C Instrument - Level 3 - Digital Download SKU: A0.1143940 Composed by Gerald Marks and Seymour Simons. Arranged by Dan Ford. Contemporary,Jazz,Pop. Lead Sheet / Fake Book. 4 pages. Dan Ford #744249. Published by Dan Ford (A0.1143940). All Of Me — Contemporary jazz ensemble By Seymour Simons, Gerald Marks Arranged by Dan Ford for contemporary jazz ensemble, including parts for rhythm section, tenor saxophone, alto saxophone, and trombone. This arrangement is gig-tested and designed for ease of reading during the heat of a live gig. All parts include chord changes for improvised solos or embellishment of backing parts. All Of Me is the hit jazz standard written by Seymour Simons, Gerald Marks in 1931. Many popular recordings have been released, including ones by Louis Armstrong, Billie Holiday, Count Basie, and Frank Sinatra. This arrangement features a combined Rhythm Section part with clear chord spellings and rhythmic cues for bass guitar, drum kit, guitar, and piano. Additionally, the arranger has included parts for alto saxophone, tenor saxophone, and trombone. The horn parts include divisi voices in harmony allowing a choice of which horn plays lead or harmony, or each horn part can also play the tune’s melody. The tenor saxophone can be doubled by Bb trumpet, making the appropriate octave transpositions. Find more arrangements by Dan Ford at www.danfordmusic.com.

C Instrument - Level 4 - Digital Download SKU: A0.499927 Composed by Gerald Marks and Seymour Simons. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113175. Published by John Fries (A0.499927). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Gerald Marks and Seymour Simons wrote the words and music of All of Me in 1931. All of Me first came to public awareness when a performance by Belle Baker was broadcast over the radio in 1931. Paul Whiteman and His Orchestra recorded the song on December 1 that year, with vocalist Mildred Bailey; this went to the top of the US pop charts. Within weeks, another two versions were in the charts, with a Louis Armstrong rendition also reaching No. 1, and Ben Selvin and His Orchestra peaking at No. 19.