Piano Solo - Level 3 - Digital Download SKU: A0.901172 Composed by Carrie Jacobs-Bond. Arranged by E. Stoltzfus. 20th Century,Folk. Score. 5 pages. E. Stoltzfus #4996313. Published by E. Stoltzfus (A0.901172). This is a beautiful flowing arrangement on A Perfect Day, by Carrie Jacobs-Bond. It is an intermediate piano solo.

Piano Solo - Level 3 - Digital Download SKU: A0.1192066 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical. Score. 1 pages. Phil Beaman #791565. Published by Phil Beaman (A0.1192066). The Bird Song is a piano solo arrangement of the 1899 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano.  This is mostly a new composition inspired by the Jacobs-Bond piece.  I took the tune's 8-bar vocal melody and changed several of the notes then put it in the Left Hand.  In the Right Hand I created twittering birds.  The ending section elongates the final cadence into a dozen measures of twittering and posturing, followed by a Coda in a new Time Signature of rest and twittered farewells.  This makes a simple, delightful, lilting dance.  1 page score; 1:20 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 4 - Digital Download SKU: A0.1149736 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century,Jazz. Score. 4 pages. Phil Beaman #749895. Published by Phil Beaman (A0.1149736). Cupid's Home is a piano solo arrangement of the 1898 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. I have freely arranged this into a pulsing light jazz piece with an Intro, three sections, and a Coda; which each build in volume and rhythmic intensity. The Intro is straight from the Jacobs-Bond piece; it is the only part of the song that is. For section 1 I rhythmically augment (double the note values) of the melody and add a pulsing drone beat in the LH. In section 2 I double time the melody and syncopate it, then reharmonize it, and add harmonic movement to the still pulsing bass line. Section 3 adds syncopation and stride to the LH. The Coda is an extended riff and cadence. Pure fun! 4 page score; 1:55 minutes This piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 4 - Digital Download SKU: A0.1184723 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century,Jazz. Score. 4 pages. Phil Beaman #784405. Published by Phil Beaman (A0.1184723). In The Meadow is a piano solo arrangement of the 1925 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano.  This arrangement only uses one bar of the Jacobs-Bond song then goes on a jazz riff, then quotes a second bar of the original song, then goes off on another riff.  The same two bars get sporadically reused twice more in the piece to bridge into yet more riffs.  A fun jazz piece that is both lilting and passionate while it constantly shifts moods.  4 page score; 2:00 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 4 - Digital Download SKU: A0.1245093 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century,Jazz. Score. 3 pages. Phil Beaman #839999. Published by Phil Beaman (A0.1245093). A Study in Symbols is a piano solo arrangement of the 1901 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano.  I have turned this piece into a Charleston dance, inspired by the original Charleston song which created this genre.  I have taken the Jacobs-Bond simple 8 bar chromatic theme, altered the rhythm, and embedded it into the chords of my own opening chorus theme.   Everything else I totally made up to create my Charleston in true 1920's style.  This includes a new contrasting B theme in the relative minor key for the verse.  The song is in ABA format with a repeat.  Full of energy and history, and great fun to play, this piece works for dance, pleasure, or a showstopping concert encore.  3 page score; 2:10 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 53 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 4 - Digital Download SKU: A0.1158819 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century,Jazz. Score. 2 pages. Phil Beaman #759066. Published by Phil Beaman (A0.1158819). The Gate of Tears is a piano solo arrangement of the 1905 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano.  I have created four distinctively different sections.  Section 1 I have double dotted the rhythm of the melody and added staccato chords in the inner voice to give this section a bouncy feel.  I really slow down and soften the dolorosa Section with double note values and fuller chords.  Section 3 picks the tempo back up and has a groove of detached jazz chords.  Section 4 slows back down into a stately bridge of thick duple chords.  There is a D.C. of the first two sections.  A great piece of powerful emotional drama.   2 page score; 2:14 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 4 - Digital Download SKU: A0.1172716 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Romantic Period. Score. 2 pages. Phil Beaman #772950. Published by Phil Beaman (A0.1172716). The Dear Auf Wiedersehn is a piano solo arrangement of the 1904 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano.  There are full, rich chords in both hands to give depth to this impassioned 'good-bye'.  (Many chords span a 10th.)  I also add many expression markings to bring out the emotion.  Then I stretch out the rhythm at the end to make it linger longer before the parting.  This arrangement is very typical of Romantic Era writing.   2 page score; 2:15 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 3 - Digital Download SKU: A0.1172098 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Romantic Period. Score. 2 pages. Phil Beaman #772362. Published by Phil Beaman (A0.1172098). Hush-a-by is a piano solo arrangement of the 1911 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano.  