Piano Solo - Digital Download SKU: A0.958721 Composed by Luis Dueñas Perilla. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6115835. Published by Juan Carlos Cortés Aguirre (A0.958721). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Luis Dueñas Perilla nace en Somondoco (Boyacá) el 1 de Febrero de 1921 y muere en Bogotá el 3 de Noviembre de 1977. Autor y compositor de la célebre danza Negrita.Este bambuco es tema de discusión por algunos estudiosos e investigadores musicales, los cuales suponen que este bambuco es original del maestro antioqueño Carlos Vieco Ortíz por su estilo y forma melódica y armónica. Púes en algún momento tuvo un encuentro con este buen cantante, al cual le confió uno de sus cuadernos con sus obras para estudiarlas, y luego fue devuelto lamentablemente con algunas páginas arrancadas de dicho libro; a lo cual el maestro Vieco no mostró disgusto, ni hizo reclamo, dada su pacífica actitud y tranquilo temperamento.Algunos se basan en un sugestivo título del pasillo de Carlos Vieco llamado: Saltando Polínes. A lo que el investigador Javier Gutiérrez Villegas afirma que:...No todas las canciones de Vieco tuvieron ese origen trascendente ni fueron estrenadas con solemnidad. Y dejando a un lado la actitud circunspecta, nos relata el nacimiento del pasillo Saltando polines: en 1932, plena guerra con el Perú, se juntaron en La Bastilla Alberto Ã�ngel Vallejo el aplaudido barítono, Roberto Muñoz Londoño, educador y poeta, y él. Se encontraban en ruinosa situación y planearon una gira que los sacaría de afanes. Imaginábamos montañas de plata, apunta don Carlos, con la voz maravillosa de Alberto, con las declamaciones de Muñoz Londoño y con mis interpretaciones al piano. Escogimos a Cisneros para comenzar. En pleno auge el Ferrocarril de Antioquia, aquella población era centro populoso y muy importante. Pues a la primera función asistieron el cura y el alcalde ya la segunda no fue nadie. Con los gastos de transporte, de hotel, de cartelería, nos quedamos en la pura inopia. Con unas monedas sobrantes compramos pasaje de tercera para Muñoz Londoño que se encontraba enfermo y Ã�ngel Vallejo y yo resolvimos regresar a Medellín, saltando polines. Iniciamos la aventura y cuando llevábamos buen trecho apareció una máquina del Ferrocarril que transportaba veteranos para la guerra y nos recogieron. Y en esta forma, hacinados pero felices, pusimos fin a la correría. (Sic erat scriptum: «así fue escrito».).Polines: Traviesas de madera o durmientes de madera son un tipo de traviesas utilizadas en la construcción de vías férreas.Polémica o no, este Bambuco está registrado legalmente por Luis Dueñas Perilla, compositor boyacense.Gabriel Uribe y el Conjunto de Tomás Burbano. Video You Tube:https://www.youtube.com/watch?v=QxQr3cMmskg

Piano Solo - Level 3 - Digital Download SKU: A0.1197761 Composed by Johann Sebastian Bach. Arranged by Serkan ALTAY. Baroque. Score. 2 pages. Serkan ALTAY #777820. Published by Serkan ALTAY (A0.1197761).

Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1281392 Composed by Alta Mihartescu. This edition: Interactive Download. Classical. Individual part. 18 pages. Duration 127. Alta Mihartescu #48bYy1p4UyCAz5nZym0MPG. Published by Alta Mihartescu (A0.1281392). Key: C major.Eddies of Time is a captivating contemporary piano piece that defies traditional musical boundaries. Composed using 20th-century techniques, it eschews conventional meter, offering a fluid and unanchored exploration of time and space. The title itself, Eddies of Time, evokes images of swirling currents and ceaseless motion. This imagery is masterfully translated into sound, as the piece flows and undulates without the constraints of a fixed rhythmic structure. The absence of meter allows for a more organic and intuitive connection between the performer and the music, creating a unique and immersive listening experience. Drawing inspiration from avant-garde composers of the 20th century, the piece employs extended piano techniques, such as inside-the-piano playing, unconventional fingerings, and the use of various objects to alter the instrument's timbre. These techniques contribute to a rich and complex sonic palette that challenges traditional notions of melody and harmony. The structure of Eddies of Time is equally unconventional, with sections that ebb and flow, mirroring the natural movement of water. Themes are introduced, then reappear in altered forms, creating a sense of continuity and transformation. The composer's use of dissonance and atonality adds to the piece's modern character, providing tension and release in unexpected ways. Performing Eddies of Time requires not only technical prowess but also a deep understanding of the emotional and philosophical underpinnings of the work. The pianist must navigate the score with sensitivity and intuition, allowing the music to unfold naturally, like the eddying currents of a river. In Eddies of Time, the listener is invited to embark on a musical journey that transcends conventional form and meter. It's a piece that resonates with the restless spirit of the 20th century, reflecting a world in constant flux and a timeless fascination with the mysteries of existence.

