Arranged by Matthew Rybicki. Jazz. Lead Sheet / Fake Book. 2 pages. Published by Matthew Rybicki (A0.482317). Here's my homage to one of my favorite contemporary bassists, Rodney Whitaker. Nicknamed Big Money by Wynton Marsalis, Rodney played for years with trumpeter Roy Hargrove, whose recordings in the '90s were hugely influential for me. ​ The Left Side was the title of one of the tunes Roy wrote for the group, and it's inclusion in my title was an additional reference to the importance of this time in my musical development. ​ I tried to capture something of the spirit of that time in the composition, and the fact that Ron Blake was also a member of these important Hargrove ensembles added extra weight to the recording for me.

C Instrument - Digital Download SKU: A0.482320 By Matthew Rybicki. By Matthew Rybicki. Arranged by Matthew Rybicki. Jazz. Lead Sheet / Fake Book. 2 pages. Published by Matthew Rybicki (A0.482320). Here's my homage to one of my favorite contemporary bassists, Rodney Whitaker. Nicknamed Big Money by Wynton Marsalis, Rodney played for years with trumpeter Roy Hargrove, whose recordings in the '90s were hugely influential for me. ​ The Left Side was the title of one of the tunes Roy wrote for the group, and it's inclusion in my title was an additional reference to the importance of this time in my musical development. ​ I tried to capture something of the spirit of that time in the composition, and the fact that Ron Blake was also a member of these important Hargrove ensembles added extra weight to the recording for me.

C Instrument - Level 4 - Digital Download SKU: A0.518447 Composed by Clyde Otis and Murray Stein. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #129146. Published by John Fries (A0.518447). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Originally titled You've Got What It Takes, the song was first recorded by Brook Benton's sister, In August 1959. Brook Benton partnered with Dinah Washington to record the song as BABY, You've Got What It Takes. Their version, released in January 1960, was hugely successful on both the pop and R&B charts, reaching #5 on the Billboard Hot 100 and #1 on the Hot R&B sides chart for ten weeks, becoming one of the most successful R&B singles of the 1960s.

C Instrument - Digital Download SKU: A0.482319 By Matthew Rybicki. By Matthew Rybicki. Arranged by Matthew Rybicki. Jazz. Lead Sheet / Fake Book. 2 pages. Published by Matthew Rybicki (A0.482319). Here's my homage to one of my favorite contemporary bassists, Rodney Whitaker. Nicknamed Big Money by Wynton Marsalis, Rodney played for years with trumpeter Roy Hargrove, whose recordings in the '90s were hugely influential for me. ​ The Left Side was the title of one of the tunes Roy wrote for the group, and it's inclusion in my title was an additional reference to the importance of this time in my musical development. ​ I tried to capture something of the spirit of that time in the composition, and the fact that Ron Blake was also a member of these important Hargrove ensembles added extra weight to the recording for me.