Piano Solo - Level 4 - Digital Download SKU: A0.1486553 By Marion Abbott. By Marion Abbott. Contemporary,Film/TV. Score. 6 pages. Marion Abbott #1063616. Published by Marion Abbott (A0.1486553). This is the theme song for Silver Shores Book One, Ground Rules, the second chance love story of Deb and Ben, written by Marion AbbottFind out more about the book, including where to purchase it, here: www.marionabbott.com/booksA broken leg leads to a second chance at love in this sweet romance set in the colourful world of summer theatre.Ground Rules: Deb & Ben's StoryArtistic Director Deborah Monassen has planned the perfect summer season for the Silver Shores Theatre Company, and she has a three-day weekend to celebrate her success before rehearsals begin.Actor Benjamin Chase Greer has just finished shooting another season of his hit TV show, but for the first time in years, he doesn’t have a theatre contract lined up for the summer. To heighten his gloom, he can’t stop thinking about Deborah Monassen, the woman who made his heart happiest but who told him never to contact her.Then Deb discovers that the actor she had cast in her seasons' biggest shows has broken his femur bone, and everyone capable of taking over his contract is already working elsewhere. Except for Benjamin Chase Greer -the man she had vowed never to speak to again. To deal with working together, Ben and Deb create some Ground Rules. But instead of keeping things on an even keel, romantic sparks fly higher and hotter as the two spend more and more time together. Are their Ground Rules the key to securing their second chance at love?

Piano - Digital Download SKU: LV.18986 Composed by Eduard Strauss. Boats, Bodies of water, Railroads. Lester S. Levy Collection. 10 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18986). Nutzt das frei leben! Dem Comite des Studentenballes! Walzer. Eduard Strauss, k.k. Hofballmusik - Director, kais. brasil. Hofkapellmeister honoraire. Published 1855 by C.A. Spina (Alwin Cranz) in Wien. Composition of four sectional waltzes, introduction and coda with piano instrumentation. Subject headings for this piece include Boats, Bodies of water, Railroads. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano Solo - Level 5 - Digital Download SKU: A0.1276693 By Ben Rector. By Abe Stoklasa, Ben Rector, and David Hodges. Arranged by Matt Arnett. Pop. Score. 7 pages. Matt Arnett Music #868441. Published by Matt Arnett Music (A0.1276693). This song is part of my EPIC Piano Solo series. These arrangements are the way I play piano; I'm not limiting myself in any way or thinking about what will be easy for others to learn, I'm just playing. If you liked this arrangement, check out my YouTube channel EPICpianomatt for more songs.

Piano Solo - Level 3 - Digital Download SKU: A0.693021 Composed by Ben Dockery. Children,Contemporary,Jazz,Standards. Score. 42 pages. Ben Dockery #3539271. Published by Ben Dockery (A0.693021). These twelve short pieces for piano were inspired by the sounds from my childhood, namely the musical themes from games played on eight-bit consoles like Nintendo. Whether or not you share such memories, I’m confident we can find common ground here; each piece attempts to see and hear the world from a child’s imaginative, wonder-filled perspective. All of these impromptus can be heard for free by visiting my website www.bendockery.com. While you’re there, please consider joining my email list to get updates and tons of free music. Dr. Ben Dockery is an Assistant Professor of Music and Director of Keyboard Studies at Tennessee Wesleyan University.  There he teaches courses related to music theory, ear training, piano, and orchestration and arranging. After receiving degrees from the University of Tennessee, Knoxville and DePaul University, he completed his D.M.A. from the University of Illinois, Champaign-Urbana in 2012. Dr. Dockery began teaching piano in 1999 and has taught and performed music ever since. Dr. Dockery has composed and arranged for piano, small jazz ensemble, and jazz big band. He has performed on numerous recordings with noted musicians such as Phil Woods, the DePaul Big Band, the late Zim Ngquwana, the Knoxville Jazz Orchestra, and others.  In addition to writing the book Conceptualizing the Jazz Piano Trio, Dr. Dockery has written for Chicago Jazz Magazine and continues to publish articles, interviews, compositions, and more at his website www.bendockery.com.  He maintains an active performance career playing in regional venues and serves as organist for Inskip Baptist Church.

