C Instrument - Digital Download SKU: A0.808258 Composed by George Gershwin and Ira Gershwin. Arranged by Mark W. Huxhold. 20th Century. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #3540551. Published by Mark Wayne Music, LLC (A0.808258). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Level 4 - Digital Download SKU: A0.1258035 By James Brown. By Clarence Gaskill, Leo Robin, and Russ Columbo. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #851273. Published by John Fries (A0.1258035). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Written in 1931, Leo Robin has related how publisher Con Conrad walked into his hotel room with Russ Columbo and asked him to write words within the hour for a tune he had.  Robin, who was on vacation, at first refused, but Conrad explained that he wanted Columbo to demonstrate it to Flo Ziegfeld who needed a song for Helen Morgan in one of his shows.  Robin then wrote the lyric, which he afterwards said he disliked, and the song was duly performed for Ziegfeld, but he did not accept it.  Russ Columbo, however, sang it on his radio show and recorded it on October 9, 1931, for Victor Records, and it was very popular in 1932.  Columbo also sang it in the 1933 short film That Goes Double.  In 1946, the song became a major hit for Billy Eckstine, Perry Como, and the Ink Spots.