Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters� of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,� “manly love� or with the code word, “adhesiveness.� The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.� The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.755296 Composed by Sy Brandon. 20th Century,Contemporary. 48 pages. Sy Brandon #6065759. Published by Sy Brandon (A0.755296). Songs of Youth reflects experiences of Dr. Bob Feinberg, who after several years as a professional trumpet player, has devoted his life to healing arts as owner of the Feinberg Chiropractic Clinic in Columbus, Georgia. Dr. Feinberg has been writing poetry for several years, much of it reflecting his youthful idealism and struggles. Feinberg and Brandon have been friends for over 45 years. These songs may be performed individually or as a set. If performed as a set, the order should be: Loneliness Jazz Heaven CarmineTwo scores are included for performance.

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.730375 Composed by James Nathaniel Holland. Concert,Contemporary,Opera. 10 pages. James Nathaniel Holland #3005169. Published by James Nathaniel Holland (A0.730375). Great stand alone and dramatic aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. The aria speaks of being in a loveless relationship and hoping that love will come one day.  Originally for tenor, arranged here for Baritone.  (Sample provided here is with tenor.  Score is in lower key.)Video presentation (Tenor version): https://www.youtube.com/watch?v=9ZeyQhDG-Gw(Duration: 5:33) (Range: C3 to F#4)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.

Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.981214 Composed by Judith Cloud. Contemporary,Standards. 3 pages. Judith Cloud #6689657. Published by Judith Cloud (A0.981214). 24 Italian Songs and Arias for 21st-Century Singers, No. 16 Sebben crudele The iconic Italian songs have served as the foundation for countless singers for over a hundred years.  My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement.  They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes.  Another attractive feature is the inclusion of a literal English translation directly above the Italian.  I believe these songs will be successful for auditions and in recital settings, both informal and formal.  My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.

Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.981205 Composed by Judith Cloud. Contemporary,Standards. 4 pages. Judith Cloud #6686583. Published by Judith Cloud (A0.981205). 24 Italian Songs and Arias for 21st-Century Singers, No. 3 Come raggio di sol The iconic Italian songs have served as the foundation for countless singers for over a hundred years.  My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement.  They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes.  Another attractive feature is the inclusion of a literal English translation directly above the Italian.  I believe these songs will be successful for auditions and in recital settings, both informal and formal.  My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.

Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.981206 Composed by Judith Cloud. Contemporary,Standards. 2 pages. Judith Cloud #6686585. Published by Judith Cloud (A0.981206). 24 Italian Songs and Arias for 21st-Century Singers, No. 4 Tu lo sai The iconic Italian songs have served as the foundation for countless singers for over a hundred years.  My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement.  They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes.  Another attractive feature is the inclusion of a literal English translation directly above the Italian.  I believe these songs will be successful for auditions and in recital settings, both informal and formal.  My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.

Baritone voice and piano - Medium - Digital Download SKU: MQ.8580-1E Composed by Juliana Hall. Secular, 21st century. 8 pages. E. C. Schirmer Music Company - Digital #8580-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8580-1E). English.An assortment of English country personalities inhabit this song cycle, which deals with the ideas of lost love and betrayal in love. The cycle begins with a ballad singer whom the speaker implores to song as a way of making him forget the pain of losing one whom he loves. Julie-Jane is a young woman whom the speaker fondly remembers after she has passed on following the company of a number of men out of wedlock. A fiddler plays at a country dance, watching as dancers couple throughout the night, and then for life. Carrey Clavel is another woman, one who scorns the company of the speaker, and finally Rose-Ann, who has led the speaker on without telling him she is promised to another. Duration: 24:00Contents:1. The Ballad Singer2. Julie-Jane3. The Fiddler4. To Carrey Clavel5. Rose-Ann.

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,� the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged� with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim� accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “ß� with “ss� in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.� and “dim.� markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.952519 Composed by Darleen Mitchell. Contemporary. 31 pages. American Composers Alliance Inc. #4608083. Published by American Composers Alliance Inc. (A0.952519). Four songs for baritone and piano on texts by Charles Darwin. Includes: I. The Entangled Bank, II. What Could Be More Curious, III. As All the Living Forms of Life, IV. There is Grandeur.

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.747893 By Chicago. By Terry Kath. Arranged by Patrick Sheehan. Pop,Rock. 29 pages. Patrick Sheehan #4968665. Published by Patrick Sheehan (A0.747893). INSTRUMENTATION:  Lead Vocal, Grand Piano.  All parts transcribed by ear from the original recording from Chicago VI released in 1973. ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.

Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.682304 Composed by Benjamin R. Hanby. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,Sacred. 3 pages. Gert Th. Walter #5773145. Published by Gert Th. Walter (A0.682304). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.889887 Composed by Gary Friedman. Contemporary. 10 pages. Gary Friedman #14075. Published by Gary Friedman (A0.889887). This was written by invitation to be played by the San Francisco Civic Symphony at a ground-breaking ceremony for restoration of a windmill in Golden Gate Park in San Francisco. The original poem, set to music here was written by Lisa Yanover. It has been sung three times by John Kendall Bailey, once with orchestra, once with wind ensemble, and once with piano. To my knowledge the ceremony has yet to be held (as of January 2015). There are 3 offerings here at SheetMusicPlus. The most complete, at $40, is for the orchestra score and parts, piano reduction, and baritone solo. Another, at $30 is for a wind ensemble substituting for the orchestra: score, parts, and baritone solo. The this one is for piano reduction of the orchestra plus baritone solo. The audio clip is of the orchestra performance. Duration: 7 minutes Year: 2004.

Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.952265 Composed by Michael Dellaira. Contemporary. 23 pages. American Composers Alliance Inc. #4575957. Published by American Composers Alliance Inc. (A0.952265). Ten songs for baritone and piano on texts from Richard Howard's No Traveller. Includes: Athens, Houston, Albufeira, Woodstock, Siracusa, Wiscasset, Tours, Bryce Canyon, Cozumel, Camden.

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15)                 Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.