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Piano Solo - Level 4 - Digital Download SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601. Published by Musik Fabrik Music Publishing (A0.533554). I. (Flowing)II. (Fast, nimble)III. (Funereal) (in memoriam Donald Martino)IV. (Dancing)V. (Distant, echoing) (for Richard and Dee Wilson)VI. (Moderate, singing, with humor) (for Michael Finnissy)VII. (Slow, very lyrical)VIII. (March)IX. (Envoi: Very slow, from afar)Nine Preludes (2007) for piano was written for and is dedicated to pianist Marilyn Nonken; it was commissioned byRichard Mason.Although the work is composed as a set of discrete movements, the preludes are very much interconnected, as motivicand developmental ideas run throughout the entire set. The basic musical material (founded upon collections of minorand major thirds) is shared among all nine movements. An elegiac quality runs throughout the work.The first prelude (Flowing) is inspired by the piano music of Johannes Brahms, whose contributions to the instrument’sliterature have been a significant and ongoing influence on my work.The second prelude is fast and bright. Consistent staccato textures are maintained as the two hands intertwine.The third prelude (Funereal) is dedicated to the memory of American composer Donald Martino (1931–2005). The musicrefers very obliquely to Martino’s setting of Robert Herrick’s poems of death and eternity in The White Island (1985).The fourth prelude (Dancing) is light and buoyant. After a melodic middle section, the opening music reverses itself to theend.The fifth prelude (Distant, echoing) is dedicated to Richard and Dee Wilson. Through large blocks of sustained sound (bothquiet and loud), the movement explores certain harmonic colors of the piano.The sixth prelude (Moderate, singing, with humor) is dedicated to English composer Michael Finnissy. The opening ismarked “like an ‘off-kilter’ folk song,†and this original melody is subjected to a variety of transformations and textures.The rhythmic patterns are constantly in flux.The seventh prelude (Slow, very lyrical) is melodic and passionate, with a nocturnal character. The middle builds to anintense climax before dying away.The eighth prelude (March) is spiky and crisp. In the trio, the march theme is turned first into a tonal ballad beforegradually transforming back into the language of the march. A faster reprise of the opening music follows.The ninth prelude (Envoi: Very slow, from afar) is an elegaic “farewell.†Romantic gestures and harmonies try to assertthemselves before the music dies away.Performance Note: Although it is preferred that the entire set of nine preludes be played in concert, individual preludes (or smallerassembled groupings) may be performed when necessary for programming needs. If the entire set is played, however, the order of thepreludes should not be changed. The movements should be listed in the program in the format shown at the top of this page.Recorded by Donna Amato on Carson Cooman: Piano works  ALTARUS AIR-CD-9015
Carson Cooman: Nine Preludes for piano
Piano seul

$25.95 22.45 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.533553 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 10 pages. Musik Fabrik Music Publishing #3018597. Published by Musik Fabrik Music Publishing (A0.533553). Summer Solstice (2007) for piano was written for and is dedicated to pianist and composer Jeffrey Jacob.Though there were a number of interconnected inspirations behind the work’s conception, one of theseintentions is as a tribute to American composer Vincent Persichetti (1915–1987). Though there are nospecific quotations from Persichetti’s music, some of the textural and developmental ideas (particularly inthe fast, middle section) owe themselves to his work.The work opens in a free, declamatory manner – announcing its basic pitch material. Spasmodic gesturesintercut the resonant declamation. Amidst the bright ringing, a lyric melody tries to assert itself again andagain. A whirling and dry fast section, however, emerges; the material is put through a series of spinningtransformations, building to a ringing and clangorous climax – bathed in the white heat of the summer sun.The final section is marked “memorial candles†– distant and near candles set out on a field flicker in thesummer heat and ebbing sunlight while low, distant chimes sound the passing of time. The candles slowlyburn out – one by one – in the heat of the dry summer air.Recorded by Donna Amato on Carson Cooman: Piano works ALTARUS AIR-CD-9015
Carson Cooman: Summer Solstice for piano
Piano seul

$12.95 11.2 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.533564 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 10 pages. Musik Fabrik Music Publishing #3022367. Published by Musik Fabrik Music Publishing (A0.533564). Concert Piece: La Tricotea (2006) was written for and is dedicated to conductor and pianistJeffrey Grossman.The work is a “concert paraphrase†in the tradition of the virtuoso piano literature. Thus it is nota set of traditional variations but rather is a virtuosic elaboration of the source material – withdifferent parts of the piece focusing on and amplifying different elements of the original.The source material is the anonymous Renaissance Spanish three-part choral motet La Tricotea.In some sources, this motet is attributed to Francisco Alonso. It was originally published acollection entitled Cancionero Musical del Palacio (c. 1490 – 1520). The text of the motet isprimarily in Spanish but includes both elements of other Romance languages and a great deal ofgibberish.
Carson Cooman: Concert Piece: La Tricotea (2006) for piano
Piano seul

$10.35 8.95 € Piano seul PDF SheetMusicPlus






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