Woodwind Ensemble Alto Flute,Bass Flute,Soprano Flute - Level 4 - Digital Download SKU: A0.856399 Composed by Gioachino Rossini. Arranged by Fabio Barnaba. Classical,Opera. 26 pages. Fabio Barnaba #5317451. Published by Fabio Barnaba (A0.856399). The characteristic overture from Rossini's Il Signor Bruschino in a new arrangement for Flute Choir (4 C Flutes, Alto Flute, Bass Flute and optional Contrabass Flute). Download includes Full Score and Set of Parts.

Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.551802 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Classical,Contemporary,Standards. 19 pages. Jmsgu3 #5722237. Published by jmsgu3 (A0.551802). Beethoven's Three Equali, WoO 30, are three short trombone pieces. They were composed in honor of All Souls' Day and gained historical significance when they were performed at Beethoven's funeral and the dedication of his tombstone. The pieces are notable for being written for four trombones, a relatively uncommon ensemble, and have become a staple of the modern trombone repertoire. The Three Equali were first performed at Linz Cathedral on November 2, 1812, and two of them were played at Beethoven's funeral on March 29, 1827, alternating with choral arrangements by Ignaz Seyfried. The pieces are significant due to their historical associations and unique instrumentation.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1427856 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 46 pages. Grant Horsley #1008598. Published by Grant Horsley (A0.1427856). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth. The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’. Scored for 4 C Flutes, Alto and Bass Flute with optional Piccolo and Contrabass Flute parts. (A 6 C Flute version is also available.)This piece is in concert D minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. A 6 C Flute version is also available.Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for the full score and all parts.

Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1427858 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 41 pages. Grant Horsley #1008600. Published by Grant Horsley (A0.1427858). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth. The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’.Scored for six C Flutes, this piece is in concert D minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for full score and all parts.

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549955 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Romantic Period,Standards. 227 pages. Jmsgu3 #4337561. Published by jmsgu3 (A0.549955). Score: 140 pages. Duration ca. 11:00. Instrumentation: 1 piccolo, 3 concert flutes, 2 alto flutes, 1 bass flute, 1 cello (optional). Piccolo part: 7 pages, Flute 1 part: 14 pages, Flute 2 part: 13 pages, Flute 3 part: 10 pages, Alto Flute 1 part: 10 pages, Alto Flute 2 part: 11 pages, Bass Flute part: 11 pages, Cello part: 11 pages.Mussorgsky's Night on Bald Mountain is significant for several reasons. Composed in 1867, it is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.736288 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 38 pages. Louke Publishing #4367130. Published by Louke Publishing (A0.736288). Shadowlands:  A JourneyBy Phyllis Avidan Louke, ASCAP PROGRAM NOTES:Shadowlands:  A Journey is a programmatic work in three movements for Flute Choir written in memory of the composer’s uncle who died from cancer.  Movement One (Out of the Darkness), written in a minor key, contains a plaintive melody conveying sadness which later transforms to hope.  Movement Two (Into the Shadows) begins with a beautiful bass and alto flute duet written in quartal harmony.  The melody is introspective, yet, in conjunction with syncopated chords by 4ths, keeps moving the listener forward toward a climax of resignation.  Movement Three (Moving Toward the Light), written in a major key, conveys a feeling of hope and peace, ends with a touching chorale which extensively utilizes chords with added seconds. Scored for piccolo, 3 flutes, alto flute, and bass flute, and opt. contrabass flute (doubling bass flute part) Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com    

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.1503951 By Edvard Grieg. By Edvard Grieg. Arranged by Jami Kidwell Chavez. 19th Century,Christmas,Classical,Holiday,Romantic Period. 14 pages. Jami Kidwell Chavez #1079403. Published by Jami Kidwell Chavez (A0.1503951). Edvard Grieg's Jule-Sne (Christmas Snow) is a movement from Op 49.  Originally for voice and piano, this translates beautifully into a flute choir setting.   It will add a wonderful moment to any Christmas program portraying the serene beauty of snowfallThis movement moves through several key signatures, time signatures and tempo alterations. Scored for 5 C Flutes, Alto Flute and Bass Flute.

Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1183161 Composed by Gabrielle Liriano. Contemporary. 21 pages. Art Haus Music Publishing #782841. Published by Art Haus Music Publishing (A0.1183161). Follow the Omens tells the story of a huntress lost in a forest. The forest is beautiful, but dense filled with all sorts of peculiar creatures, rustling sounds, earthy smells, and lush natural scenes.There are no obvious trails out of the forest and the huntress fears she might never find her way back home. She finds herself running away from anonymous threats, the startling sounds of things she cannot see and relies on signs the forests gives her to bring her to safety.One might imagine the end of this piece as arriving at the edge of cliff to a striking view, the presence cozy cabin, or a humble village. Ultimately, the forest guides the huntress home.Instrumentation: Piccolo, Flute 1, Flute 2, Flute 3, Alto Flute, & Bass FluteDuration: Approx. 1 minutes & 30 seconds.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1138249 Composed by Grant Horsley. Christmas,Classical,Contest,Easter,Festival,Sacred. 30 pages. Grant Horsley #738520. Published by Grant Horsley (A0.1138249). Aria is scored for 4 C Flutes, Alto and Bass Flute. This version is in F major- also a D major version is available. It is a very restful melodic piece based on a single motif heard in bar 1. Written in the key of F major the piece is very hymn -like in design- with long notes and chords but has some unusual harmonies. The searing theme is stated then repeated with variation in texture. The theme is then developed using the rhythmic motif in the beginning climaxing in G major briefly before calmly returning to F major to repeat again. On this repeat more variation and articulation takes place before a restful conclusion. I've tried to keep all parts interesting. The full score is 11 pages and parts are 3 pages each- it is roughly 5 mins 30 in length. I have set it to intermediate level but an early intermediate should be ok with some of the parts. The whole score is on the youtube link for you to assess suitability. Price is for the full score and all parts. Suitable for a variety of purposes: Concerts, Recitals, Contests, Festivals, Easter, Church services, Weddings, Productions or an addition to the repertoire.

Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1174640 Composed by Grant Horsley. Classical,Contemporary,Contest,Festival,Halloween,Multicultural,World. 43 pages. Grant Horsley #774762. Published by Grant Horsley (A0.1174640). Midnight Carousel is scored for Six C Flutes. -A Flute choir comprising 4 C Flutes, Alto and Bass Flute is also availableMidnight Carousel is in the deep rich key of D minor to aid to the After Dark mood and mysteryThe piece has two distinct ideas. After the introduction a Circus- type Waltz begins, when this is repeated it has a very haunting counter melody which is both lilting and lyrical. As the piece develops, an out of character playful Scherzo theme begins which adds some intensity and mystery surrounding the Midnight Carousel. Both Waltz and Scherzo themes exchange dialogue throughout this section as if wanting some sort of control, when suddenly two accents appear to signify a halt We then return to the opening theme once more to lead us to a finish. Before the conclusion however, the Scherzo theme re-instates it's ideas before the final bars!The whole score is on the youtube link for you to assess suitability- It has been set to intermediate level as the range is around 2 octaves with some parts less than this. Mainly Quarter and Eighth notes used throughout- therefore it would be appropriate for some early-intermediate players.It is around 3 mins 30 long and price is for full score and all parts.Ideal for concerts, contests, productions, halloween, folklore/fantasy themes or simply something different to add to the repertoire.

Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1084246 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 27 pages. Regis Bookshar #688425. Published by Regis Bookshar (A0.1084246). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Flute Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (27 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Flute Octet. In addition to this arrangement of Tchaikovsky's Coronation March for a Flute Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1478241 By Stephanie Pack. By Stephanie Pack. Chamber. 33 pages. Stephanie Pack #1055611. Published by Stephanie Pack (A0.1478241). Imagine Pluto as a living being, journeying through the cosmos with a heart full of dreams. For decades, Pluto basked in the joy and pride of being called a planet, a respected member of the Solar System family. Pluto felt the warmth and camaraderie of its planetary siblings, sharing the vast expanse of space with a sense of belonging.But then, the day came when scientists re-evaluated their criteria for what constitutes a planet. Pluto, once brimming with pride, was told it no longer fit the mold. The news struck like a comet, leaving Pluto feeling isolated and heartbroken. The title of 'planet' was stripped away, and Pluto's status was reduced to that of a mere dwarf planet.In the shadow of its larger, more recognized siblings, Pluto felt a profound sadness. It lingered on the fringes of the Solar System, its sense of identity shattered. However, as time passed, a new understanding began to emerge. The term 'dwarf planet' was created, acknowledging Pluto's unique characteristics and the role it plays in our cosmic neighborhood.Pluto's sorrow began to lift, replaced by a sense of renewed purpose and pride. It found solace in this new classification, realizing that it wasn't forgotten or insignificant. As a dwarf planet, Pluto embraced its identity, feeling a sense of happiness and validation. It stood out in its own right, celebrated for its distinctiveness and contribution to our understanding of the universe.Pluto's journey, filled with emotional highs and lows, ultimately led to a place of acceptance and joy. It taught us all a lesson in resilience and the importance of valuing every member of our celestial family, no matter how small or different they may seem.Parts for Piccolo, 2 C Flutes, 2 Alto Flutes with C flute alternatives, 2 Bass Flutes, and ContraBass Flute.

Large Ensemble Bass Flute,Choir,Orff Instrument,Piccolo - Level 4 - Digital Download SKU: A0.874270 Composed by P.E. Fletcher. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. 20th Century,Concert,Folk,Standards,World. Score and parts. 50 pages. As do Ray meflute studio production #6572901. Published by as do Ray meflute studio production (A0.874270). #1. Folk Tune  ( 1st movement from suite for strings) by P.E. Fletcherarranged for flute choir / ensemble arranged by me, Ray-michael Kauffmanhttps://youtu.be/zebIsFJXRi0  Folk tunes is a theme and variations from a British themed folk tune. This piece goes from different moods, stylings, key signatures, tempos, various melodies featuring different sections of the flute choir / ensemble family .   A sounding old world , Irish folk melodies in minor keys, changing to expressive lyrical melodies, a jovial fun section, and many others returning to the original melody . A Great arrangement for your flute choir / ensemble , fun to play and interesting to listen to as an audience.Thanks for checking this out, and out my other arrangements  at this weblink; https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545and visit my website @www.doRaymeflute.com  

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1384449 By Genesis. By Michael Rutherford, Peter Gabriel, Phil Collins, Steven Hackett, and Tony Banks. Arranged by D Telgen. Rock. 52 pages. Neglet Music #968721. Published by Neglet Music (A0.1384449). The Genesis prog rock classic—originally featuring a flute solo from Peter Gabriel—now reimagined for flute choir! Enjoy the driving rhythms of the shifting time signatures and the fun of shredding rock solos in a piece that will challenge your players and mesmerize your audience. Flutes rock!Has parts for two basses, two altos (one with featured solo), two C flutes (both with featured solos), and one piccolo. Note that the piccolo part includes optional flute 3, which need not be played unless the piccolo player prefers to keep busy for the whole piece.