C Instrument - Level 2 - Digital Download SKU: A0.1447578 Composed by Andrew Deroberts, Emily Weisband, Forest Blakk, and Jesse Cameron. Arranged by Leadsheets for Performers. Pop,Wedding. Lead Sheet / Fake Book. 2 pages. Leadsheets for Performers #1027363. Published by Leadsheets for Performers (A0.1447578). This is a Leadsheet score for Robert Blakk's song I Choose You. THIS IS --NOT-- THE SARA BAREILLES SONG. This was notated in full, according to the original recording and in the original key.Every score pubished by Leadsheets for Performers has been written by a professional keyboardist out of necessity after not finding an appropriate existing score online. These scores are often keyboard oriented scores, designed to give the keyboardist the most accurate and comprehensive information regarding the parts they need to play. Other instrumentalists can use these scores as chord and form sheets.

C Instrument - Digital Download SKU: A0.662483 Composed by Edward Elgar. Arranged by Andre Maaker. Classical,Romantic Period,Wedding. Lead Sheet / Fake Book. 2 pages. SheetMusicHub #271549. Published by SheetMusicHub (A0.662483). This is a lead sheet style (melody/chords/form) notation of Salute d'Amour (Liebesgruß) Op. 12 by Edward Elgar. From Wikipedia: Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss ('Love's Greeting') because of Miss Roberts' fluency in German. On their engagement she had already presented him with a poem The Wind at Dawn which he set to music and, when he returned home to London on 22 September from a holiday at the house of his friend Dr. Charles Buck in Settle, he gave her Salut d'Amour as an engagement present. The dedication was in French: à Carice. Carice was a combination of his wife's names Caroline Alice, and was the name to be given to their daughter born two years later. It was published a year later by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels. The first published editions were for violin and piano, piano solo, cello and piano, and for small orchestra. Few copies were sold until Schott changed the title to Salut d'Amour with Liebesgruss as a sub-title, and the composer's name as 'Ed. Elgar'. The French title, Elgar realised, would help the work to be sold not only in France but in other European countries. The first public performance was of the orchestral version, at a Crystal Palace concert on 11 November 1889, conducted by August Manns. The first recording of that version was made in 1915 for The Gramophone Company with an orchestra conducted by the composer. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. Auguste van Biene recorded a cello transcription in 1907..

C Instrument - Level 2 - Digital Download SKU: A0.1088985 By Gym Class Heroes Featuring Adam Levine. By Adam Levine, Ammar Malik, Benjamin Levin, Brandon Lowry, Dan Omelio, Disashi Lumumba-Kasongo, Eric Roberts, Matthew McGinley, and Travis McCoy. Arranged by Arr. Ed.CAL. Pop. Lead Sheet / Fake Book. 1 pages. Ed.CAL #693196. Published by Ed.CAL (A0.1088985). Stereo Hearts by Gym Class Heroes ft. Adam Levine in A (Original Key) Lead sheet with Chords & Lyrics Can be used with multiple instruments including Keyboard, Violin, Flute etc. Rap part has been removed in the sheet music - Mainly left with the Chorus, Post Chorus & Bridge.

C Instrument - Level 5 - Digital Download SKU: A0.1281294 Composed by George Forrest and Robert Wright. Arranged by Rob Ames. Jazz. Lead Sheet / Fake Book. 3 pages. Rob Ames #872637. Published by Rob Ames (A0.1281294). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.Melodies often written in straight rhythm in standard fake books have been rewritten in a swing style, or “As Played By� some of the all-time jazz greats. Some of the tunes have been transposed from their standard fake book keys to an easier, better-sounding key for Bb saxophone.Slurs have been added to all the Bb parts for smooth and consistent jazz articulation on the Bb saxophone. A duplicate Bb part, without the slurs, is also included (marked with an asterisk for Bb* Instruments), for Bb players who would prefer to customize their own articulation.All tunes have been vetted for playability and accuracy.The arranger, Rob Ames, is a soprano saxophone player from New Hampshire and the Boston, MA area. His album of original tunes, “Sounds From the Boardwalk�, is widely available.

C Instrument - Level 4 - Digital Download SKU: A0.1147096 Composed by James Wesley Ingles and Robert Elmore. Arranged by John Fries. 20th Century,Christian,Christmas,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #747299. Published by John Fries (A0.1147096). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER! A Child Is Born is a jazz instrumental that was later recorded with lyrics added. It was written in 1969 by the jazz trumpeter Thad Jones with lyrics added independently by Alec Wilder after hearing the Thad Jones-Mel Lewis Orchestra perform the instrumental. The instrumental and the song have been recorded by a number of musicians including Tony Bennett, Stanley Turrentine and Bill Evans.

C Instrument - Level 4 - Digital Download SKU: A0.1292275 Composed by Jim Rushing and Robert Lee Mcdill. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #882891. Published by John Fries (A0.1292275). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Rhinestone Cowboy is a song written by Larry Weiss and most famously recorded by American country music singer Glen Campbell. When released in 1975, it enjoyed huge popularity with both country and pop audiences. The song is about a veteran artist who's aware that he's more than paid his dues during his career ... but is still surviving, and someday, he'll shine just like a rhinestone cowboy. After Campbell's death in August 2017, Rhinestone Cowboy charted on the Country Digital Song chart at No. 12. As of August 2017, the song had been downloaded more than 368,000 times in the digital era in the United States.

C Instrument - Level 4 - Digital Download SKU: A0.1410777 Composed by Robert William Rast. Arranged by John Fries. 20th Century,Country,Historic,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #993174. Published by John Fries (A0.1410777). TYPE JOHN FIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. The Battle of New Orleans is a song written by Jimmy Driftwood. The song describes the Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle. It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton. His version scored number 1 on the Billboard Hot 100 in 1959 (see 1959 in music). Billboard ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 1950s/early 1960s in an era mostly dominated by rock and roll music. Horton's version began with the quoting of the first 12 notes of the song Dixie, by Daniel Emmett. It ends with the sound of an officer leading a count off in marching, as the song fades out.