C Instrument - Level 4 - Digital Download SKU: A0.1117875 Composed by Michael James and Troy B Samson. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #719387. Published by John Fries (A0.1117875). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   The original opening is shown in this arrangement. It is unique among Gershwin compositions in that it was used for two different Broadway productions: Treasure Girl (1928) and Strike Up the Band (1930), It is considered a jazz standard, primarily of the vocal repertoire, thanks to recordings by singers such as Frank Sinatra, Sarah Vaughan and Ella Fitzgerald.

C Instrument - Digital Download SKU: A0.488649 By Modern English. By Gary Frances McDowell, Michael Francis Conroy, Richard Ian Brown, Robert James Grey, and Stephen James Walker. Arranged by RWM. Pop. Lead Sheet / Fake Book. 4 pages. RWM #105476. Published by RWM (A0.488649). CHORD GUIDE ONLY.

C Instrument - Digital Download SKU: A0.1350687 Composed by Fred Ahlert and Roy Turk. Arranged by Mark W. Huxhold. Jazz,Standards. Lead Sheet / Fake Book. 5 pages. Mark Wayne Music, LLC #935509. Published by Mark Wayne Music, LLC (A0.1350687). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include:18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A)Primary sources consulted and current performance practices considered for the arrangementCommon performance keys are included with each title, each key having its own page.

C Instrument - Digital Download SKU: HX.389809 By Roy Orbison. This edition: scorch. Pop,Rock. Easy Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #627100. Published by Hal Leonard - Digital (HX.389809).

C Instrument - Digital Download SKU: HX.397755 By Roy Orbison. This edition: scorch. Pop. Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #207790. Published by Hal Leonard - Digital (HX.397755).

C Instrument - Level 3 - Digital Download SKU: A0.1394416 By Sabrina Carpenter. By Julian C Bunetta, Sabrina Carpenter, and Stephenie Nicole Jones. Arranged by Troy Hanson. Pop,Singer/Songwriter. Lead Sheet / Fake Book. 2 pages. Troy Hanson #977901. Published by Troy Hanson (A0.1394416). Nonsense- Sabrina Carpenter (lead sheet)This piece is written by Sabrina Carpenter for her 2022 record “Emails I Can’t Send�The piece is in the key of F minor and has a simple progression for the whole song.Performed by Troy HansonPerformed on the VST by Arturia “Analog Labs V� preset ‘Morning Rhodes’I hope you enjoy it.

C Instrument - Level 2 - Digital Download SKU: A0.1470471 By Taylor Swift. By Annie Clark, Jack Antonoff, and Taylor Swift. Arranged by Troy Hanson. Pop,Singer/Songwriter. Lead Sheet / Fake Book. 3 pages. Troy Hanson #1048214. Published by Troy Hanson (A0.1470471). This is a lead sheet arrangement for Taylor Swifts Cruel SummerIt is in the key of E majorit uses syncopation andits funI hope you enjoy!

C Instrument - Level 4 - Digital Download SKU: A0.500174 By Kenny Rogers. By Graham Hamilton Lyle and Troy Seals. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113348. Published by John Fries (A0.500174). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. American vocalist Barbra Streisand recorded a version of Didn't We in 1972 for her second live album, Live Concert at the Forum. It was originally performed at Four for McGovern, a concert benefitting George McGovern's ultimately unsuccessful 1972 presidential campaign. Streisand's monologue before and after the performance consisted of her acting as if she had taken marijuana.

C Instrument - Level 4 - Digital Download SKU: A0.500223 Composed by Carolyn Dawn Johnson and Troy Verges. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113408. Published by John Fries (A0.500223). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Georgia on My Mind is a 1930 song written by Hoagy Carmichael and Stuart Gorrell and first recorded that year by Hoagy Carmichael. It has often been associated with Ray Charles, a native of the U.S. state of Georgia, who recorded it for his 1960 album The Genius Hits the Road. In 1979, the State of Georgia designated Ray Charles's version the official state song.