Piano - Digital Download SKU: A0.1069664 Composed by Gary Noland. 20th Century,Concert,Contemporary,Ragtime. Full Performance. Duration 892. Freeland Publications #3238281. Published by Freeland Publications (A0.1069664). Duration: 14'52 (1989). Computer-driven Yamaha Disklavier performance. One of my more famous pieces. Its historic premiere at Pacifica Radio (KPFA) in Berkeley on 4 October, 1991 to inaugurate their new facility is included in Nicolas Slonimsky's book Music Since 1900. It has been reviewed and written about extensively. Here is what some reviewers have said:4 OCTOBER 1991: KPFA radio in Berkeley, California, dedicates its newly constructed, two-story broadcast facility at 1929 Martin Luther King Jr. Way with a live satellite broadcast … works on the inaugual program, produced and narrated by KPFA Music director Charles Amirkhanian, included … Grande Rag Brilliant [sic] by Gary NOLAND, a 15-minute rag introducing KPFA’s new Yamaha Disklavier grand piano, featuring fugues, frozen grace-notes to produce tone clusters, and a lengthy passage in which the music modulates up and down a half-tone each measure (the turntable change of speed effect) …-Nicolas Slonimsky, Music Since 1900               ...remarkable stuff...-Max Morath, ragtime composer and pianist             … smashing and extremely difficult piano rag, … which is not distracted by the modulation-per-minute insanity of this beautiful and disorienting music … an exceedingly difficult composition by Berkeley composer Gary Noland, … the Grande Rag Brillante, Op. 15, was written in a modified turn-of-the-Century style and has never been performed successfully by a human pianist.  It features something Mr. Noland calls the 'record-player-turntable-change-of-speed-effect.'  In certain sections, each successive measure modulates up a half step into the next key signature, providing a mind-bending spiraling of focus which is truly breathtaking … spectacular… -Charles Amirkhanian, Folio (KPFA program guide)              ...The Impossible Rag...-Oakland Tribune             ...perfectly simulates a piano roll mistracking and continually changing keys...-Dick Zimmerman, Rag Times             ...masterpiece!...We recommend Mr. Noland's music for anybody who desires the witty and unexpected approach to the Ragtime idiom.-L. Douglas Henderson, ARTCRAFT Studio Newsletter, Wiscasset, Maine             ...Ihre Musik ist wunderschön, Grande Rag Brillante ist ein Meisterwerk;  als auch Komponist bin ich voll Neid, dass ich so etwas nicht schreiben kann. Ich wünsche Ihnen viel Erfolg!  Ich komponiere schon viele Jahre europäisch tonal und es itst nicht leicht, so zu komponieren in einer Welt, die noch in der atonalen Ideologie denkt. Ich hoffe, Ihr Weg wird leichter....-Ladislav Kupkovic, Czech-born composer residing in Germany                     Sort of like it ... electronicized ... ; then it becomes a real period piece, like Richard Taruskin’s theory about current HIP practitioners ...-William Bolcom, Pulitzer prize winning composer.             ...Gary Noland's music is complex, technically daunting stuff....'Grande Rag Brillante'... seems to be meant as an excercise in psychedelic ragtime piano, full of extremely fast passages, confusing modulations, and bizzare dissonance....-Butch Thompson, The Mississippi Rag              ...KPFA Music Director Charles Amirkhanian plans to use the new Disklavier.

Piano Solo - Level 3 - Digital Download SKU: A0.1391424 By Tony Bennett. By Bart Howard. Arranged by Brenda Dillon. Jazz. Score. 4 pages. Dillon's Music Group #974967. Published by Dillon's Music Group (A0.1391424). Brenda Dillon has a background in both academia and the music industry. She is best known for her expertise in teaching group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S., and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.

Piano Solo - Level 4 - Digital Download SKU: A0.1494452 By Frankie Laine. By Carl Fischer and Frankie Laine. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #1071046. Published by John Fries (A0.1494452). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER! We'll Be Together Again is a 1945 popular song composed by Carl T. Fischer, with lyrics by Frankie Laine. Fischer was Laine's pianist and musical director when he composed the tune, and Laine was asked to write the lyrics for it. The Pied Pipers were the first to release the song, and as well as Laine. it has since been recorded by such notable vocalists as Billie Holiday, Frank Sinatra, Louis Armstrong, Lou Rawls and Tony Bennett. This arrangement includes the lyrics.

Piano Solo - Level 3 - Digital Download SKU: A0.948611 By Jimmy Dorsey & His Orchestra. By Victor Schertzinger. Arranged by Robert Blond. Contemporary. Score. 5 pages. Robert blond #6198279. Published by robert blond (A0.948611). Standard from the Big-Band Era, introduced by the Jimmy Dorsey Orchestra  in the 1942 movie The Fleet's In, whose director was the song's composer Piano solo in the jazz styles of John Mehegan & Bill Evans: closely-packed extended chords (9ths, 11ths, 13ths) in voice-leading inversions, often rootless, both freely and rhythmicallySeamless 4-bar key change in big-band styleEnding is a nod to Benny Goodman's Stompin' at the Savoy