Flute, Woodwind Choir or Ensemble, Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Bass, and Contrabass) - Advanced Intermediate - Digital Download By Rodgers & Hammerstein. Arranged by Ralph Raymond Hays. Score, Set of Parts. 20 pages. Published by Ralph Raymond Hays

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Digital Download SKU: A0.830132 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 25 pages. Richard Byrnes #2913827. Published by Richard Byrnes (A0.830132).   The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. This is an arrangement by Richard Byrnes for Piccolo, 3 Flutes, Alto Flute, & Bass Flute. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.   These pieces often use ornaments. The recording will demonstrate to you how they should sound.   Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.   In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.

Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Bass, and Contrabass) - Intermediate - Digital Download By Rodgers and Hammerstein. Arranged by Ralph Raymond Hays. Score, Set of Parts. 11 pages. Published by Ralph Raymond Hays

By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Thomas Graf. Pop. 16 pages. Thomas Graf - the-hit- factory.com #3575223. Published by Thomas Graf - the-hit-factory.com

Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.874253 Composed by Johann Sebastion Bach , J S Bach. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Baroque,Easter,Holiday,Praise & Worship,Sacred. Score and parts. 36 pages. As do Ray meflute studio production #4573517. Published by as do Ray meflute studio production (A0.874253). Https://www.youtube.com/watch?v=05dsgxhs9qM&feature=youtu.beSheep May Safely Graze      Sheep may safely graze (German: Schafe können sicher weiden) is a soprano aria by Johann Sebastian Bach setting words by Salomon Franck. The piece was written in 1713 and is part of the cantata Was mir behagt, ist nur die muntre Jagd, BWV 208. The cantata's title translates The lively hunt is all my heart's desire, and it is also known as the Hunting Cantata.  Like the same composer´s Jesu, Joy of Man's Desiring, it is frequently played at weddings.[1] However, it was originally written for a birthday celebration, that of Christian, Duke of SaxeWeissenfels. Bach was based at the nearby court of Weimar, and musicians from both courts appear to have joined together in the first performance in Weißenfels. Bach is known to have used the music again for other celebrations, but it remained unpublished until after his death. Perfect for church, religious holidays, weddings, Easter, Birthdays , concerts, program performances, themed performances, recital, you name it.. this arrangement is a must.Score for a larger nsemble , Piccolo, G soprano flute or 1st c flute , 2nd flute, 3rd flute, 4th flute, 5th flute, 6 th flute , Alto flute in g , Bass flute and contrabass flute . Definiately a piece that will get used many times for many occasionals.also, check out my other arrangements!   Real flute choir / ensemble arrangements for real flutes, and real parts ( no piano funny business ) for real performances.  **ALSO check out my other arrangemnts -   https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545

Flute Choir,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1111688 Composed by Grant Horsley. 20th Century,Classical,Comedy,Contemporary,Contest,Festival. 31 pages. Grant Horsley #713979. Published by Grant Horsley (A0.1111688). Scored for 6 C flutes. Waltz of the Harlequins is an original piece- The Harlequin is the best-known of the comic servant characters from the Italian commedia dell'arte- popularised in Paris in the 16thc. The Harlequin is characterized by his checkered costume. Their role is that of a light-hearted, nimble, and astute servant, Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischievous devil character in medieval passion plays. This concert piece written in waltz time (almost 1 in a bar)is playful and light, and represents the characters escapades. It is in ternary for in Concert E minor with the middle section in C major before returning to the opening them and coda. It has been set to intermediate although some parts an early intermediate player would manage. The whole score in on the youtube link for you to assess. The full score is 12 pages- parts are 3,each- 3mins 30 in length and the price is for full score and all parts. Ideal for concert, recital, production, Halloween, Fantasy themes, Folklore etc. or something different to the repertoire.

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1397069 By A Century Of Movie Soundtracks. By Henry Mancini. Arranged by Kent S. Burchill. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Pop. 23 pages. WINDCREST #980395. Published by WINDCREST (A0.1397069). THE PINK PANTHER (from the Film The Pink Panther) for FLUTE CHOIR - This arrangement of the classic Mancini song has been written for 6 part Flute Choir (1 Soprano Flutes, 3 Alto Flutes, and 2 Bass Flutes).  One of the Alto Flute parts has also been written for Soprano Flute, although the Alto Flute is preferred because of its timbre and sonority.  This arrangement has been written in the following keys: E minor, G minor, and F minor.  Tempo is about 112 bpm and performance duration is about 3 minutes and 22 seconds at that tempo.  Difficulty level is a 3 on a six-point scale.

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.747384 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. 17 pages. Darrell Harrison Goforth #455695. Published by Darrell Harrison Goforth (A0.747384). This arrangement is part of a series for Flute Choir which will encompass Mozart's opera The Marriage of Figaro. The series will include the Overture (Sinfonia) and many of the arias, duets and ensembles from the opera. The work can be presented as a complete performance or as standalone pieces. In each of the vocal selections the solo voices will rotate among the entire group, making it ideal for student recitals and to build confidence among the players. The Duettino No. 1 is the opening scene of the opera featuring Figaro (Alto Flute 3) and Susanna (Flute 4) and sets the mood for the entire opera. It is a conversation between Figaro and Susanna, each opening with their own concerns and coming together as a couple. Contact me with questions or comments at dgoforth2@comcast.net My facebook page is: GoForth Music (https://www.facebook.com/goforthmusic?fref=ts) and my YouTube Channel is https://www.youtube.com/user/dgoforth2.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1173799 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Lisa Ochoco. Broadway,Film/TV,Musical/Show. 18 pages. Lisa L Ochoco #773950. Published by Lisa L Ochoco (A0.1173799). Of all of Disney movie songs, this is one of the most popular, and for good reason.  It is such a beautiful song!This arrangement begins with 3 soloists: Alto 1, Bass 1, and Bass 2.  The following structure of the piece remains as it is in the movie, with one key change.  This will allow your audience to sing along with you as you perform, if you ask them to! Scored for low flute choir - 4 altos, 2 basses, and contrabass.  There are optional contra alto and cello parts that add quite a bit to the piece, but are still optional. This will be a crowd-pleaser! Duration: 3.5 minutes.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.1456728 Composed by Paul Lincke. Arranged by Myrick Crampton. Broadway,Jazz,Musical/Show,Pop,Standards. 12 pages. MDC Music LLC #1035798. Published by MDC Music LLC (A0.1456728). The Glow-Worm is the English version of Das Glühwürmchen, a song from Paul Lincke’s 1902 operetta Lysistrata.  Johnny Mercer’s lyrics helped the Mill’s Brothers 1952 recording be a hit!Arranged for (F1-3, AF 3-4, BF 5, Contra 6)Time: 1’ 16”.

By H.J. Gauntlett. Arranged by Jan Mulder. For flute. Sacred. Part. Text language: Dutch. 1 pages. Published by John Miller Publishing

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.559360 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 36 pages. Lisa L Ochoco #519507. Published by Lisa L Ochoco (A0.559360). This is a full arrangement for flute choir from Handel's Messiah written in the same key as the vocal score. Thus Saith the Lord: Flute 1 & 2 take the lead here as a soli, playing octaves apart throughout the entire piece in this fiery movement. But Who May Abide the Day of His Coming: The solo part can be played by an alto, bass, or C flute, whichever the group desires, but the solo part should be amplified so it can be heard above the volume of the accompaniment. Both of these movements can also be used to accompany a solo singer using the Orch parts. This is a must have for your choir!