C Instrument - Level 5 - Digital Download SKU: A0.518080 By Les Baxter. By Jack Lawrence, Marguerite Monnot, and Rene Gustave Rouzaud. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #128809. Published by John Fries (A0.518080). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   The Poor People of Paris is the English name of a popular song from France. The original French language song was La goualante du pauvre Jean (The Ballad of Poor John), with music by Marguerite Monnot and words by René Rouzaud. A recording of the tune by Les Baxter's orchestra (Capitol Records catalog number 3336, with the flip side Theme from 'Helen of Troy') was a number-one hit on the Billboard chart in the US in 1956: for four weeks on the Best Sellers in Stores chart, for six weeks on the Most Played by Jockeys and Hot 100 charts, and for three weeks on the Most Played on Jukeboxes chart.

C Instrument - Level 4 - Digital Download SKU: A0.1116579 Composed by Hyun Joo Lee. Arranged by John Fries. 20th Century,Film/TV,Jazz,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #718233. Published by John Fries (A0.1116579). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Theme from A Summer Place is a song with lyrics by Mack Discant and music by Max Steiner, written for the 1959 film A Summer Place, which starred Sandra Dee and Troy Donahue. Following its introduction in the film by the Warner Bros. studio orchestra, the theme was recorded by many artists in both instrumental and vocal versions, and has also appeared in a number of subsequent films and television programs. The best-known version of the theme is an instrumental version by Percy Faith and his orchestra that was a Number One hit for nine weeks on the Billboard Hot 100 chart in 1960.

C Instrument - Level 4 - Digital Download SKU: A0.499868 Composed by Fred E. Ahlert and Roy Turk. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113134. Published by John Fries (A0.499868). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Mean to Me is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk, published in 1929. Hit versions that year were by Ruth Etting and by Helen Morgan. The song is a popular standard, recorded by many artists.

C Instrument - Level 5 - Digital Download SKU: A0.1165158 Composed by Andrew Dorff, Jon Lyle Mc Elroy, and Skip Black. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #765508. Published by John Fries (A0.1165158). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The Best Is Yet to Come is a 1959 song composed by Cy Coleman to lyrics by Carolyn Leigh. It is associated with Frank Sinatra, who recorded it on his 1964 album It Might as Well Be Swing accompanied by Count Basie under the direction of Quincy Jones. It was the last song Sinatra sang in public, on February 25, 1995, and the words The Best is Yet to Come are etched on Sinatra's tombstone. Although Sinatra made it popular, the song was written for and introduced by Tony Bennett.

C Instrument - Digital Download SKU: A0.482319 By Matthew Rybicki. By Matthew Rybicki. Arranged by Matthew Rybicki. Jazz. Lead Sheet / Fake Book. 2 pages. Published by Matthew Rybicki (A0.482319). Here's my homage to one of my favorite contemporary bassists, Rodney Whitaker. Nicknamed Big Money by Wynton Marsalis, Rodney played for years with trumpeter Roy Hargrove, whose recordings in the '90s were hugely influential for me. ​ The Left Side was the title of one of the tunes Roy wrote for the group, and it's inclusion in my title was an additional reference to the importance of this time in my musical development. ​ I tried to capture something of the spirit of that time in the composition, and the fact that Ron Blake was also a member of these important Hargrove ensembles added extra weight to the recording for me.

C Instrument - Digital Download SKU: A0.482318 By Matthew Rybicki. By Matthew Rybicki. Arranged by Matthew Rybicki. Jazz. Lead Sheet / Fake Book. 2 pages. Published by Matthew Rybicki (A0.482318). Here's my homage to one of my favorite contemporary bassists, Rodney Whitaker. Nicknamed Big Money by Wynton Marsalis, Rodney played for years with trumpeter Roy Hargrove, whose recordings in the '90s were hugely influential for me. ​ The Left Side was the title of one of the tunes Roy wrote for the group, and it's inclusion in my title was an additional reference to the importance of this time in my musical development. ​ I tried to capture something of the spirit of that time in the composition, and the fact that Ron Blake was also a member of these important Hargrove ensembles added extra weight to the recording for me.