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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
Jesus Shall Reign Where'er the Sun
Piano seul

$4.99 4.26 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan María Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare #3621769. Published by Juan Maria Solare (A0.596525). The piano piece Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!' was composed in Bremen, Germany, in August 2018, for the project 45miniatures by pianist Nick Phillips. The overall character of this piece responds vaguely to Nicholas Phillips' suggestion: playful/childish outbursts, in the form of heckler chords or bad hombre-like non-chord tones. The title depicts a surrealistic, clownesque, ridiculous situation; a dream for some and a nightmare for others.For those totally unaware: the expression Bad Hombres was used by president Donald Trump during the third 2016 United States Presidential Debate. While answering a question about his immigration policy, Donald Trump stated that there were a lot of drug lords in the United States and that they needed to be removed. He concluded his comment by saying we have some bad hombres here and we have to get them out. (thus implying that the responsible of US' drug problems are Latinos)Character and moods: happy, merry, mysterious. About the performance All the piece consists of mini clusters (two minor seconds). The notation can be sometimes obscure (due to the many unavoidable accidentals). To facilitate the reading (deciphering) of the score, the easiest is to follow the highest note of each cluster: they usually form a simple chord. For instance, bar 17 is (melodically speaking) a F7 chord. Got it? L = Left Hand R = Right Hand The verbal comments along the music are not meant to be actually read aloud, but alla mente (like in some Satie's music). However, if you want to recite them at concert, go ahead.Juan María Solare (http://www.JuanMariaSolare.com)
Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
Piano seul

$2.00 1.71 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!)  Fast  and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also  a fun piano solo.  (Duration 8+ minutes)  Reel Jiggery-pokery The  song started as a jig but drank too much and reeled into 12/8 time. Properly  speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel!  Needless to say, this is not for the  purists...but it's huge fun for the rest of us!  Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands!  But you can play it slower and enjoy! On  electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano,  harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are  terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original  live and YouTube performances were on a Medeli MC 710, from 2005.  This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A  loud viola patch was used as the second voice on the upper part of the  keyboard, as the dominant fiddle sound carrying the melody.  A synth string patch was used  as second voice on the lower half, giving  the drones.)  Add Your Own Salt and Pepper to the Score! The  song is scored for clarity, not as a detailed demand for every possible  nuance.  It's fast, so although simple  to look at when not playing,  you'll  need to be reading the music at speed. Unless, of course, you're blessed with a  brilliant memory!   So  the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes.  BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your  keyboard sustaining string patches to bring those drones out!  Listen to the live recordings, they'll  help.  You,  as player, have lots of freedom!  It's up to you how many additional frills, or emphasis, or drone  suspensions you throw in.  Why alt.callahans?In the far distant past of 2005, there was  an Internet  newsgroup of that name, in honor and emulation of  Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer  Spider Robinson. [Wikipedia]  A  place for tall tales and true, comradeship, puns both good and bad.  We had fun there, and this song came out of  it. The Internet world, sadly, has changed since.
alt.Callahans Reel
Piano seul

$7.50 6.4 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1414887 Composed by Alexander Holz. Arranged by ISBN 9783758499203, 8.3 x 11.7 inches, English, German. Film/TV,Instructional,Romantic Period,Standards,Wedding. Score. 27 pages. Alexander Holz #996635. Published by Alexander Holz (A0.1414887). Music Essences was inspired by the idea of developing a piano book that is not a school, but offers new pieces alongside the old classics. This allows you to expand your repertoire for any occasion. The title describes the pieces as very condensed musical ideas, or impressions. They can be musically unfolded and further developed. Expanded interpretations are also conceivable, both in terms of playing and instrumentation. Nocturne The piece is technically inspired by Frederic Chopin's Trois Nocturnes Op. 9 No. 2 in E flat major. Coloraturas are to be added independently by the performer in order to emphasize this character. In addition, the mood is blended with the tragic romanticism of Edward Elgar's Salut d'Amour op. 12.ExpressionThe two different parts at the beginning are later combined in a third Espressivo part, which is based on Ludwig van Beethoven's Piano Concerto No. 5, 2nd movement and picks up on its tender and intense mood.Sonata No. 2The variations are partly inspired by the A major Sonata K331 by Wolfgang Amadeus Mozart, while the trio was influenced by the mood of the Träumerei from Kinderszenen op. 15 by Robert Schumann.AnthemThe anthem refers to the movie Avengers: Endgame. The theme from The real Hero is basically recognizable in a modified form and tries to capture the unique emotional state of this film music of sadness, pride and honour.SerenadeFrom bar 5, the initially accompanying theme is joined by a second, which reinterprets Franz Schubert's Serenade No. 4, D957 and develops independently as it progresses. The themes merge from bar 55 and fully develop the melancholy character of the piece.
Music Essences Vol.3 - Romantic Piano Ballads
Piano seul

$10.95 9.34 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.984709 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 10 pages. Music Innovators Workshop #4357661. Published by Music Innovators Workshop (A0.984709). The great piece is notated on a key map tablature.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
Beethoven - The Smaller Rondo in C Major - (Key Map Tablature)
Piano seul

$2.00 1.71 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.899184 Composed by Deborah M. Sylvester. Contemporary. Score. 6 pages. Silverflute Music #519255. Published by Silverflute Music (A0.899184). From the first droplet of water to the eventual calm after the storm, Rainfall portrays exactly what its name suggests. An intriguing composition that is thrilling to play and demands the attention of the listener, it features a mesmerizing ostinato, grows with the introduction of a few simple musical ideas, and then steadily builds into fascinating rhythmic complexity. Unique to this piece is that while the same chords alternate from measure to measure (chords I and IV, specifically C and F), the music by no means stands still. Interrupted occasionally by an accented splash of chords, the ostinato often passes from one hand to the next, eventually losing its importance as various themes begin piling one on top of the other. Climaxing in a small-scale harmonic overload which indicates the final clap of thunder, the approx. 3-minute piece gradually decelerates to a relaxing close. A good playing tempo is in between M.M. = 74 and 80.
Rainfall
Piano seul

$2.99 2.55 € Piano seul PDF SheetMusicPlus






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