C Instrument - Level 2 - Digital Download

SKU: A0.1244186

Composed by Georges Bizet. Arranged by Langanho. 19th Century,Classical,Opera,Romantic Period. Lead Sheet / Fake Book. 2 pages. Avery Lynn Jordan #839163. Published by Avery Lynn Jordan (A0.1244186).

We present to you the sheet music of Bizet's arrangement of the aria Toreador Song, adapted for Lead Sheet. This condensed version of the music perfectly meets the needs of musicians, offering a simplified way to play this beautiful masterpiece. The Toreador Song is one of the most iconic arias from Bizet's opera Carmen. It portrays the character of the toreador, a brave and seductive bullfighter, singing about his exploits in the world of bullfighting. With this sheet music in hand, beginner musicians will have the opportunity to explore and learn this captivating melody, while teachers can use it as part of their students' repertoire, helping them develop their musical skills. Additionally, this sheet music is an ideal choice for parents who wish to encourage their children to engage with music. By offering them the chance to play a famous and exciting piece, parents can stimulate a love for music and instrumental practice. Our arrangement has been carefully adapted to ensure that all essential aspects of the original music are preserved while being presented in an accessible and easily playable format. With this sheet music, you will have the opportunity to experience the grandeur of Bizet's opera Carmen, even if you are just beginning your musical journey.

C Instrument - Level 2 - Digital Download

SKU: A0.1376331

By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331).

This is a lead sheet for any instrument for the song Almost May. 

Almost May - Theme and Variations
Backstory: 
Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May�. Like springtime in the Northern Hemisphere, “Almost May� unfolds slowly and majestically, with ever-evolving layers for the senses to discover. 

What to listen for: Theme

The main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. 

What to listen for: Variation I 
The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. 

What to listen for: Variation II 

The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. 

Credits: 
I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.

C Instrument - Level 3 - Digital Download

SKU: A0.1292599

By Hall & Oates. By Daryl Hall, John Oates, and Sara Allen. Arranged by Dan Ford. 20th Century,Contemporary,Pop,Rock. Lead Sheet / Fake Book. 24 pages. Dan Ford #883156. Published by Dan Ford (A0.1292599).

Maneater — Contemporary rock/pop ensemble

By Hall & Oates. 

Arranged by Dan Ford for contemporary rock/pop ensemble, including parts for rhythm section, voice, tenor saxophone, alto saxophone, and trombone. This arrangement is gig-tested and designed for ease of reading during the heat of a live gig. All parts include chord changes for improvised solos or embellishment of backing parts.

N.B. This is a modular arrangement, with the option for the melody to be sung by a vocalist, or played as an instrumental and led by tenor saxophone, alto saxophone, trombone, or Bb trumpet (reading the tenor saxophone part). If performing this tune as an instrumental, use the “Tenor Saxophone (melody)� part (or the alto saxophone or trombone melody part). If performing as a vocal tune, the horns can use the part called “Tenor Saxophone� (and same for alto/trombone). Those parts contain horn backing parts to support the arrangement.

Maneater was a number one hit and the most successful release by Hall & Oates. It was included on their 1982 album H2O.

This arrangement features a combined Rhythm Section part with clear chord spellings and rhythmic cues for bass guitar, drum kit, guitar, and piano. Additionally, the arranger has included original backing parts for alto saxophone, tenor saxophone, and trombone to add depth of textures and dynamics to the arrangement. The horn parts include up to the three voices in harmony allowing a choice of which horn takes the first, second, or third part. The tenor saxophone can be doubled by Bb trumpet, making the appropriate octave transpositions. 

Find more arrangements by Dan Ford at www.danfordmusic.com.

C Instrument - Level 2 - Digital Download

SKU: A0.1417312

By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by B. McCormick. Pop,Singer/Songwriter. Lead Sheet / Fake Book. 5 pages. B. McCormick #998860. Published by B. McCormick (A0.1417312).

About the Song

“Say Something� is an emotional piano ballad that tugs at the heartstrings. Originally penned by indie band A Great Big World, it gained widespread recognition when powerhouse vocalist Christina Aguilera lent her voice to a haunting duet version. Here’s what you need to know:

Origins:

Written by duo members Ian Axel and Chad King, alongside Mike Campbell, the song was initially recorded by Axel for his solo album This Is the New Year (2011). Later, A Great Big World reimagined it for their debut album Is There Anybody Out There? (2013) .

After Aguilera performed the song on The Voice, it skyrocketed to fame. The struggle of giving up on a relationship is beautifully encapsulated in the plea to “say something� and salvage what’s slipping away .

At the 57th Annual Grammy Awards, “Say Something� clinched the coveted Best Pop Duo/Group Performance award, showcasing its impact and emotional resonance .
Why Choose This Sheet Music?

Authentic Arrangement:

Our lead sheet and guitar chord sheet faithfully capture the essence of the original recording. Whether you’re a solo performer or part of a band, you’ll find the arrangement true to the song’s soulful vibe.

• Easy to Play: Guitarists will appreciate the clear chord diagrams and strumming patterns provided. Even beginners can master this heartfelt tune.
• Teaching Tool: If you’re an educator, use this sheet music to teach your students about song structure, dynamics, and emotional expression.
• Perfect for Covers: Whether you’re performing at a coffee shop, a virtual concert, or a cozy gathering, “Say Somethingâ€� resonates with audiences. It’s a timeless choice for covers and live performances.

Potential Uses

• Weddings: Picture a tender moment during the wedding ceremony or first dance. “Say Somethingâ€� sets the mood beautifully.
• YouTube Covers: Create captivating content by recording your own rendition. Share it with the world!
• Music Classes: Use it as a teaching aid in vocal or instrumental lessons.
• Emotional Film Scenes: Filmmakers, take note—this song adds depth to poignant scenes.

Get Your Copy Today

Don’t miss out on this heartfelt piece. Download your “Say Something� lead sheet and guitar chord sheet now. Let the music speak for itself. 

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