Instrumental Solo,Piano,Tin Whistle - Level 3 - Digital Download

SKU: A0.1178020

Composed by Alexander Borodin. Arranged by Cindy Blevins. Opera. Score and individual part. 10 pages. Cindy Blevins #777979. Published by Cindy Blevins (A0.1178020).

This arrangement is for piano and D tin whistle (the most standard key of whistle that most players have). 

You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams, the score, the separate piano part in case you need it, and a separate comprehensive fingering chart for your tin flute. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you!

Instrumental Solo,Piano,Tin Whistle - Level 3 - Digital Download

SKU: A0.1157747

By Julio Iglesias & Willie Nelson. By Albert Hammond and Hal David. Arranged by Cindy Blevins. Pop. Score and individual part. 14 pages. Cindy Blevins #758081. Published by Cindy Blevins (A0.1157747).

This arrangement is for piano and D tin whistle (the most standard key of whistle that most players have). You can use a high D or a low D whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams, the score, the separate piano part in case you need it, and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play!

Instrumental Solo,Piano,Tin Whistle - Level 1 - Digital Download

SKU: A0.1156926

Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and individual part. 5 pages. Woods Only, Arrangements #757270. Published by Woods Only, Arrangements (A0.1156926).

This arrangement adapted for tin whistle and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).