Instrumental Solo,Piano - Level 5 - Interactive Download SKU: A0.1348260 Composed by Alta Mihartescu. This edition: Interactive Download. Classical. Individual part. 6 pages. Duration 78. Alta Mihartescu #2fParFp9cfUqGvmp4Kmmxj. Published by Alta Mihartescu (A0.1348260). Key: C major.

Piano Solo - Digital Download SKU: A0.976866 Composed by Monica Bergo. Contemporary. Score. 4 pages. Monica Bergo #3239691. Published by Monica Bergo (A0.976866). 2017 Holiday Contest Entry                                    UNA LACRIMA PER OGNI PECCATO Ed il giorno lascia il posto a questa insana realtà e la notte nasconde la mia identità e trascino questi tacchi stanchi ormai come me il mio trucco pesante come il vuoto che c'è. Peccatrice nel corpo ma nell'anima mai tu che hai tutto e mi guardi no, capire non puoi il tuo sguardo è disprezzo e non sai il male che fai come un fuoco su di me   ladro tu ruberesti per me nuove vite e occasioni perdute la dolcezza di chi ama davvero il calore di un abbraccio sincero sarai il vento e spazzerai via il rancore sarai il sole seguirò il tuo calore     con te affronterò la solitudine e l'inquietudine per quante lacrime ho versato ad ognuna il suo peccato Sarai il sole e il tuo calore seguirò Rimpianti non avrò Per tutto ciò che non è stato Per ogni lacrima un peccato   e noi invisibili e affamati come spiriti dannati mendicanti lacerati dai destini già segnati come fiori ormai appassiti in giardini disperati quante lacrime hai versato e per ognuna il suo peccato   e allora tienimi vicina come fossi una bambina che per crescere felice vuole solo amore  e pace io così scomoda e scostante tu un ribelle impenitente a testa alta camminiamo ma non lasciare la mia mano   Come può in questo fango crescere un gioiello come può da un'altra madre nascere un fratello stai con me, cancellerò le lacrime versate e nuove  vite  avrai Come può la pioggia non bagnare più il selciato Scenderà la neve a cancellare il mio peccato Sarò qui e pregherò intensamente per noi 2   E riscrivo la mia storia , letta solo a metà Nuova fine ci sarà Nella pagina tua scriverò Andato via!                                                 Monica Bergo

Piano Solo - Level 3 - Digital Download SKU: A0.1252910 By Sharon Wilson. By George C. Stebbins, William J. Kirkpatrick, and William T. Sleeper. Arranged by Sharon Wilson and Sharon Wilson Music. 19th Century,Christian,Easter,Lent,Sacred. Score. 6 pages. Sharon Wilson #846686. Published by Sharon Wilson (A0.1252910). This intermediate piano solo medley features 2 meditative hymns about coming to Jesus with repentance. Titles included in this medley: Jesus, I Come by George C. Stebbins and Lord, I'm Coming Home by William J. Kirkpatrick.Prayerful and expressive, this medley encourages thoughtful reflection making it a treasured addition to the church pianist's sacred repertoire. This arrangement is one of the 10 songs in the collection Sacred Medleys: Hymns and Spirituals, Book 2 (A Collection of 10 Medleys for Solo Piano). Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.comKeywords: worship service, meditation, devotional music, prelude, offertory, sacred repertoire, church music, Lent, communion, invitation, altar call.

