Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.576418 Composed by David Warin Solomons. 20th Century,Contemporary,Folk,Standards. 24 pages. David Warin Solomons #24073. Published by David Warin Solomons (A0.576418). The pdf file contains score and parts. The sound sample is an electronic preview. This piece was originally conceived as a 60s style folk vocal duet on this poem by Mark Haviland: The grass is growing in the field of ash Come look come see with the passing of each day the green grows stronger than the grey Various versions of the music are now available: flute quartet, 2 flutes (or 2 recorders) and guitar, 2 altos and guitar, flute, oboe & piano, flute, cor anglais & piano, flute choir and this recorder orchestra version.

4 recorders (SATB od. AATB) - intermediate - Digital Download SKU: S9.Q42389 Composed by Ulrich Pollmann. This edition: performance score. Easy recorder quartets. Downloadable, performance score. Op. 3. Schott Music - Digital #Q42389. Published by Schott Music - Digital (S9.Q42389). Containing works ranging from pre-Baroque to contemporary music, the popular series Easy Recorder Quartets is intended for both students at music schools and music ensembles of all age groups. All editions are published in the form of playing scores.

Easy Suite. Composed by Josef Boenisch. This edition: score and parts. Downloadable, Score and parts. Duration 8 minutes. Musikverlag Zimmermann #Q53467. Published by Musikverlag Zimmermann

Alto Recorder,Baritone Recorder,Soprano Recorder,Tenor Recorder - Level 1 - Digital Download SKU: A0.1137249 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. Recorder Ensemble. 14 pages. Woods Only, Arrangements #737449. Published by Woods Only, Arrangements (A0.1137249). This arrangement adapted for recorder quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..

Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.

Recorder quartet (SATB) - easy to intermediate - Digital Download SKU: S9.Q11339 Folk song variations. Composed by Hermann Schroeder. This edition: score and parts. Original Music for Recorder. Downloadable, Score and parts. Duration 5 minutes. Schott Music - Digital #Q11339. Published by Schott Music - Digital (S9.Q11339). Apart from his numerous church music works and organ compositions, the composer Hermann Schroeder (1904-1984) from Cologne also wrote a large number of chamber music works. His recorder quartet 'Kommt, ihr G'spielen' was created for the competition 'Jugend musiziert' and performed for the first time at an award winners' concert in Münster. The classical instrumentation of SATB recorders can be changed by having the bass played by the great bass flute or the violoncello. The well-known dancing tune from the Renaissance period inspired Schroeder to write a series of lively variations full of brio: Var. 1 turns the head motif into a free fantasia, Var. 2 puts the melody as fugato, Var. 3 is an agitated, polyphonic trio (SAT) with lively semiquaver figures, Var. 4 is a cheerful gigue, Var. 5 concludes the entire cycle in a virtuoso manner. A rewarding piece for tuition and concert, with a duration of about 5 minutes.Kommt, ihr G'spielen entstand für den Wettbewerb Jugend musiziert. Die klassische Besetzung mit SATB-Blockflöten kann auch abgewandelt werden, indem der Bass von der Großbassflöte oder dem Cello gespielt wird. Das bekannte Tanzlied aus der Renaissance inspirierte Schroeder zu einer Reihe von musikantisch-beschwingten Variationen. Ein dankbares Stück für Unterricht und Konzert.

Recorder Quartet Recorder - Level 2 - Digital Download SKU: A0.1141020 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Recorder Ensemble. 7 pages. Woods Only, Arrangements #741275. Published by Woods Only, Arrangements (A0.1141020). This simple arrangement adapted for recorder quartet was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference. Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.

SATB recorders - easy - Digital Download SKU: S9.Q45370 Composed by Daniel Friderici. This edition: performance score. Copyright 1991 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q45370. Published by Schott Music - Digital (S9.Q45370). Digital publication of the piece found in the following print music collection: From Hassler to Bach.

SATB recorders - easy - Digital Download SKU: S9.Q45356 Composed by Frank W Meacham. Arranged by Ehrenfried Reichelt. This edition: performance score. Copyright 2004 Schott Music GmbH & Co. KG, Mainz. Downloadable. 2 pages. Schott Music - Digital #Q45356. Published by Schott Music - Digital (S9.Q45356). Digital publication of the piece found in the following print music collection: From Beethoven to Bernstein.

SATB recorders - easy - Digital Download SKU: S9.Q45372 Composed by Valentin Haussmann. Arranged by Ehrenfried Reichelt. This edition: performance score. Copyright 1991 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q45372. Published by Schott Music - Digital (S9.Q45372). Digital publication of the piece found in the following print music collection: From Hassler to Bach.

SATB recorders - easy - Digital Download SKU: S9.Q45377 Composed by Jean-Baptiste Lully. Arranged by Ehrenfried Reichelt. This edition: performance score. Copyright 1991 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q45377. Published by Schott Music - Digital (S9.Q45377). Digital publication of the piece found in the following print music collection: From Hassler to Bach.

Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.1276179 Composed by John Bartlett (1606). Arranged by Cody Sibley. Baroque,Chamber,Easter,Medieval,Renaissance. Recorder Ensemble. 131 pages. Drachen Music #866628. Published by Drachen Music (A0.1276179). John Bartlett was an English composer during the Renaissance. The compositions in this volume was Bartlet's only publication which he put forth in 1606. The original compositions were written for lute and voice. His style is similar to madrigals and his music was very popular during its time.This arrangement FEATURES full quartet score and INDIVIDUAL PARTS which takes a traditional melody and interprets it into a performance quality SATB recorder ensemble arrangement. The title of this piece from the collection is: This collection includes the following 18 pieces:01-O-Lord-Thy-Faithfulness02-If-Ever-Hapless-Woman03-When-From-My-Love04-Who-Doth-Behold-My-Mistress-Face05-If-There-Be-Any-One06-I-Heard-of-Late07-All-My-Wits-Hath-Will-Enwrapped08-Go-Wailing-Verse09-A-Pretty-Duck-There-Was10-Of-All-the-Birds-That-I-Do-Know11-The-Queen-of-Paphos-Ericine12-I-Would-Thou-Wert-Not-Fair13-Unto-A-Fly-Transformed14-What-Thing-Is-Love-I-Pray-Thee-Tell15-Fortune-Love-and-Time16-Poets-to-Love-Such-Power-Ascribe17-Whither-Runneth-My-Sweetheart18-Surcharged-With-DiscontentEach piece of music in this collection is also available as separate pieces, each with score and individual parts. Each piece can be found by searching for the song title.

SATB recorders - easy - Digital Download SKU: S9.Q45373 Composed by Johannes Eccard. This edition: performance score. Copyright 1991 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q45373. Published by Schott Music - Digital (S9.Q45373). Digital publication of the piece found in the following print music collection: From Hassler to Bach.

SATB recorders - easy - Digital Download SKU: S9.Q45379 Composed by Henry Purcell. Arranged by Ehrenfried Reichelt. This edition: performance score. Copyright 1991 Schott Music GmbH & Co. KG, Mainz. Downloadable. 2 pages. Schott Music - Digital #Q45379. Published by Schott Music - Digital (S9.Q45379). Digital publication of the piece found in the following print music collection: From Hassler to Bach.