In order to go back to its roots as a lullaby I have simplified the piece to mostly single notes in each hand.  This piece lays under the hands nicely making it a joy to play.    2 page score; 2:00 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 3 - Digital Download SKU: A0.1156414 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical. Score. 3 pages. Phil Beaman #756731. Published by Phil Beaman (A0.1156414). When Do I Want You Most is a piano solo arrangement of the 1897 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. The descending pattern in the first bar of the melody reminded me of the opening of a famous Bach minuet, so I turned this pop ballad into a minuet. I reharmonized the melody more in the style of Bach, and wrote an extended intro, bridges, and Coda to tie the melody quotes together. A graceful piece in 2 part writing (single notes in each hand). 3 page score; 2:30 minutes This piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 3 - Digital Download SKU: A0.1171512 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Romantic Period. Score. 2 pages. Phil Beaman #771833. Published by Phil Beaman (A0.1171512). Good Night is a piano solo arrangement of the 1905 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano.  I took the first 8 bars of melody and set it to an oscillating broken chord triplet pattern setting up a 2 against 3 rhythm.  I then repeated this 8 bar melody with a reharmonized triplet pattern an octave lower.  For the final 8 bars I slow down the tempo and rhythm and put it back into simple time.  It ends with a mesmerizing coda of just the oscillating broken chord triplet pattern.  2 page score; 1:30 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 3 - Digital Download SKU: A0.1172139 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. New Age,Romantic Period. Score. 2 pages. Phil Beaman #772405. Published by Phil Beaman (A0.1172139). The Lily and The Rose is a piano solo arrangement of the 1901 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. This arrangement is mostly inspired by the original 12 bar tune.  I started with the original melody, then changed several of the notes; then doubled the note values before making further rhythmic changes.  Then I set it to a chromatically descending bass line.  Once I had completed that romantically inspired section, I changed the Time Signature and created a New Age section using a few of the melodic notes.  It becomes a unique and expressive piano solo.  2 page score; 2:00 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 3 - Digital Download SKU: A0.1149455 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century,Classical,Folk,Pop. Score. 2 pages. Phil Beaman #749598. Published by Phil Beaman (A0.1149455). In a Foreign Land is a piano solo arrangement of the 1905 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. I have simplified the piece with much of it now 2 part (single notes in each hand) with some occasional 2 note chords. In the opening section I reharmonize the melody with simple folk style chords, then in the second section I return to the original syncopated broken chords. Simple and playful, it is a fun piece to play. 2 page score; 2:20 minutes This piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 3 - Digital Download SKU: A0.1172127 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Romantic Period. Score. 2 pages. Phil Beaman #772392. Published by Phil Beaman (A0.1172127). Life's Garden is a piano solo arrangement of the 1914 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano.  I take this original melody and put it to an entirely different setting.  The piece grows,  starting with a single note unaccompanied melody and each line adds more depth and texture as the piece continues to build to the end.  The majority of the song has both hands in the treble clef, only the final stanza uses bass clef.  In this passionate piece I tell the story of life.  2 page score; 1:35 minutesThis piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 4 - Digital Download SKU: A0.1158760 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century,Jazz. Score. 3 pages. Phil Beaman #759020. Published by Phil Beaman (A0.1158760). My Dearest Dear is a piano solo arrangement of the 1905 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. I have kept the off-beat inner voices and added contrasts of dynamics, articulation, texture and drama to give it a more jazz feel. 3 page score; 2:00 minutes This piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Piano Solo - Level 5 - Digital Download SKU: A0.1150422 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century. Score. 5 pages. Phil Beaman #750599. Published by Phil Beaman (A0.1150422). Over Hills and Fields of Daisies is a piano solo arrangement of the 1902 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. I have created three variations based on the original piece. After a thick chordal introduction, the first variation places both hands up an octave in a 2/4 time scherzo with a slightly altered melodic rhythm and minim/half note blocked 7th chords in the LH. The second variation further changes the melodic rhythm to 3/4 time and elaborates the chordal harmony. The third variation dramatically extends across three staves back in 2/4 time, with the melody only implied in half-time and thick cascading chords in both hands, (a la Rachmaninoff's Preludes, written just the year before this piece). 5 page score; 2:54 minutes This piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.