Piano Solo - Level 3 - Digital Download SKU: A0.976844 Composed by Monica Bergo. Children,Contemporary. Score. 8 pages. Monica Bergo #3236683. Published by Monica Bergo (A0.976844). 2017 Holiday Contest Entry♫*´¨`*•.¸¸.♫L’ULTIMO MIO FIORE (Il lupo e la strega) Guardo l'ultimo mio fiore perde il suo profumo ed io non so che fare lo proteggo col calore di quest'altra storia che ho da raccontare   creature sole e disperate tante cicatrici da rimarginare una strega e un lupo non lo sanno ancora che i loro destini stanno per unire   ed inizia questa storia magica dolce come antica favola in un bosco senza luogo e senza età fuori dalla realtà   ed il tempo è fermo e non si muove un alito ed il cuore , esplode e salta un battito e guardarsi è riconoscersi come non essersi perduti mai   ed il lupo che è ferito una rosa bianca in rossa ha trasformato perde sangue insieme a gocce di dolore i suoi occhi rossi bruciano d'amore   e la strega invece si nasconde perchè non è bella e no, non è importante a nessuno al mondo è mai appartenuta ed una carezza non l'ha mai sfiorata   lei lo cura e gli accarezza l'anima lui la guarda e la sua rabbia domina ed un anno dura solo un attimo persi nell'eternità   ed il lupo le racconta favole e la strega fa pozioni magiche e si scambiano promesse inutili che la notte custodirà   e lei ballerà nuda danzerà ed il lupo col suo cuore in mano steso accanto al fuoco che si accende piano, così liberi senza ostacoli e si specchiano nel lago magico e non lo sentono quel freddo brivido non durerà, non lo senti anche tu? freddo intorno a noi   Abracadabra da bruco a farfalla alakazam!! e sono anch'io bella non vi chiedete il come e il perchè ho incominciato a parlare di me cade la neve ma siamo in agosto e non c'è cosa che trovi un suo posto questa mia musica parla da sè questa è la fiaba più strana che c'è   io mi fermo qui finirà così non posso raccontare la fine di un amore che scritta ancor non è   io mi fermo qui finirà così nel vuoto e nell'assenza in questi giorni miei silenzio ed incostanza nei sentimenti tuoi il fiore muore già   vai lupo vai non pensare più a lei dal tuo branco tornare dovrai e allora scappa   strega potrai trasformarti se vuoi cambia ruolo da attrice che sei e nuovi fiori avrai   passo i giorni dentro il buio in caverne di rimpianto li miscelo con pozioni e trasformo tutto in pianto come un gatto nella notte cerco il cibo tra i rifiuti senza sole, senza luce nessun dio che qui mi aiuti   corpo e spirito ammaccato come un vetro conficcato dentro al povero mio cuore il ricordo di un amore mai vissuto veramente così vivo nella mente è l'istinto mio animale che mi spinge a farmi male   mentre un altro sogno muore la strega nel lago si fa scivolare l'acqua la lambisce piano nei suoi occhi il lupo che ormai è già lontano   una fiaba vera od inventata sta nel mezzo la mia verità celata tutte le mie storie strane e strampalate

Instrumental Solo - Level 5 - Digital Download SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 18 pages. Stephen R Dalrymple #4966281. Published by Stephen R Dalrymple (A0.818281). Élegié in E Flat Minor for solo piano (Classical Music for Tablet Series) ♫ by Sergei Vasilyevich Rachmaninoff (Opus 3.1) ♫ Rachmaninoff (born in 1873) , Russian composer, virtuoso pianist, and conductor, was considered one of the finest pianists of his day. His compositions belong to the Romantic period of music history. He graduated at the Moscow Conservatory in 1892. After the premiere of his First Symphony in 1897, the negative reaction by an important critic sent him into a tailspin of depression that lasted several years. ♫ In 1909 he performed a series of 26 performances with the Boston Symphony Orchestra in the USA. In 1914 he travelled to England for a concert tour. ♫ In February 1917 on the day the Socialist Revolution began in St Petersburg, he performed a benefit piano recital in Moscow for wounded Russian soldiers. When he returned home, he found that a group of Social Revolutionary Party members had seized his property as their own communal property. He had invested most of his earnings on the estate, but left it behind. Rachmaninoff's concert performance in Yalta on 5 September 1917 was to be his last in Russia. The chaos and tension of the October Revolution was daunting. He composed with the noise of gunshots and rallies in the background. He received an invitation to perform 10 recitals across Scandinavia. He accepted the offer, using it as an excuse to obtain permits so he and his family could flee Russia. ♫ He returned to the USA in November 1918 and America became his home. When he became an American citizen in 1943, Sergei Rachmaninoff said: “This is the only place on earth where a human being is respected for what he is and what he does, and it does not matter who he is and where he came from.� He died in March 1943 from cancer at the age of 70. (condensed from Wikipedia - October 2022) ♫ Rachmaninoff’s Opus 3 contains 5 piano pieces. The first is the Élegié in E Flat Minor, the second is the Prelude in C# Minor (one of his most famous piano compositions). This opus was finished in 1892, when he was 19 years old. The Prelude in C# Minor is loud, explosive, and declarative; the Élegié in E Flat Minor is soft, fluid, and contemplative. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the Editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.

