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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1494361 Composed by James Chadwick. Arranged by Cascia Talbert. Christian,Christmas. 37 pages. Cascia Talbert #1070955. Published by Cascia Talbert (A0.1494361). Angels We Have Heard on High is a Christmas carol set to the hymn tune Gloria, which originates from a traditional French song of unknown origin titled Les Anges dans nos campagnes. The English lyrics, paraphrased by James Chadwick, recount the birth of Jesus Christ as described in the Gospel of Luke. The song focuses on the scene near Bethlehem where shepherds witness a host of angels singing and praising the newborn Savior.This arrangement is for flute choir.
Angels We Have Heard on High
Ensemble de Flûtes

$4.99 4.28 € Ensemble de Flûtes PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1309628 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Joel Scianna. Contemporary,Film/TV,Pop. 28 pages. Joel William Music #898795. Published by Joel William Music (A0.1309628).  If you didn't hear Dua Lipa's latest bop during the Barbie movie, you've probably heard it on the radio recently! Add something modern to your Flute Choir setlist with this intricate and dynamic arrangement, scored for piccolo, four flute parts, alto flute, bass flute, and optional contrabass and contra alto flute parts.  This arrangement has quick runs, spicy syncopations, great dynamic contrast, and a breakdown (Rehearsal mark E) that makes sure to feature each flute voice. Your audience will be bobbing their heads along to this recognizable dance track, and each part has its own moment to shine.  
Dance The Night
Ensemble de Flûtes
Dua Lipa
$25.00 21.46 € Ensemble de Flûtes PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.749400 Composed by James-Michael Sellers. Contemporary. 29 pages. JMS Composer #4835911. Published by JMS Composer (A0.749400). Petrichor is the scientific name given to the earthy smell of rain coming into contact with the ground. The work starts with the image of the rain just beginning to occur, with finger snaps, leg slaps, and the sound of palms rubbing together simulating the rain fall. The music starts at a slow tempo and increases over the length of the piece as the downpour accelerates. By the end, one might even imagine walking out onto a porch to enjoy watching the rain continue to fall, as it offers up even a moment of peace.From a rehearsal standpoint, Petrichor is not technically demanding. It focuses on the patterns that occur during rainfall, using them to help build towards the exciting conclusion. Working each pattern independently before bringing them together is very helpful, as it will help lock in the mix of rhythms. The opening does not need to feel rushed and should be allowed to breathe, and each increase in the tempo should not be telegraphed, but should flow from the previous tempo. The ending combines straight eighths and sixteenths with a running triplet pattern between them; the triplet pattern should feel like it sits on top of everything else, almost floating along like a cloud.This was a pleasure to compose, and I hope you enjoy rehearsing and performing Petrichor.
Petrichor (for Flute Choir)
Ensemble de Flûtes
the end, one might even imagine walking out onto a porch to enjoy watching the rain continue to fall, as it offers up even a moment of peace

From a rehearsal standpoint, Petrichor is not technically demanding

$12.99 11.15 € Ensemble de Flûtes PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager      
Bach: Wachet auf for Flute Choir
Ensemble de Flûtes

$39.95 34.29 € Ensemble de Flûtes PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1478241 By Stephanie Pack. By Stephanie Pack. Chamber. 33 pages. Stephanie Pack #1055611. Published by Stephanie Pack (A0.1478241). Imagine Pluto as a living being, journeying through the cosmos with a heart full of dreams. For decades, Pluto basked in the joy and pride of being called a planet, a respected member of the Solar System family. Pluto felt the warmth and camaraderie of its planetary siblings, sharing the vast expanse of space with a sense of belonging.But then, the day came when scientists re-evaluated their criteria for what constitutes a planet. Pluto, once brimming with pride, was told it no longer fit the mold. The news struck like a comet, leaving Pluto feeling isolated and heartbroken. The title of 'planet' was stripped away, and Pluto's status was reduced to that of a mere dwarf planet.In the shadow of its larger, more recognized siblings, Pluto felt a profound sadness. It lingered on the fringes of the Solar System, its sense of identity shattered. However, as time passed, a new understanding began to emerge. The term 'dwarf planet' was created, acknowledging Pluto's unique characteristics and the role it plays in our cosmic neighborhood.Pluto's sorrow began to lift, replaced by a sense of renewed purpose and pride. It found solace in this new classification, realizing that it wasn't forgotten or insignificant. As a dwarf planet, Pluto embraced its identity, feeling a sense of happiness and validation. It stood out in its own right, celebrated for its distinctiveness and contribution to our understanding of the universe.Pluto's journey, filled with emotional highs and lows, ultimately led to a place of acceptance and joy. It taught us all a lesson in resilience and the importance of valuing every member of our celestial family, no matter how small or different they may seem.Parts for Piccolo, 2 C Flutes, 2 Alto Flutes with C flute alternatives, 2 Bass Flutes, and ContraBass Flute.
The Lost Celestial
Ensemble de Flûtes
Stephanie Pack
$19.99 17.16 € Ensemble de Flûtes PDF SheetMusicPlus


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