Piano Solo - Level 3 - Digital Download SKU: A0.801902 By Neil Sedaka. By Howard Greenfield and Neil Sedaka. Arranged by Bernie Schweickart. Country,Film/TV,Pop,Standards. Score. 3 pages. Dogwooddigs #6212265. Published by Dogwooddigs (A0.801902). Great song from the seventies! Fun To Play! 

Piano Solo - Level 3 - Digital Download SKU: A0.1226379 By Badfinger. By Peter Ham. Arranged by Frank Pisani. Film/TV,Pop,Rock. Score. 6 pages. Frank Pisani #822382. Published by Frank Pisani (A0.1226379). Solo Piano arrangement for Badfinger's song Baby Blue from their 1971 album Straight Up. This great song is well known for its use in the finale of Breaking Bad. This arrangement is in the original key and is perfect for intermediate pianists. This arrangement also features lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easier to know which fingers to use, and how to easily move around the keyboard.You may find it easier to learn how to play this song if you practice both hand separately first before trying to play them together.Arrangement Duration: 3:37This arrangement is appropriate for schools and students.

Piano Solo - Level 2 - Digital Download SKU: A0.1030611 Composed by Lynne Cox. Contest,Festival,Instructional. Score. 12 pages. Lynne Coc Publications #635979. Published by Lynne Coc Publications (A0.1030611). This late elementary/early intermediate collection of piano solos (no lyrics) includes four 4 character pieces capturing the personalities/characteristics of the dinosaurs in Lynne's personal Jurassic neighborhood. Piano solos in this book have been chosen for national and state contest/festival lists. These 4 character pieces capture artistically the personalities/characteristics of the dinosaurs and the flying reptile of that age, the Pteranodon. Includes: TYRANNOSAURUS REX, heralded as the king he once was with a trumpet fanfare, marches menacingly in C minor through the prehistoric forest, Form: intro ABA coda; PTERANODON, a flying reptile that lived in this period is a haunting melody in E harmonic minor w/melody in RH supported by arpeggios in LH. B section arpeggios sweep over the piano representing flying. Form:ABA; BRONTOSAURUS lumbers through the forest using answering open fifths between the hands and at times answered by RH breaking up triad; begins both hands in bass clef, Form: ABA coda, the coda represents chase as he valiantly tries to escape being the lunch of Tyrannosaurus by running into the nearest lake at the end to escape, this ends in a sweeping glissando as he dives; STEGOSAURUS is in a fun mood and dances to a Latin rhythm. With hands in unison in intro, the LH takes the melody in A section, reversing in B section presenting RH to have melody w/LH accompaniment. Form: intro ABA coda, in B harmonic minor. Great for recitals and/or contests and festivals. ***once you click on you tube link below, which is for Tyrannosaurus, you will see others on you tube. In other words, they are listed one piece at the time, not the entire collection,.

Piano Solo - Level 3 - Digital Download SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More;  made famous by The Carpenters.  Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce.  It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.   It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...

Piano Solo - Level 4 - Digital Download SKU: A0.890137 Composed by Ignacy Jan Paderewski (1860–1941). Arranged by Andy Schmidt. Romantic Period. Score. 2 pages. Andy Schmidt #2861193. Published by Andy Schmidt (A0.890137). The wonderful classic by the renowned Polish composer. Another case of beautiful music that pianists might avoid because of the technical challenges involved. Don’t worry...we’re going to get through this! Paderewski, we love you, but your hands were just too big. Mélodie has lots of large intervals in the left hand that many pianists can’t play comfortably. But that’s no excuse to give up on a lovely piece of piano music, right?My edition of this piece features helpful fingerings and grayed-out noteheads indicating which notes can be avoided. I’ve also highlighted some places where the right hand can reach down and play the highest note of some of these large chords, with the goal of being faithful to Paderewski’s intentions whenever possible. These places are indicated by my exclusive, ground-breaking green notehead technology, which is frequently seen in my other editions.