Piano Solo - Level 3 - Digital Download SKU: A0.1216480 By Amy Louise Lewis. By Amy Louise Lewis. Christian,Classical,Contemporary,Religious,Spiritual. Score. 1 pages. Amy Lewis #813057. Published by Amy Lewis (A0.1216480). This is an enigmatic and rhapsodic piece for solo piano that is composed in Whole Tone C mode and is based on the Book of Revelation Chapter 8 Verses 1-5 in the New Testament Bible. Bar 1-18 is based on verses 1-3 and is sharp, spacey and minimal - the sound of silence and of the angels. The emphasis is the sound between the notes.Verse 4 states: 'And the smoke of the incense, which came with the prayers of the Saints, ascended up before God out of the angel's hand.' This section changes tone and phrase. There is a beautiful ascending up the keyboard, which is delecate but with hesitance. It is the light before the darkness; the potential energy before the explosion; the calm before the storm. There must be tension.Verse 5 states: 'And the angel took the censer, and filled it with fire of the altar and cast it into the Earth, and there were voices, and thunderings, and lightnings, and an earthquake.'This section therefore is rather more dramatic, with a contrast of high and low pitched notes and chords. The final bars of the piece are suspension - sharp and repetative chords and ending on one sharp note - what happens next?The pianist should pedal freely throughout the piece and add their own dramatic touch to this very illistrative score.

Piano Solo - Level 4 - Digital Download SKU: A0.1291517 By Brandon Lake. By Benjamin Hastings, Brandon Lake, and Dante Bowe. Arranged by Amy J. Snyder. Christian,Praise & Worship,Religious. Score. 7 pages. Amy J. Snyder #882147. Published by Amy J. Snyder (A0.1291517). Gratitude by Brandon Lake, Benjamin Hastings and Dante Bowe is a beautiful contemporary Christian worship song. This arrangement is in the original key of B Major. It is also offered in the key of C Major for sharp-challenged pianists:) This piano solo includes the lyrics within the score, and helpful fingering. There are two sections of spontaneous worship (interludes) that are written out for you, but I encourage you to try your own melody above the LH accompaniment. Arranged by Amy J. Snyder. Visit Amy at :https://www.facebook.com/amyjsnyder7. If you enjoy this arrangement, check out others by Amy such as I Speak Jesus, Same God, My Jesus, Scars in Heaven, So WIll I, Tremble, Oceans, O Come to the Altar,I Can Only Imagine, and more! For a full list go to:https://www.sheetmusicplus.com/search?Ntt=Amy+J+Snyder

Piano Solo - Level 3 - Digital Download SKU: A0.697701 Composed by Will L. Thompson. Arranged by Sandy McIntire. Contemporary,Easter,Praise & Worship,Sacred,Traditional. Score. 6 pages. Sandy McIntire #6456731. Published by Sandy McIntire (A0.697701). Softly and Tenderly Jesus Is Calling is a widely known and loved hymn published in 1880. It continues in popularity, recorded by Amy Grant (2002), Carrie Underwood (2021), and Reba McEntire (2017). Often played as an altar call or in memoriam, it is appropriate for all worship services as a prelude, offertory, or postlude.This arrangement is an Intermediate Piano solo in the keys of G and C major, and it is included in McIntire's Gospel Piano Classics series. Other hymns in the series include The Church in the Wildwood, Jesus Is Calling, and Make Me a Blessing, all available at this web site.

Composed by Various Artists. Arranged by Juliano Music. Classical, Instructional, Sacred, Standards, World. Score. 53 pages. Juliano Alessandro Molteni #5800797. Published by Juliano Alessandro Molteni