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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191599. Published by Kristian S. Rodriguez (A0.1023338). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
Si yo nunca desapareciera (LOW VOICE)
Voix Baryton, Piano

$3.99 3.44 € Voix Baryton, Piano PDF SheetMusicPlus

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56)                  Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
October 1974, Cohoes (Confrontation and Finale)
Voix Baryton, Piano

$9.99 8.61 € Voix Baryton, Piano PDF SheetMusicPlus

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.975465 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Thomas J. Dawson, Jr. Jazz. 5 pages. John P. Redmon Music (ASCAP)/adm. by Reaching Records #6247649. Published by John P. Redmon Music (ASCAP)/adm. by Reaching Records (A0.975465). No Armstrong collection would be complete without What A Wonderful World, and here it’s as stirring as ever amid sublime sax prowess... (TakeEffectReviews.com)John Redmon and Thomas Dawson Jr. beautifully contemporizes one of the world’s most beloved songs made popular by the incomparable Louis Armstrong; the heart-warming classic What a Wonderful World.This piano/vocal arrangement as the original recording adds a sultry splash to the Armstrong signature tune. A jazz-infused musical flare reinvents this 70s hit bringing a regenerative power to our hopes and dreams. A black and white concept video accompanied the single release of this tune back in 2018 and has collectively reached over 250k views. It was Redmon’s second most popular video...second to only his 1M viewer Imagine.What a Wonderful World appears on the album Honoring Louis Armstrong featuring Louis Armstrong Impressionist John Redmon and accompanied by The Thomas J. Dawson, Jr. iOrchestra.This version of What a Wonderful World has been popular at funerals, bars, sing-alongs, concerts, festivals and parties.The recorded version is just a little over 3 1/2 minutes.John Redmon and Thomas Dawson, Jr. are both ASCAP affiliates.You can follow John Redmon on the following social media sites:Facebook:  https://m.facebook.com/johnredmonmusic/Instagram:  https://www.instagram.com/johnredmonmusic/Twitter:  https://twitter.com/johnredmonmusicFor more album information, visit: https://www.honoringlouisarmstrong.com/Record Label: https://www.reachingrecords.com/
What A Wonderful World
Voix Baryton, Piano
Louis Armstrong With Kenny G
$4.99 4.3 € Voix Baryton, Piano PDF SheetMusicPlus


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